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Crespin, Régine

Crespin, Régine (b Marseilles, 1927). Fr. soprano. Début Mulhouse 1950 as Elsa in Lohengrin, Paris Opéra later in 1950 in same role. Bayreuth 1958–60; Glyndebourne 1959–60; CG 1960; Amer. début Chicago 1962; NY Met 1962; Salzburg Easter Fest. 1967; mez. roles from 1971. Last appearance Paris 1989 as Countess in The Queen of Spades. Retired 1989, taught at Paris Cons. Distinguished concert career, esp. in Berlioz Les Nuits d'été.

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Crespin, Régine

Régine Crespin (rāzhēn´ krĕspăN´), 1927–2007, French soprano. She made her major debut at the Paris Opéra in 1950. The range, flexibility, subtlety, and richness of her voice were critically acclaimed after her performance as Kundry in Wagner's Parsifal at Bayreuth in 1958. In 1962 she made her American debut at the Metropolitan Opera, singing the Marschallin in Richard Strauss's Der Rosenkavalier.

See her memoir (tr. 1997).

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Crespin, Régine

Crespin, Régine

Crespin, Régine , outstanding French soprano, later mezzo-soprano; b. Marseilles, Feb. 23, 1927. She studied pharmacology, and then began taking voice lessons with Suzanne Cesbron-Viseur and Georges Jouatte in Paris. She made her debut in Mulhouse as Elsa in 1950 and then sang at the Paris Opéra from 1951, where she quickly rose to prominence. She acquired a reputation as one of the best Wagnerian singers of her era. Crespin sang Kundry at the Bayreuth Festivals (1958–60). She appeared also at La Scala in Milan, at Covent Garden in London, and on Nov. 19, 1962, made her debut with the Metropolitan Opera in N.Y. in the role of the Marschallin; she remained with the Metropolitan until her farewell appearance as Mme. De Croissy in Les Dialogues des Carmélites on April 16, 1987. From 1977 until her retirement in 1991 she sang mezzo-soprano roles. Her memoires were publ. as La vie et I’amour d’une femme (Paris, 1980; 2nd ed., rev. and aug., 1997, as A la scene, a la ville; rev. Eng. tr., 1997, as On Stage, Off Stage: A Memoir). She sang the parts of Elsa in Lohengrin, Sieglinde in Die Walkilre, and Amelia in Un ballo in maschera’, also appeared as a concert singer. Her sonorous, somewhat somber voice suited dramatic parts excellently.

Bibliography

B. Dump, R. C: La voix de velours (Paris, 1998).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

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