Titian
Titian (1485–1576) Venetian painter, b. Tiziano Vecellio. He trained first with Giovanni Bellini, and then with Giorgione. His reputation was established with the monumental The Assumption of the Virgin (1516–18). Titian combined the balance of High Renaissance composition with a new dynamism, which heralded the baroque. He favoured vivid, simple colours, and often silhouetted dark forms against a light background. His finest mythological paintings include Bacchanal (c.1518) and the earthy Bacchus and Ariadne (1522–23). In 1533, Emperor Charles V appointed Titian as court painter, and his Charles V at Mühlberg (1548) is one of the earliest equestrian portraits. From 1550, Titian prroduced erotic mythologies for Philip II of Spain, such as The Rape of Europa (1562). His last work was the astonishingly powerful Pietà, which he designed for his own tomb. Titian's oil technique was freer and more expressive than any earlier style, and he had a revolutionary influence on later artists.
http://www.nationalgallery.org.uk; http://www.nga.gov; http://mcu.es
http://www.nationalgallery.org.uk; http://www.nga.gov; http://mcu.es
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