Morphine

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MORPHINE

Formed: 1990, Cambridge, Massachusetts; Disbanded 1999

Members: Mark Sandman, lead vocals, 2-string bass guitar, keyboards (born 24 September 1952; died 3 July 1999); Dana Colley, baritone and tenor saxophones (born 17 October 1961); Billy Conway, drums (born 18 December 1956). Former member: Jerome Dupree, drums (born 9 November 1956).

Genre: Rock

Best-selling album since 1990: Cure for Pain (1993)


In an era ruled by guitar-driven grunge rock, Morphine was a band without a guitarist. The trio's minimalist sound and guttural grooves evoked midnight passion, foreboding scenarios, and abstract dreams. Its sensual, bluesy music was often compared to the nightmarish qualities of the experimental films of David Lynch, or the crime fiction of Jim Thompson. College airplay and positive press made the group one of the 1990s' best-respected cult bands.

Morphine emerged out of Treat Her Right, a conventional blues group headed by bassist and vocalist Mark Sandman. Saxophonist Dana Colley lived near Sandman and the two began to experiment together, creating what would become their signature sound. Sandman's deadpan voice sat in the same low octaves as Colley's baritone saxophone, and together they worked to supplant a lead guitar line. Surprised to discover such a minimal approach led to wider possibilities, they enlisted area drummer Jerome Dupree to complete the trio. In 1991 Morphine released its debut album Good on the independent label Accurate/Distortion. Rykodisc Records re-released Good the next year and Morphine received its first batch of solid reviews and college airplay across the country. Good was named Independent Album of the Year at the 1992 Boston Music Awards. Soon after, Dupree was replaced by Treat Her Right drummer Billy Conway.

Morphine's second album, Cure for Pain (1993), pushed the band into the mainstream and a word-of-mouth campaign that led to international tours, national press, and shows booked on large outdoor festival stages and lengthy residencies in small clubs.

Much of the fascination with Morphine revolved around its distinctive sound without a guitar, the signature instrument in rock. Morphine looked more like a jazz combo. "[Guitars] don't really matter," Conway told the Chicago Daily Herald in 1997. "Jerry Lee Lewis played piano and he rocked and Little Richard rocked. There's no law I know of that rock and roll has to have a guitar. I think the [rock] attitude is hopefully reflected in [the playing style] and hopefully we deliver the song in the proper package."

In 1996 Morphine jumped to Dream Works, a major label, and the following year the group released its fourth album Like Swimming. By that point Sandman's lyrics had grown darker, with images appearing to have been transcribed from dreams. "I swam out as far as I could swim 'til I was too tired to swim anymore and then tried to get my strength back," Sandman sings on the song "Empty Box." Despite a push from Dream Works, the album failed to bring Morphine big commercial success. On July 3, 1999, while on tour in Rome to promote the album, Sandman died onstage of a heart attack.

Morphine left a deep vault. In 2000 the posthumous album The Night was released, followed by the live album Bootleg: Detroit. In early 2003 Rykodisc released a best-of collection that included unreleased material. Conway and Colley toured as Orchestra Morphine in 2000 to say goodbye to fans. In 2002 they debuted as Twinemen, a new trio featuring singer Laurie Sargent.

Morphine's unusual sound and Sandman's wry, sobering vocals distinguished the band from its peers. Its albums tried to redefine the essential elements of rock.

SELECTIVE DISCOGRAPHY:

Good (Rykodisc, 1992); Cure for Pain (Rykodisc, 1993); Yes (Rykodisc, 1995); B-Sides and Otherwise (Rykodisc, 1997); Like Swimming (Dream Works, 1997); The Night (Dream-Works, 2000); Bootleg: Detroit (Rykodisc, 2000); The Best of Morphine 1992–1995 (Rykodisc, 2003).

WEBSITE:

www.morphine3.com.

mark guarino

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