perspective

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perspective.
1. Method of creating an illusion of recession behind a two-dimensional surface (including gradations of colour, tone, and receding lines).

2. Technique (invented during the Renaissance, notably by Brunnelleschi and Alberti) of representing graphically, by means of lines on paper, an object as it appears to the eye, suggesting three dimensions. It is based on the proposition that parallel lines at 90° to the field of vision (orthogonals) seem to join at a vanishing-point. See also axonometric; isometric projections; rendering.

Bibliography

Fraser Reekie (1946);
Malton (1800);
Mohrle (1994);
Nicholson (1835);
Sinisgalli et al. (2000);
Jane Turner (1996)

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