BORN: 1899, Dublin, Ireland
DIED: 1973, London, England
NATIONALITY: British, Irish
The House in Paris (1935)
Death of the Heart (1938)
The Demon Lover, and Other Stories (1945)
Elizabeth Bowen was an Anglo-Irish author whose fiction typically attends carefully to realistic details of both character and place. In her best stories as well as in her novels, Bowen unobtrusively steers readers through the geography of motives and interactions on which human identity and human character depend.
Works in Biographical and Historical Context
Anglo-Irish Heritage Elizabeth Bowen was born in Dublin, Ireland, on June 7, 1899 to Henry Charles Cole Bowen and Florence Colley. Her family can be traced to Welsh, not English, ancestors, but critics and biographers have considered her heritage, as did Bowen herself, “classic Anglo-Irish.”
Illnesses Split Family Apart During her first five or six years of life, most of each year was spent in Dublin, where her father was first a lawyer in private practice, then an official of the Land Commission; during the summer the family moved to Bowen's Court, in County Cork, Ireland, which had been the Bowen family seat for years.
By the time she was seven, however, her father was hospitalized for mental illness, and she and her mother moved to England to stay with relatives while he recovered. In 1912, as the family began preparations to reunite, Bowen's mother was diagnosed with cancer; her death soon afterward left Elizabeth in the care of what she called “a committee of aunts” from her mother's large family. She was educated at Downe House, a boarding school in Kent, England, and at the London Council School of Art, which she left after two terms in 1919. Thus, her young years were somewhat sheltered from the turmoil that had engulfed Europe during World War I (1914–1919).
Short Stories, Marriage, and Increased Productivity It was when she was living on her own in London that Bowen began to write seriously. Her first short story collection, Encounters, appeared in 1923, the same year she married Alan Charles Cameron. Their move in 1926 to Oxford opened Bowen to a stimulating literary circle that included the critics C. M. Bowra and Lord David Cecil, and writers Evelyn Waugh, Edith Sitwell, Walter de la Mare, and Aldous Huxley. By 1929, she had published two more volumes of short stories and two novels, establishing a rate of production she would maintain much of her life.
Influential Associations Bowen published three other novels by 1935—Friends and Relations (1931), To the North (1932), and The House in Paris (1935)—and in 1935 Cameron and Bowen moved to London. This move, like the move to Oxford, enhanced Bowen's career. She began to associate with Virginia Woolf and the Blooms-bury literary circle in London, wrote reviews for the Tatler magazine in addition to her regular writing of fiction.
In 1937 Bowen was elected to the Irish Academy of Letters. The Death of the Heart, her sixth novel, was published in 1938. To many Bowen critics it represents the pinnacle of her achievements as a writer of fiction. Its narrative mode incorporates an expertly handled multiplicity of viewpoints that evoke a multiplicity of responses to a single event or situation.
Influence of the War Years World War II dominated much of Bowen's life in London and the writing she produced during this period. Her experiences living and working as an air-raid warden in London during World War II inspired what many critics consider her finest short story collection, The Demon Lover, and Other Stories (1945). In these stories she introduced a hallucinatory tone and supernatural themes in order to convey war's effect on the human mind.
Career Advances Despite Personal Loss In 1948, Bowen was made a Commander of the British Empire and, in 1949, she was awarded an honorary Doctor of Letters by Trinity College, Dublin. During the same year The Heat of the Day was published to glowing reviews. Before this novel was published, Bowen had produced two new collections of short stories, a selection of previously published short stories, a radio play, a critical study of the novel, two volumes of memoirs and family history, and a play (coauthored with John Perry and produced in 1948, although never published). She also continued to write the reviews and critical articles that appeared regularly in various periodicals. The Camerons moved from London to Bowen's Court in Ireland in 1952, which she had inherited in 1930. That same year Alan Cameron died. In 1957, Bowen was awarded a Doctor of Letters by Oxford University. Following her husband's death Bowen remained at the family home until 1959, when she decided to sell Bowen's Court and return to England.
In 1964, The Little Girls, a novel set in Kent, England, where she had lived with her mother during her father's illness, was published. Her last novel was Eva Trout (1969), for which she received the James Tait Black Memorial Prize in 1970. During the last four years of her life Bowen was in declining health, suffering from repeated bouts of respiratory illness. In 1972, she learned that she had lung cancer, from which she died on February 22, 1973.
LITERARY AND HISTORICAL CONTEMPORARIES
Bowen's famous contemporaries include:
Elizabeth Bowes-Lyon (1900–2000): Queen Consort of King George VI of the United Kingdom, known as the Queen Mother after her husband's death; during the Blitz, Germany's bombing of London in World War II, she famously refused to leave London, winning the hearts of the British.
Robert Graves (1895–1985): British novelist and poet; well known for his memoir of World War I, Goodbye to All That (1929), as well as for his historical novel I, Claudius (1934), about the Roman emperor.
P. G. Wodehouse (1881–1975): English writer, many of whose short stories and novels center on a hapless aristocrat and his unflappable butler; he also wrote plays and lyrics for musicals, including Anything Goes (1934).
Virginia Woolf (1882–1941): English modernist novelist and writer, part of the influential Bloomsbury literary group; her essay A Room of One's Own (1929) argued that women must have private space in order to be able to create.
Works in Literary Context
Elizabeth Bowen's works are often compared with Katherine Mansfield's because of her extreme sensitivity
to perceptions of light, atmosphere, color, and sound. Like Mansfield, Bowen is considered expert at presenting the emotional dynamics of a situation and then swiftly illuminating their significance, particularly within the prescribed bounds of the short story. Her work also has been compared to that of Virginia Woolf, E. M. Forster, Henry James, and Jane Austen. Her work is also heavily influenced by her experiences in war-time London.
The Ghosts of War In his introduction to The Collected Stories of Elizabeth Bowen Angus Wilson notes that Bowen's stories may be some of the best records any future generation will have of London during the war and of the psychological violence and tenderness that the war evoked. Through the stories in The Demon Lover, and Other Stories readers may also gain an appreciation for Bowen's ghosts—spirits that are rarely malign but that seem to elucidate the “real” world. In “The Happy Autumn Fields” Mary prefers to dwell in a past peopled by ghosts inspired by letters that are more real than her own bombed house. London exists as its own moonlit ghost in “Mysterious Kor,” a story that superbly displays Bowen's painting with words and also shows the threads of feeling that may become entangled in times of war. And the title story, “The Demon Lover,” introduces the ghost or “demon” born of one woman's fickle nature.
Works in Critical Context
While acclaimed in her lifetime for both her short stories and novels, since her death Elizabeth Bowen has slipped from critical attention. Some critics suggest that her romanticism, wit, and sensitivity to both language and feeling have gone out of style; others assert that her writing is flawed by a too-simple style and narrow range of characters. Nonetheless, Bowen is revered by many for the radiance of style and subtlety of expression shown perhaps most assuredly in her short stories.
Angus Wilson notes that her stories may be some of the best records any future generation will have of London during World War II and of the psychological violence and tenderness that the war evoked. Some critics find that the short story seems an even more appropriate form than the novel for Bowen's psychological portraits and powerful sense of the period.
Bowen was “a highly conscious artist,” Walter Allen wrote in The Modern Novel (1954), who “evolved over the years a prose style that has the elaboration, the richness of texture, the allusiveness of poetry, a prose as carefully wrought, as subtle in its implications, as that of Henry James in his last phase.” A Publishers Weekly reviewer summarized her reputation by noting that “critics generally consider The Death of the Heart her best novel; some call it one of the best English novels of the century.”
Responses to Literature
- Elizabeth Bowen was a prolific writer, often publishing a novel each year. Do you think this meant that she had more imagination than less-published authors, or was she simply more disciplined?
- After reading one of Bowen's novels, discuss what aspects of the novel's style or structure might seem to modern critics to be out of fashion. Did you find the novel old-fashioned? Point out specific passages to support your argument.
- Using your library and the Internet, research the Anglo-Irish during the early part of the twentieth century. Write an essay analyzing how their life in Ireland changed with the growing movement toward Irish independence. Do you feel sympathetic toward them? Explain your feelings.
- Bowen's life and work were heavily influenced by her experience of World War II in England. To find out more about the Battle of Britain (as the German attacks on Britain were called), read Stephen Bungay's The Most Dangerous Enemy: A History of the Battle of Britain (2001).
COMMON HUMAN EXPERIENCE
Some of Elizabeth Bowen's best-regarded works deal with the psychological effects of World War II. Here are some other works examining the human impact of war.
War Poems (1919), a poetry collection by Sigfried Sas-soon. The poems in this book echo Sassoon's own experience fighting in World War I and established him as an important British poet.
War Trash (2005), a novel by Ha Jin. This work examines the situation of a Chinese soldier during the Korean War, who is sent by his government to fight for the Communist side, but is captured by the enemy instead.
The Wind That Shakes the Barley (2006), a film directed by Ken Loach. This critically acclaimed movie traces the political development of an Irish student during the early days of the Irish Republican Army, which violently opposed British rule.
Half of a Yellow Sun, (2006), a novel by Chimamanda Ngozi Adichie. This story takes place in Nigeria in the 1960s, when a civil war was raging and traces its effects through the lives of a teenage boy and two sisters.
Allen, Walter. The Modern Novel. New York: Dutton, 1965.
Dunleavy, Janet Egleson. “Mary Lavin, Elizabeth Bowen, and a New Generation: The Irish Short
Story at Midcentury.” In The Irish Short Story: A Critical History. Boston: Twayne, 1984.
Glendinning, Victoria. Elizabeth Bowen. New York: Knopf, 1977.
Lee, Hermione. Elizabeth Bowen: An Estimation. London: Vision, 1981.
O'Faoláin, Seán. “Elizabeth Bowen: Romance Does Not Pay.” In The Vanishing Hero: Studies in Novelists of the Twenties. London: Eyre & Spottiswoode, 1956.
Prescott, Orville. In My Opinion. Indianapolis, IN.: Bobbs-Merrill, 1952.
Chessman, Harriet. “Women and Language in the Fiction of Elizabeth Bowen.” Twentieth Century Literature 29 (Spring 1983): 69–85.
Sullivan, Walter. “A Sense of Place: Elizabeth Bowen and the Landscape of the Heart.” Sewanee Review 84 (Winter 1976): 142–149.
The British writer Elizabeth Bowen (1899-1973) dealt with the strivings of the individual will to fulfill itself in an alien and hostile world. She is considered a major British novelist of the 20th century.
Born in Dublin on June 7, 1899, Elizabeth Bowen lived in Ireland until the age of seven, when her family moved to England. Her education completed, she returned to Dublin in 1916 to work in a hospital for World War I veterans. Two years later she moved back to England and enrolled in the London County Council School of Art. In 1923 she married Alan Charles Cameron and published her first collection of short stories.
In 1925 Bowen and her husband moved to Oxford, where she became friends with many literary intellectuals, among them Isaiah Berlin and Lord David Cecil. There she wrote her first four novels: The Hotel (1927), The Last September (1929), Friends and Relations (1931), and To the North (1932). The first two concern the dawning of romantic love in the young, innocent heroines, who eventually become aware of its futility, while the last two concern the destructiveness of illicit love.
In 1935 Bowen and her husband returned to London, where her friends included Cyril Connolly, Virginia Woolf, and many of the Bloomsbury group. In that same year she published her fifth novel, The House in Paris. Again the theme is the destructiveness of romantic excess. It depicts an affair which results in pregnancy, the suicide of the lover, and the heroine's rejection of her child, though in the end she begins to reconcile herself to the reality of her situation. In 1938 Bowen published her best-known and perhaps finest novel, The Death of the Heart, about an idealistic young girl whose demands for honesty and openness are met with hostility by her family.
During World War II Bowen worked as an air raid warden and wrote for the Ministry of Information. In her seventh novel, The Heat of the Day (1949), the society which in earlier novels was seen as inimical to romantic illusions has disappeared entirely in the chaos of war, and the protagonists float in a sea of their own confusion. After the death of her husband in 1952, Bowen returned to Ireland. Except for numerous trips to the United States as a lecturer, she remained there and continued to write, publishing A World of Love in 1955. The story concerns three women who become aware that their romantic fantasies about a man dead for many years have kept them from living in the present.
In 1960 she returned to Oxford. She published The Little Girls in 1964 and Eva Trout, or Changing Scenes in 1968. The latter concerns a heroine whose romantic passion blinds her to the reality of other people, causing them pain and bringing about her questionably accidental death at the hands of her illegitimate son. In addition to her 10 novels, Bowen published several collections of short stories, numerous reviews, and many other critical pieces. She died in 1973.
For the facts of Bowen's life, some sources are her own Bowen's Court (1942; 2d ed. 1964), about the Bowen family, and Seven Winters (1942), covering her childhood; and her chapter in John Lehmann, ed., Coming to London (1957), which gives her view of literary life in London in the early 1920s. For a detailed study of her novels, Andrew Bennett and Nicholas Royle, Elizabeth Bowen and the Dissolution of the Novel: Still Lives, St. Martin's Press, 1995; or Renee C. Hoogland, Elizabeth Bowen: A Reputation in Writing New York University Press, 1994, are useful. For information on her short stories, read Phyllis Lassner, Elizabeth Bowen: A Study of Short Fiction, Macmillan Publishing, 1991. □
Elizabeth Bowen (bō´Ĭn), 1899–1973, Anglo-Irish novelist, b. Dublin. In impeccable prose she treated love and frustration through studies of complex psychological relationships. Her novels include The Hotel (1927), To the North (1932), The House in Paris (1936), The Death of the Heart (1938), and The Heat of the Day (1949). In her last three novels—A World of Love (1955), Two Little Girls (1964), and Eva Trout; or, Changing Scenes (1968)—Bowen was less concerned with rendering reality than with exploring truths best expressed in myth or parable. Look at All Those Roses (1941), Ivy Gripped the Steps (1946), and A Day in the Dark and Other Stories (1965) are volumes of short stories. Nonfiction works include Bowen's Court (1942), on her ancestral home; The Shelbourne Hotel (1951); and Seven Winters; and Afterthoughts (1962), a collection of childhood memories and literary studies. Pictures and Conversations (1975) is a collection of miscellaneous writings, including portions of a novel and autobiography left unfinished at Bowen's death.
See biographies by E. J. Kenney (1975), V. Glendinning (1978), P. Craig (1987), and N. Corcoran (2005); studies by H. Blodgett (1975), H. Bloom, ed. (1987), A. E. Austin (rev. ed. 1989), P. Lassner (1991), A. Bennett and N. Royle (1994), R. C. Hoogland (1994), L. Christensen (2001), and M. Ellmann (2003).