Earth, Wind and Fire

views updated Jun 11 2018

Earth, Wind and Fire

Pop group

Earth, Wind and Fire took the world of pop music by storm in the mid-1970s with their infectious blend of rhythm and blues, rock, and soul—a sound destined to be imitated by many groups, but never successfully duplicated by any other. From the start, Earth, Wind and Fire appealed to a widely diverse audience; as one of the first black rock/soul groups to cross over to a white audience, they paved the way for the entire rhythm and blues/pop crossover phenomenon of the late 1970s and the 1980s. Built on danceable funk, Latin, and African rhythms, layered with lush horn arrangements, and topped by the sweet falsetto voice of lead singer Phil Bailey, the group’s music urged listeners to enjoy life, to love, and to be open to the positive and mystical aspects of the universe.

Over the years Earth, Wind and Fire saw many members come and go from its ranks, but founder and guiding light Maurice White always remained at its heart. Like his brother, Verdine White, Maurice was among those who originally assembled to form the group in 1969. White was born in Chicago, but moved with his family to Memphis when he was still young. There, he began his musical career at the age of six, when he joined a gospel choir. As he grew older, Maurice became fascinated by marching bands and drill teams; this interest led him to take up the drums. He had his first professional gig in high school as part of a band led by Booker T. Jones of the MG’s.

After high school, White returned to his home town to study music at the Chicago Conservatory. He furthered his education with club gigs on the side, and eventually got work as a session drummer for Chess Records. Throughout the 1960s, he worked with many top Motown and Chess recording artists and for other Chicago notables, including the Impressions, Billy Stewart, and Muddy Waters. From 1967 until 1969, White was a part of the Ramsey Lewis Trio. He told Melinda Newman of Billboard that his time with Lewis proved to be a major influence on his musical philosophy: “I wanted to come from something right in the footsteps of where he was coming from ... something that was musical, yet still entertaining, and something where the subject matter touched your heart.” Lewis also introduced White to the kalimba, or African thumb piano, the sound of which would become an enduring Earth, Wind and Fire trademark.

Named for Astrological Elements

As his days with the Lewis trio drew to a close, White began to envision his own group. His dream was to bring together a sizable collection of musicians so that when touring, he would not have to hire local talent. In

For the Record…

Original members include Michael Beale, guitar; Leslie Drayton, horns; Wade Flemons, electric piano; Sherry Scott, vocals; Alex Thomas, horns; Chester Washington, horns; Maurice White (born December 19, 1941, in Chicago, IL), vocals, drums, kalimba; Verdine White (born July 25, 1951), bass, Donald Whitehead, keyboards; and Phillard Williams, percussion.

Later members include Phil Bailey (born May 8,1951, in Denver, CO; joined band 1972), vocals, percussion; Roland Bautista, guitar (left band 1972; rejoined 1981); Jessica Cleaves (born 1943, joined and left band 1972), vocals; Larry Dunn (born June 19,1953), keyboards; Johnny Graham (born August 3, 1951; joined band 1972), guitar; Ralph Johnson (born July 4, 1951), drums; Roland Laws, reeds (left band 1972); Al McKay (born February 2, 1948; bandmember, 1972-81), guitar, percussion; Sheldon Reynolds, vocals, guitar, Tuscanni keyboards; Freddie White (born January 13,1955; joined band 1974), drums; and Andrew Woolfolk (born October 11, 1950), sax, flute.

Group formed c. 1969 in Los Angeles as the Salty Peppers; signed with Capitol c. 1969; renamed Earth, Wind and Fire, 1971; signed with Warner Bros., 1971; re-formed and signed with Columbia, 1972; disbanded, 1983; reunited for world tour, 1986; disbanded until 1990; signed with Warner Bros, and released Millennium, 1993.

Awards: Grammy Award for best single, 1975, for “Shining Star”; two Grammy awards, 1978; National Association for the Advancement of Colored People (NAACP) Hall of Fame Image Award, 1994.

Addresses: Office —Reprise Records, 3300 Warner Blvd., Burbank, CA 91505-4694.

1969, he moved from Chicago to Los Angeles and assembled the precursor to Earth, Wind and Fire. The group, called the Salty Peppers, recorded for Capitol for a couple of years without drawing much notice; in 1971, White signed a new contract with Warner Brothers and renamed the group Earth, Wind and Fire after the elements in his astrological chart.

In less than two years, Earth, Wind and Fire released three albums: Earth, Wind and Fire, The Need of Love, and the soundtrack Sweet Sweetback’s Baadasss Song. They had two chart singles—“Love is Life” in 1971 and “Evil” in 1973—but by the time the latter was released, White had decided that Warner was not the label for him. He signed a new contract with Columbia. At the same time, he disbanded the group that had begun as the Salty Peppers and assembled a new, younger version of Earth, Wind and Fire. In addition to himself and Verdine, the new group featured vocalist Phil Bailey, who had been working with the Stoval Sisters’ Band; Johnny Graham, of the Nite-Liters; Jessica Cleaves, from the Friends of Distinction; and Al McKay from the Watts 103rd St. Rhythm Band.

The new group worked well together from the start, and their first Columbia release, Open Your Eyes, went to Number 15 on the album charts in 1974. The band’s real breakthrough came the following year, however, after their appearance in the film That’s the Way of the World. The soundtrack album from that movie, which featured their music, climbed into the Top Ten album chart, propelled by the success of Earth, Wind and Fire’s Grammy-winning single, “Shining Star.” They appeared in another film, Robert Stigwood’s 1978 release Sgt Pepper’s Lonely Hearts Club Band, and scored another Top Ten hit with their cover of the Beatles’ “Got to Get You into My Life.” The disco trend made them into true superstars; hit singles, and gold, platinum and double platinum albums became routine. Between 1971 and 1988, they had 38 hits on the rhythm and blues charts, all but six of which crossed over to the pop charts.

Changes in the group’s lineup were fairly frequent, but never affected its appeal. Their popularity enabled Earth, Wind and Fire to fill huge stadiums when they toured; they used these cavernous venues to their advantage by creating an innovative stage show featuring magic created by the master of illusion, Doug Henning. Mystical trappings such as giant pyramids wowed the audiences, as did the fireworks, disappearances, and the sight of the band “flying” to their places on stage.

Hiatus After Decade of Hits

White worked on a number of film soundtracks, including Armed and Dangerous and Coming to America. Phil Bailey also launched a successful solo career, topping the charts with “Easy Lover”—a duet with Phil Collins that was featured on the album Chinese Wall— and making his mark in the world of gospel music with offerings such as the Grammy-winning album Triumph! In 1986, Earth, Wind and Fire reunited to record Touch the World, an album they backed with a nine-month world tour, but members went their separate ways again until 1990, when they recorded Heritage.

Earth, Wind and Fire’s influence on the sound óf popular music was evident in their career retrospective, The Eternal Dance, released in 1992. The groundbreaking, 55-track boxed set covered two decades of music, including cuts from long out-of-print recordings from their early years with Warner Brothers, the best of their glory years with Columbia, and a number of previously unreleased tracks. Critic James Hunter remarked in his Musician review of the album: “The Eternal Dance collects some of the most fluent, centered and elastic pop music ever recorded. Its influence is everywhere.”

Released Millenium

The release of the retrospective and the group’s years of relative inactivity might have seemed to signal the end of an era, but even as the retrospective was being released, Earth, Wind and Fire was working on new music for the nineties. In May of 1992, the core group of Maurice White, Verdine White, and Phil Bailey went into the studio with a revamped horn section to record Millennium, an album of all-new music.

Maurice White had grown unhappy with Columbia Records during the last years of his contract with the organization, feeling that executives there were trying to steer his group in a direction that was not in line with his vision of what Earth, Wind and Fire should be. Accordingly, before going to work on Millennium, he signed a new contract with his old label, Warner Brothers. The result was a classic Earth, Wind and Fire album, filled with their smooth vocals, trademark horns, and sense of spirituality. Commenting on the album’s name to Melinda Newman, White joked: “’Millennium’ just felt right to me, I didn’t even know the meaning to it. When people ask me, ‘What does “Millennium” mean?; I’m going to have to tell them I had to look it up. Or I can just tell them it took us that long to get another album out.”

Selected discography

Earth, Wind and Fire, Warner Bros., 1970.
The Need of Love, Warner Bros., 1972.
Last Days and Time, Columbia, 1972.
Head to the Sky, Columbia, 1973.
Another Time, Warner Bros., 1974.
Open Our Eyes, Columbia, 1974.
That’s the Way of the World, Columbia, 1975.
Gratitude, Columbia, 1975.
Spirit, Columbia, 1976.
All’n’ All, Columbia, 1977.
Best of Earth, Wind and Fire, Volume I, Columbia, 1978.
I Am, Columbia, 1979.
Face, Columbia, 1981.
Raise, Columbia, 1981.
Powerlight, Columbia, 1983.
Touch the World, Columbia, 1987.
Heritage, Columbia, 1990.
The Eternal Dance, Columbia, 1992.
Millennium, Warner Bros., 1993.
Electric Universe, Columbia.
The Best of Earth, Wind and Fire, Volume 2, Columbia.
Sweet Sweetback’s Baadasss Song (soundtrack).

Sources

Billboard, September 18, 1993; January 15, 1994.

Entertainment Weekly, December 11, 1992.

High Fidelity, March 1988.

Musician, January 1993.

New York Times, December 13, 1992.

Rolling Stone, January 14,1988; March 22,1990; December 10, 1992.

Stereo Review, April 1988; June 1990.

—Joan Goldsworthy

Contemporary Musicians Goldsworthy, Joan

Earth, Wind and Fire

views updated Jun 08 2018

Earth, Wind and Fire

R&B group

Earth, Wind and Fire took the world of pop music by storm in the mid-1970s with their infectious blend of rhythm and blues, rock, and soul—a sound destined to be imitated by many groups, but never successfully duplicated by any other. From the start, Earth, Wind and Fire appealed to a widely diverse audience; as one of the first black rock/soul groups to cross over to a white audience, they paved the way for the entire rhythm and blues/pop crossover phenomenon of the late 1970s and 1980s. Built on danceable funk, Latin, and African rhythms, layered with lush horn arrangements, and topped by the sweet falsetto voice of lead singer Phil Bailey, the group's music urged listeners to enjoy life, to love, and to be open to the positive and mystical aspects of the universe.

Over the years Earth, Wind and Fire saw many members come and go from its ranks, but founder and guiding light Maurice White always remained at its heart. Like his brother, Verdine White, Maurice was among those who originally formed the group in 1969. White was born in Chicago, but moved with his family to Memphis when he was still young. There he began his musical career at the age of six, when he joined a gospel choir. As he grew older, Maurice became fascinated by marching bands and drill teams; this interest led him to take up the drums. He had his first professional gig in high school as part of a band led by Booker T. Jones, keyboardist of the legendary Stax recording studio house band the MG's.

After high school White returned to his home town to study music at the Chicago Conservatory. He furthered his education with club gigs on the side, and eventually got work as a session drummer for Chess Records. Throughout the 1960s he worked with many top Motown and Chess recording artists and for other Chicago notables, including the Impressions, Billy Stewart, and Muddy Waters. From 1967-69 White was a part of the Ramsey Lewis Trio. He told Melinda Newman of Billboard that his time with Lewis proved to be a major influence on his musical philosophy: "I wanted to come from something right in the footsteps of where he was coming from … something that was musical, yet still entertaining, and something where the subject matter touched your heart." Lewis also introduced White to the kalimba, or African thumb piano, the sound of which would become an enduring Earth, Wind and Fire trademark.

As his days with the Lewis trio drew to a close, White began to envision his own group. His dream was to bring together a sizable collection of musicians so that when touring he would not have to hire local talent. In 1969 he moved from Chicago to Los Angeles and assembled the precursor to Earth, Wind and Fire. The group, called the Salty Peppers, recorded for Capitol for a couple of years without drawing much notice. In 1971 White signed a new contract with Warner Brothers and renamed the group Earth, Wind and Fire, after the elements in his astrological chart.

In less than two years, Earth, Wind and Fire released three albums, Earth, Wind and Fire, The Need of Love, and the soundtrack Sweet Sweetback's Baadasss Song. They had two chart singles—"Love is Life" in 1971 and "Evil" in 1973—but by the time the latter was released, White had decided that Warner was not the label for him, and had signed a new contract with Columbia. At the same time, he disbanded the group that had begun as the Salty Peppers and assembled a new, younger version of Earth, Wind and Fire. In addition to himself and Verdine, the new group featured vocalist Phil Bailey, who had been working with the Stoval Sisters' Band; Johnny Graham of the Nite-Liters; Jessica Cleaves from the Friends of Distinction; and Al McKay from the Watts 103rd St. Rhythm Band.

For the Record …

Members include: Michael Beale , guitar; Leslie Drayton , horns; Wade Flemons , electric piano; Sherry Scott , vocals; Alex Thomas , horns; Chester Washington , horns; Maurice White (born December 19, 1941, in Chicago, IL), vocals, drums, kalimba; Verdine White (born July 25, 1951), bass; Donald Whitehead , keyboards; Phillard Williams , percussion. Later members include Phil Bailey (born May 8, 1951, in Denver, CO; joined band 1972), vocals, percussion; Roland Bautista , guitar (left band 1972; rejoined 1981); Jessica Cleaves (born 1943, joined and left band 1972), vocals; Larry Dunn (born June 19, 1953), keyboards; Johnny Graham (born August 3, 1951; joined band 1972), guitar; Ralph Johnson (born July 4, 1951), drums; Roland Laws , reeds (left band 1972); Al McKay (born February 2, 1948; band member, 1972-81), guitar, percussion; Sheldon Reynolds , vocals, guitar, Tuscanni keyboards; Freddie White (born January 13, 1955; joined band 1974), drums; Andrew Woolfolk (born October 11, 1950), sax, flute.

(joined band 1972.)(left band 1972; rejoined 1981.)(joined and left 1972.)(left band 1972.)(joined band 1974.)(bandmember 1972-81.) Group formed c. 1969 in Los Angeles as the Salty Peppers; signed with Capitol, c. 1969; renamed Earth, Wind and Fire, 1971; signed with Warner Bros., 1971; re-formed and signed with Columbia, 1972; disbanded, 1983; reunited for world tour, 1986; disbanded until 1990; signed with Warner Bros. and released Millennium, 1993.

Awards: Grammy Award for Best Single, for "Shining Star," 1975; two Grammy Awards, 1978; National Association for the Advancement of Colored People (NAACP), Hall of Fame Image Award, 1994.

Addresses: Office—Reprise Records, 3300 Warner Blvd., Burbank, CA 91505- 4694.

Disco Superstars

The new group worked well together from the start, and their first Columbia release, Open Your Eyes, went to number 15 on the album charts in 1974. The band's real breakthrough came the following year, however, after their appearance in the film That's the Way of the World. The soundtrack album from that movie, which featured their music, climbed into the top ten, propelled by the success of Earth, Wind and Fire's Grammy-winning single "Shining Star." They appeared in another film, Robert Stigwood's 1978 release Sgt. Pepper's Lonely Hearts Club Band, and scored another top ten hit with their cover of the Beatles' "Got to Get You into My Life." The disco trend made them into true superstars; hit singles and gold, platinum, and double platinum albums became routine. Between 1971 and 1988, they had 38 hits on the rhythm and blues charts, all but six of which crossed over to the pop charts.

Changes in the group's lineup were fairly frequent, but never affected their appeal. Their popularity enabled Earth, Wind and Fire to fill huge stadiums when they toured; they used these cavernous venues to their advantage by creating an innovative stage show featuring magic created by master of illusion Doug Henning. Mystical trappings such as giant pyramids wowed audiences, as did the fireworks, disappearances, and the sight of the band "flying" to their places on stage.

Hiatus

In 1983, after ten years of continuous hits, Earth, Wind and Fire officially declared themselves on hiatus. Maurice White formed his own company, Kalimba Productions, and devoted much of his time to producing and composing for other recording artists, including the Emotions, Ramsey Lewis, Deneice Williams, Valerie Carter, Barbra Streisand, Neil Diamond, and Jennifer Holliday. In addition, White worked on a number of film soundtracks, including Armed and Dangerous and Coming to America. Phil Bailey also launched a successful solo career, topping the charts with "Easy Lover," a duet with Phil Collins that was featured on the album Chinese Wall, and making his mark in the world of gospel music with such offerings as the Grammy-winning album Triumph!. In 1986 Earth, Wind and Fire reunited to record Touch the World, an album they backed with a nine-month world tour, but members went their separate ways again until 1990, when they recorded Heritage.

Earth, Wind and Fire's influence on the sound of popular music was evident in their career retrospective The Eternal Dance, released in 1992. The ground-breaking 55-track boxed set covered two decades of music, including cuts from long out-of-print recordings from their early years with Warner Brothers, the best of their glory years with Columbia, and a number of previously unreleased tracks. Critic James Hunter remarked in his Musician review of the album, "The Eternal Dance collects some of the most fluent, centered and elastic pop music ever recorded. Its influence is everywhere."

The release of the retrospective and the group's years of relative inactivity might have signalled the end of an era, but even as the retrospective was being released, Earth, Wind and Fire was working on new music for the nineties. In May of 1992 the core group of Maurice White, Verdine White, and Phil Bailey went into the studio with a revamped horn section to record Millennium, an album of all-new music.

Maurice White had grown unhappy with Columbia Records during the last years of his contract with the organization, feeling that executives there were trying to steer his group in a direction that was not consistent with his own vision. Some of his objections were based on label pressure on White to feature guest artists such as M.C. Hammer and Sly Stone on Earth, Wind and Fire material. Accordingly, before going to work on Millennium, he signed a new contract with his old label, Warner Brothers. The result was a classic Earth, Wind and Fire album filled with their smooth vocals, trademark horns, and sense of spirituality. Commenting on the album's name to Melinda Newman, White joked, "‘Millennium’ just felt right to me, I didn't even know the meaning to it. When people ask me, ‘What does "Millennium" mean?,’ I'm going to have to tell them I had to look it up. Or I can just tell them it took us that long to get another album out." Sales for the album, however, were disappointing, and Warner Brothers Reprise dropped the group from its roster.

Down but not out, the White brothers and Bailey signed with the Pyramid label for the 1997 album In the Name of Love. Phil Bailey's son, Sir James Bailey, provided rap rhymes to "Revolution." "Live horns and real instruments abound, and everything from the ballads ‘Cruising,’ ‘When Love Goes Wrong’ and ‘Right Time’ to the punchy funk ditty ‘Rock It’ sounds like it could have been recorded in the 1970s," wrote All Music Guide critic Alex Henderson. In 2003 they issued The Promise, on which Maurice White and Phil Bailey revisited many songs from the group's extensive catalog, although not always with positive results. Some critics noted the antiseptic sound of the drum machines used instead of a live drummer. Ironically, after their negative experience with Columbia Records, the group featured guest artists on their 2005 release Illumination in order to boost visibility and spur sales. Rather than rock/funk/pop legends such as Sly Stone or rappers such as M.C. Hammer, however, the group recruited smooth jazzer Kenny G, rappers the Black Eyed Peas, funksters OutKast, and rhythm-and-blues performer Brian McKnight.

Selected discography

Earth, Wind and Fire, Warner Bros., 1970.

Sweet Sweetback's Baadasss Song (soundtrack), 1971.

The Need of Love, Warner Bros., 1972.

Last Days and Time, Columbia, 1972.

Head to the Sky, Columbia, 1973.

Another Time, Warner Bros., 1974.

Open Our Eyes, Columbia, 1974.

That's the Way of the World, Columbia, 1975.

Gratitude, Columbia, 1975.

Spirit, Columbia, 1976.

All ‘n’ All, Columbia, 1977.

Best of Earth, Wind and Fire, Volume I, Columbia, 1978.

I Am, Columbia, 1979.

Face, Columbia, 1981.

Raise, Columbia, 1981.

Powerlight, Columbia, 1983.

Electric Universe, Columbia, 1983.

Touch the World, Columbia, 1987.

Heritage, Columbia, 1990.

The Eternal Dance, Columbia, 1992.

Millennium, Warner Bros., 1993.

In the Name of Love, Rhino, 1997.

The Best of Earth, Wind and Fire, Volume 2, Columbia, 2000.

The Promise, Kalimba, 2003.

Avatar, Kalimba, 2003.

Illumination, Sanctuary, 2005.

Sources

Periodicals

Billboard, September 18, 1993; January 15, 1994.

Entertainment Weekly, December 11, 1992.

High Fidelity, March 1988.

Musician, January 1993.

New York Times, December 13, 1992.

Rolling Stone, January 14, 1988; March 22, 1990; December 10, 1992.

Stereo Review, April 1988; June 1990.

Online

All Music Guide,http://www.allmusic.com (November 8, 2007).

—Joan Goldsworthy and Bruce Edward Walker

Contemporary Musicians

Earth, Wind and Fire

views updated Jun 11 2018

Earth, Wind and Fire

Earth, Wind and Fire, the most successful black crossover band of the 1970s, the group enjoyed extensive popularity beginning with their 1975 album That’s the Way of the World. MEMBERSHIP: Maurice White, drm., voc. (b. Memphis, Term., Dec. 19, 1941); Verdine White, bs., voc. (b. Chicago, III., July 25, 1951); Philip Bailey, voc., perc. (b. Denver, Colo., May 8, 1951); Andrew Woolfolk, horns (b. Oct. 11, 1950); Ralph Johnson, perc. (b. July 4, 1951). Larry Dunn (born Lawrence Dunhill), kybd. (b. June 19, 1953); Al McKay, gtr., perc. (b. Los Angeles, Feb. 2,1948), were added by 1974.

Earth, Wind and Fire featured the songwriting of leader-producer-vocalist Maurice White and the stunning falsetto of co-lead vocalist Philip Bailey surrounded by punchy horn playing and exquisite vocal harmonies. Purveyors of dance tunes and gentle ballads, Earth, Wind and Fire promoted spiritual brother-hood through music. Disbanded from 1984 to 1987 for solo projects by White and Bailey, the group did not approach the level of their early success upon reuniting.

Originally conceived as a cooperative musical ensemble by Maurice White in Los Angeles, Earth, Wind and Fire recorded two albums for Warner Bros, before switching to Columbia in 1972. Maurice White had been raised in Chicago and served as a session drummer at Chess Records for three years. Beginning in 1967 he toured with popular jazz pianist Ramsey Lewis for three years before forming the Salty Peppers with his brother, bassist Verdine White. With the core of the White brothers plus percussionist-vocalist Philip Bailey, Earth, Wind and Fire added horn player Andrew Woolfolk and percussionist Ralph Johnson after their Columbia debut. Their third Columbia album, 1974’s Open Our Eyes, yielded smash R&B hits with “Kalimba Story” and “Mighty Mighty,” also a major pop hit, as was “Devotion.”

Earth, Wind and Fire began establishing themselves as a major crossover act with 1975’s That’s the Way of the World. The album included the top R&B and pop hit “Shining Star,” and the title song, a smash hit in both fields. Their next three, best-selling albums conveyed a sense of spiritual brotherhood through lyrics and music while producing a number of crossover hits. Gratitude was comprised mostly of live material and yielded a top R&B and smash pop hit with the studio-recorded “Sing a Song.” Spirit contained the major pop and smash R&B hits “Getaway” and “Saturday Night,” while All ’n All included the major hits “Serpentine Fire” (a top R&B hit) and “Fantasy.” In 1978 Earth, Wind and Fire scored a smash crossover hit with the Beatles7 “Got to Get You into My Life” from the Sgt. Pepper movie. They continued the pattern through 1981 with “September,” “Boogie Wonderland” (with the Emotions), the classic “After the Love Has Gone,” and “Let’s Groove.” “Fall in Love with Me” and “Magnetic” became the hits from Electric Universe, but in 1984 Earth, Wind and Fire disbanded.

During the 1980s Maurice White produced albums for Ramsey Lewis, Jennifer Holliday, Deniece Williams, and Barbra Streisand (Emotion) and recorded his debut solo album. Philip Bailey recorded both religious and pop albums, scoring a smash pop and R&B hit in 1984–1985 with “Easy Lover,” in duet with Phil Collins.

In 1987 Earth, Wind and Fire reunited with Maurice and Verdine White, Philip Bailey, Andrew Woolfolk, and Ralph Johnson. However, Touch the World yielded only minor pop hits with “System of Survival” and “Thinking of You,” although both were smash R&B hits. In 1993 the group scored a moderate pop hit with “Sunday Morning” on Reprise. By 1995 only Philip Bailey and Verdine White remained from the original members for touring, although Maurice White continued to record with the group in the studio.

Discography

Earth, Wind and Fire (1971); The Need of Love (1971); Another Time (1974); Last Days and Times (1972); Head to the Sky (1973); Open Our Eyes (1974); That’s the Way of the World (1975); Gratitude (1975); Spirit (1976); All ’n All (1977); Best, Vol. 1 (1978); I Am (1979); Faces (1980); Raise! (1981); Electric Universe (1983); Powerlight (1983); Touch the World (1987); Best, Vol. 2 (1988); Heritage (1990); The Eternal Dance (1992); Millennium (1993). PHILI P BAILEY : Continuation (1983); Chinese Wall (1984);

Inside Out (1986); Philip Bailey (1994). RELIGIOUS ALBUMS BY PHILI P BAILEY : The Wonders of His Love (1984); Triumph (1986); Family Affair (1991); The Best of Philip Bailey: A Gospel Collection (1991). MAURIC E WHITE: Maurice White (1985).

—Brock Helander

Baker’s Biographical Dictionary of Musicians