Ma?d?ala
Maṇḍala (Skt., ‘circle’; Chin., man-ta-lao; Jap. and Korean, mandara; Tib., dkyil.ʾkhor). A symbolic pictorial representation of the universe, originating in India but prominent in Tibetan Buddhism. It is visualized in the context of Tantric ritual. Although maṇḍalas are commonly found on scrolls or as wall-paintings, for important rituals the maṇḍala is traced onto consecrated ground using coloured powders which may be erased upon termination of the ritual. In meditation, they can be visualized without external representation.
All maṇḍalas follow a precise symbolic format.
In Hinduism, maṇḍalas are described in great detail in the Tantras and Āgamas. For example, the Pañcarātra text, Lakṣmi Tantra (37.3–19), describes a maṇḍala of nine lotuses.
In liturgy (pūjā) a maṇḍala is the place where a deity is invoked by mantra. The placing of mantras upon the maṇḍala (nyāsa) gives it life, and the maṇḍala is then regarded, like mantra, as the deity itself (and not a mere representation of the deity). A maṇḍala is also visualized (dhyāna) by the yogin who aims at merging with the deity. Visualization is accompanied by mantra repetition and the practice of mudrā for the control of mind, speech, and body. See also CAKRA; YANTRA.
All maṇḍalas follow a precise symbolic format.
In Hinduism, maṇḍalas are described in great detail in the Tantras and Āgamas. For example, the Pañcarātra text, Lakṣmi Tantra (37.3–19), describes a maṇḍala of nine lotuses.
In liturgy (pūjā) a maṇḍala is the place where a deity is invoked by mantra. The placing of mantras upon the maṇḍala (nyāsa) gives it life, and the maṇḍala is then regarded, like mantra, as the deity itself (and not a mere representation of the deity). A maṇḍala is also visualized (dhyāna) by the yogin who aims at merging with the deity. Visualization is accompanied by mantra repetition and the practice of mudrā for the control of mind, speech, and body. See also CAKRA; YANTRA.
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Ma?d?ala