William Charles, 1776–1820, American cartoonist, etcher, and engraver, b. Edinburgh, Scotland. He probably came to the United States to avoid prosecution for his satirical drawings. He is best known for his cartoons of the War of 1812, in which he mocked the English in the rough, biting style of Gillray. An example of his work is Admiral Cockburn Burning and Plundering Havre-de-Grace (Maryland Historical Society).

Macready, William Charles (1793–1873) British actor and theatrical manager. Distinguished as a Shakespearean actor, he achieved fame in the leading role of Richard III in 1819. His productions were noted for their meticulous attention to detail.

William Charles Macready (məkrē´dē), 1793–1873, English actor and manager. The son of a provincial manager, he first appeared as Romeo in his father's company in 1810. His London debut (1816) was as Orestes in The Distressed Mother. With his portrayal of Richard III at Covent Garden in 1819, Macready established himself as a tragedian of the first rank and the only rival to Edmund Kean. Although he was at his best in the plays of his own day, his Lear, Hamlet, and Macbeth were noteworthy. He was manager of Covent Garden (1837–39) and of Drury Lane (1841–43). In 1849, on his last visit to the United States, the Astor Place riot occurred, in which several people were killed, brought on by his fierce rivalry with Edwin Forrest. He retired in 1851. Macready sought to uphold the standards of fine drama in a period of decline, and he pointed the way toward the drawing-room realism of the 19th cent.

See his Reminiscences, ed. by Sir Frederick Pollock (2 vol., 1875); his journal, from 1832 to 1851, ed. by J. C. Trewin (1967); biography by A. S. Downer (1966).