Skip to main content

Skunk Anansie

Skunk Anansie

Rock band

For the Record

Selected discography

Sources

Formed in London, England, in February of 1994, Skunk Anansienamed after the black and white striped animal (two of the band members are black, while the other two are white) and a spider predominately featured in Jamaican folklorebecame known as the perfect metal/punk outfit to represent the future of rock music. From the moment the group released their hit debut album, Paranoid and Sunburnt, the music industry and rock fans immediately recognized that Skunk Anansie, described as Grace Jones meets Rage Against the Machine, had an electrifying and unique sound unlike any rock band heard before. Even critics who disliked the music agreed that Skunk Anansie was truly different. The groups spectrumwhich includes hints of R&B, pop, soul, and funkmixes electronicatinged heavy metal guitar with the energy of punk. Their diverse influences range from Sly Stone and Stevie Wonder to the Sex Pistols, the Clash, Public Enemy, Living Colour, Black Sabbath, and PJ Harvey. Skunk Anansies live shows have been described as ferocious, dynamic, mad, and angry.

For the Record

Members include Ace, guitar; Cass Lewis, bass; Mark Richardson, drums; Skin (born Deborah Dyer at Brixton, London, England), vocals.

Formed in February of 1994; signed with One Little Indian Records, July 1994; released debut album, Paranoid and Sunburnt, 1995; signed with Epic Records and released Stoosh, 1997; released Post Orgasmic Chill, 1997.

Addresses: Home London, England. Record company Epic Records, 550 Madison Ave., New York City, NY 10022-3211.

The groups lead singer Skin (born Deborah Dyer) propelled Skunk Anansies acclaim and notoriety with her dangerous, yet exhilarating persona. Most critics agreed that Skin was the most visually striking front person to come along since David Bowies incarnation of Ziggy Stardust. Melody Maker, in comments included at the One Little Indian website, once said, if, as Sly Stone once said, everybody is a star, Skin is a solar system. The first black woman known to ever front a metal rock group in a scene still dominated by long-haired white men, Skin, a stunning six-foot-tall, openly bisexual woman, at times sang with the harshness of artists like Courtney Love (of the group Hole) or punk rocker Johnny Rotten, while maintaining the ability to shift to the vocal range and purity embraced by Irish singer Sinéad OConnor.

Skin formed the London-based quartet after attending a furniture design course at Teesside Polytechnic in Middlesborough, England. From there, she moved back to London and started meeting local musicians. Although Skin shelved her first band, which she considered too rock-oriented, she retained the services of bass player Cass Louis, and started rehearsing as Skunk Anansie. Guitarist Ace and drummer Mark Richardson were also added to the lineup. By July of 1994, the group signed their first contract with the independent label One Little Indian after company executive Rick Lennox attended their second gig. Soon thereafter, the BBC (British Broadcasting Company) Radio One Evening Session program picked up on the band, and for the first time in British music history, the broadcasting company recorded Skunk Anansies first single, the anti-racist Little Baby Swastikkka. For a time, the song was exclusively aired on Radio One and used as a competition giveaway, then made available by mail order only. Two more singles followed: the controversial Selling Jesus and I Can Dream, which appeared on the British top 40 list.

In the meantime, the group toured with the rock bands Therapy? and Senser and collaborated with singer Björk for her Army of Me single, before recording their debut album, 1995s Paranoid and Sunburnt. Produced by Sylvia Massey (who also records for musicians such as Tool and Prince) and Skunk Anansie, and mixed by Andy Wallace (who worked with Nirvana, Faith No More, Jeff Buckley, and Bad Religion), the 11-track collection ranged from heavy rock to emotional ballads delivered by Skin with style, grit, and conviction. The album, which eventually went multi-platinum, illustrated Skins scalding voice in songs like Intellectualize My Blackness, an attack on manipulative liberals, as well as her versatility on 100 Ways to Be a Good Girl, a tender meditation about emotional abuse, and the softer Charity. Already a well-known group across Europe, the band then took their eclectic music and frenetic stage show to the United States.

In 1997 Skunk Anansie signed with a major label, Epic Records, and released their follow-up album, the harder-edged Stoosh, a West Indian term meaning crisp. Its a complimentary term, bassist Lewis, also of African ancestry, told Kendall Morgan in the Dallas Morning News during the groups tour with punk rock god Henry Rollins that year. Stoosh [the word] is almost like someone that appreciates the finer things in life, but they come from the streets. Its pretty dangerous. Its when youre just massive and large. Like the debut album, Stoosh continued to promote the groups social commentary, but Lewis was quick to point out that Skunk Anansies stands are not as political as the messages of other rock bands. Our politics are a natural stance. Its not that weve got to be political. Its social commentary, really. Were not political like Rage Against the Machineno ones got a degree in political science. The things that Skin writes about are common views, he reassured Morgan.

Stoosh includes unrestrained metal rock tracks, both musically and lyrically, such as Yes, Its (expletive) Political and We Love Your Apathy. Notwithstanding, Skin showed off her formidable vocals and the groups softer side with ballads like Shes My Heroine and Infidelity (Only You), as well as with the pop-structured Hedonism (Just Because You Feel Good). Like their debut, Skunk Anansies second album, produced by Garth Richardson, went multi-platinum. In addition, MTV (Music Television) nominated the group in September of 1997 for best rock act and for best live act, although the awards went to other artists. The same year, the British music magazine Karrang! named Skunk Anansie best British band and top live act.

Skunk Anansie returned in the spring of 1999 with the release of Post Orgasmic Skill, destined to earn accolades as well. The demon divas vocal performances on Skunk Anansies third and finest album are utterly transfixing and not a little disquieting, noted David Veitch in the Calgary Sun. Her bandmates, finely attuned to Skins wild mood swings, make the transition from high-intensity guitar riffing and hammer-fisted drumming to shimmering, string-sweetened loveliness seem effortless and perfectly natural.

Continuing to branch out from mainstream music, the group further widened the space between pounding guitar electronica and soulful pop. Tracks such as the spleen-venting On My Hotel TV displayed the groups ability to hold their own against any heavy metal band, while Tracys Flaw and Youll Follow Me Down exposed Skins vulnerability. The group showed even more stylistic diversity on Post Orgasmic Chill. For example, the albums opening song entitled Charlie Big Potato was reminiscent of the Led Zeppelin classic Kasmir. With three successful albums to their credit and a major label contract, Skunk Anansie appeared to have no plans of slowing, or quieting, down.

Selected discography

Paranoid and Sunburnt, One Little Indian/Epic, 1995.

Stoosh, Epic, 1997.

Post Orgasmic Chill, Epic, 1999.

Sources

Books

musicHound Rock: The Essential Album Guide, Visible Ink Press, 1999.

Periodicals

Business Wire, September 17, 1997.

Calgary Sun, August 22, 1999, p. 46.

Daily Telegraph, March 20, 1999.

Dallas Morning News, June 13, 1997, p. 35.

Independent, August 22, 1997, p. 2; March 20, 1999, p. 13.

Independent on Sunday, December 1, 1996, p. 16.

Jerusalem Post, August 5,1997, p. 08; May 11,1999, p. 11.

Minneapolis Star Tribune, November 5, 1995, p. 02F.

St. Louis Post-Dispatch, September 26,1997, p. 04E; August 19, 1999, p. 26.

Time, October 16, 1995, p. 103.

Voice, April 7, 1997, p. 30.

Online

Skunk Anansie, One Little Indian website,http://www.indian.co.uk (September 5, 1999).

Skunk Anansie Discography-Biography, Yahoo! Music,http://www.musicfinder.yahoo.com (Septembers, 1999).

Laura Hightower

Cite this article
Pick a style below, and copy the text for your bibliography.

  • MLA
  • Chicago
  • APA

"Skunk Anansie." Contemporary Musicians. . Encyclopedia.com. 22 Oct. 2018 <http://www.encyclopedia.com>.

"Skunk Anansie." Contemporary Musicians. . Encyclopedia.com. (October 22, 2018). http://www.encyclopedia.com/education/news-wires-white-papers-and-books/skunk-anansie

"Skunk Anansie." Contemporary Musicians. . Retrieved October 22, 2018 from Encyclopedia.com: http://www.encyclopedia.com/education/news-wires-white-papers-and-books/skunk-anansie

Learn more about citation styles

Citation styles

Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).

Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.

Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:

Modern Language Association

http://www.mla.org/style

The Chicago Manual of Style

http://www.chicagomanualofstyle.org/tools_citationguide.html

American Psychological Association

http://apastyle.apa.org/

Notes:
  • Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most Encyclopedia.com content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
  • In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list.