Jewelry and Amulets

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Jewelry and Amulets


Archaeology has provided many examples of Egyptian jewelry for study. Upper-class Egyptian men and women wore jewelry and considered it essential for being fully dressed. Jewelry served to protect people, according to Egyptian thought. The areas most in need of protection were the head, neck, arms, wrists, fingers, waist, and ankles. Thus hairpins, necklaces, armlets, bracelets, finger-rings, decorative girdles, and ankle bracelets all became popular as a means of protecting vulnerable areas. Unlike modern jewelers, who normally use casting to shape their products, Egyptian jewelers more often hammered sheet metal, then cut, shaped, crimped, and soldered it to make settings for stones. Jewelers also hand-wrought wires for chains. Often tomb jewelry was inexpensively gilded wood or steatite (soapstone) rather than solid gold. Only the wealthiest Egyptians could afford to bury solid-gold objects. People who could not afford jewelry made from precious metals and semi-precious stones but who still desired the protection it could give used flowers, seeds, and shells for personal adornment. The most popular inexpensive substitute material was faience. Faience is made from fired sand with a glaze made of soda-lime-silicate. Jewelers could make faience jewelry in molds. Thus faience could imitate nearly any shape. It also could be colored in a wide variety of shades from white to green to blue. Many scholars believe that, though inexpensive, faience was also popular because of its dramatic transformation from sand as a raw material to a glittering colored surface.


Many items of Egyptian jewelry were symbolic as well as expressions of wealth and status. The Egyptians thought that the gods' flesh was gold and their bones were silver. Thus these two precious metals associated the wearer with the divine. Colorful semi-precious stones could also represent various ideas through symbolism. Red stones represented powers such as the sun. Green represented regeneration and growth, important for the symbolism of rebirth into the next world. Deep blue represented the heavens and the waters of the Nile. Royal jewelry beginning in the Old Kingdom had a standard red/green/blue pattern that tied together the most important concepts through symbolism.

Boatman's Circlet.

The Egyptians called the first known head ornaments worn both by men and women the boatman's circlet. Originally it was a headband made of woven reeds that kept a boatman's hair in place while he worked. Wealthy women such as Seneb-tisi who lived in the Twelfth Dynasty (1938–1759 b.c.e.) had a gold head circlet imitating the boatman's headband. Princess Khnumet, also of the Twelfth Dynasty, was buried in a headband of gold imitating the reeds of a boatman's circlet but with additional blue, red, and green stones to represent flowers.


A headband or circlet becomes a diadem when a royal person wears it. Gold headbands with added Uraeus-snake or vulture were worn by queens in the Twelfth Dynasty. Princess Sit-Hathor-Yunet wore a diadem with fifteen inlaid roundels, papyrus flowers, and a Uraeus-snake. A royal woman of the Eighteenth Dynasty wore such a diadem with a gazelle rather than a Uraeus, a sign she was a secondary queen.

Wig Decorations.

Burials of the Twelfth and Eighteenth Dynasties also have revealed wig decorations. Seneb-tisi, a woman who lived in the Twelfth Dynasty included gold rosettes spaced at regular intervals on her wig. Princess Sit-Hathor-Yunet wore short gold tubes threaded on the hair of her wig. One of the royal women from the Eighteenth Dynasty wore a head covering of gold rosettes strung between beads over her wig.

Rings and Earrings.

Finger rings of gold, silver, bronze, copper, or faience often incorporated hieroglyphic signs, especially signs for words that signified characteristics Egyptians prized. Thus jewelers made rings from the ankh (life) hieroglyphs along with signs for eternal existence, healing, protection, and stability. One popular ring form was a bezel or base for a scarab beetle with an inscription on the bottom. Often the inscription was the name of a king, a deity, or a wish for health. Unlike rings, which were standard jewelry long before 2000 b.c.e., ear ornaments joined Egyptian jewelry in the Second Intermediate Period (1630–1539 b.c.e.) and did not become popular until the New Kingdom (1539–1075 b.c.e.). Popular styles included hoops, pendants, studs, and plugs. Both men and women wore earrings, though kings did not wear them in representations, even though several royal mummies have pierced ears. Earrings were included among Tutankhamun's treasures, but the mummy did not wear earrings even though he had pierced ears and wore many other kinds of jewelry. This is a puzzling contradiction.

Stones—Imported and Local

The Egyptians used a wide variety of imported and local semi-precious stones in their jewelry. The following lists show the range of colorful stones available for the ancient jeweler to set. Jewelry also helps to establish wide-ranging trade networks available to the Egyptians.

Local Stones



Banded Agate





Green feldspar







Rock crystal


Imported Semi-Precious Stones

Lapis lazuli, Afghanistan

Turquoise, Sinai

Obsidian, Iran

Beaded Collars.

In Egypt's long history there were several trends or fads in jewelry. But the longest-lived item was the beaded collar. There were two types of beaded collars worn by men, women, and deities. They included the wesekh ("broad") collar and the shenu ("encircling") collar. The wesekh collar consisted of several rows of upright tube-shaped beads, strung close together. The bottom row used pendants shaped like a beetle, a symbol of eternal life, or a simple drop-shaped bead. The shenu collar used similar tube-shaped beads in alternating segments strung vertically and horizontally. Both collars were symmetrical, a general characteristic of Egyptian jewelry. They both also used the larger beads in the center and gradually reduce the size of the beads toward the edges, as well as terminals to gather the stringing of the beads. Finally they both used counterweights worn toward the back that relieved the weight of the necklace on the neck. The menat or counterweight also made it possible for the beaded collar to lie properly at the neck. The menat thus became a symbol of stability.


Simple beads on a string around the neck developed into both collars and chest ornaments called pectorals. A pectoral is a piece of jewelry that hangs over the chest. The first pectorals were pendants with the name of the king inscribed on them. They were made from precious metals often inlaid with semi-precious stones. Some examples were shaped like a shrine with the king's name in a cartouche in the center. In the New Kingdom, pectorals often substituted a scarab for the king's name. The scarab beetle was a symbol of the sungod. These scarab-beetle pectorals were worn only by mummies, not living people.

Arm/Leg Ornaments.

The Egyptians wore armlets on their upper arms and bracelets on their forearms and anklets around their ankles. Both men and women wore armlets, bracelets, and anklets. All three could be either flexible or rigid. The flexible armlets, bracelets, and anklets were made from beads, while the rigid type is called a bangle, made from elephant ivory or precious metal. Bracelets were popular in both the Old and Middle Kingdoms. Armlets came into fashion only in the New Kingdom. Among the most famous sets of bracelets were the thirteen worn by Tutankhamun's mummy. They were made from gold with inlays of precious stones. They included protective symbolism such as the vulture, the Eye of Horus that could represent healing, and the scarab beetle representing the sun god. Anklets are indistinguishable from bracelets. They can be either made from beads or can be rigid bangles made with a hinge. It would not be possible to pass a rigid bangle over the entire foot to reach the ankle. Thus they were made with hinges that allowed them to open. There are many representations of men and women wearing anklets, but they can only be recognized when a mummy is wearing one. Tutankhamun's anklet, for example, looks exactly like a bracelet. Yet because it was discovered around his ankle, its true purpose is known.


Jewelers were represented in tomb paintings, relief, and on stelae. Tomb representations of jewelers show them at work at work benches and using their tools. In the tomb of the Sixth-dynasty (2350–2170 b.c.e.) prime minister Mereruka, people who weigh precious metals then melt them are represented with gold workers and bead stringers. Several dwarves work as jewelers in this scene, a common phenomenon. Dwarves had an association with Ptah, the patron god of craftsmen. But also it is possible that the small hands of dwarves were an asset in working with jewelry. In the New Kingdom, the best representation of jewelers is in the tomb of another prime minister named Rekhmire (reign of Thutmose III, 1479–1425 b.c.e.). Here men are represented drilling stone beads and stringing them as if they were in an assembly line. Stelae include the names of jewelry workers and imply that they were at least middle-class workers.


Cyril Aldred, Jewels of the Pharaohs (New York: Praeger, 1971).

Carol Andrews, Ancient Egyptian Jewelry (London: British Museum, 1990).