Despite the political and administrative problems of the church, popular religion witnessed a dramatic surge in the Renaissance. This surge can be seen in the many bequests the laity made to support masses, to found new monasteries and convents, and to build new churches. The authority of the church as an institution that controlled people's salvation was still widely respected, and late-medieval religion often evidenced a ritualistic flavor. The Mass and the other sacraments were seen as effective forces that aided in the salvation of an individual's soul. One of the most common priests at the time was the chantrist, who did nothing more than repeat the Mass many times each day for the benefit of people's salvation. Many people tried to amass as many indulgences as possible, holding fast to the notion that salvation could be accomplished through the routine channels the church provided. At the same time a deeper kind of piety was intensifying that pointed to the growth of more internal religious beliefs. Confraternities increased dramatically in importance among the laity. These brotherhoods and sisterhoods practiced many of the same prayers and rituals that had long been used in Europe's monasteries, but, in addition, they dedicated themselves to pious works that were practical and beneficial to society. They fed the poor, tended the sick, and even accompanied the condemned to the gallows. This search for a practical piety found expression, too, in the numerous endowments the laity made to support preachers in Europe's towns. And the new subjective religious spirit can be seen in the great surge in the writing and circulation of devotional literature. New classics appeared at the time, works like Thomas à Kempis' Imitation of Christ or the Books on the Art of Dying that would help Christian readers shape their devotion, not only in the Renaissance, but in the centuries that followed. Finally, these sensibilities were displayed as well in the rising attention Europe's scholars and lay people gave to the scriptures.
The system of the seven sacraments had grown up in Europe during the medieval centuries, and it remained a source of Christian discipline and consolation during the Renaissance. The seven sacraments were Baptism, Confirmation, Penance, Holy Orders, Marriage, Holy Communion or the Eucharist, and Last Rites or Extreme Unction. The church taught that the sacraments were outward signs that brought grace to the faithful and thus they were the most important rituals of the church. The sacraments were not mere symbols, but acts that helped heal a human being's sinful nature. The system of sacraments, moreover, functioned to discipline Christians. The sacraments could be withheld through excommunication, and since people feared death without Penance and Last Rites, the sacramental system functioned as a force of control. Every Christian did not receive all the sacraments during his or her life. Those who married, for instance, generally could not take Holy Orders, which required sexual abstinence. Everyone, though, participated in Penance and the Eucharist at least once each year. For most lay people, they did so in the days and weeks immediately preceding Easter, giving rise to the custom of "Easter duties." The Eucharist occurred in the final part of the Mass, and it was the most ritually potent event within the Renaissance church. Most people accepted the church's doctrine of transubstantiation—that is, that the bread and wine used in the sacrament become the actual body and blood of Christ through the priest's consecration. The popularity of the Eucharist in the later Middle Ages can be seen in the spread of the Feast of Corpus Christi throughout Europe. Corpus Christi was a eucharistic celebration that occurred in late spring, and it became one of the liturgical year's most important festivals. In England and France especially, the celebration of Corpus Christi included impressive processions and dramatic play cycles that sometimes lasted over several days. The Eucharist was also displayed in every church, often in elaborately carved or silver monstrances which could be quite large. At the end of the fifteenth century, for example, the late Gothic sculptor Adam Krafft (1455–1509) created a soaring 64-foot tall stone tabernacle for the Church of St. Lawrence in Nuremberg, a monument that became a source of local civic pride.
Importance of Rituals.
Beyond the sacraments, a rich life of rituals and observances was an important feature of Renaissance religion. Fasting, for example, was a common sign of religious devotion, but also a requirement imposed by the church at particular times. Fasting was prescribed for the 40 days of Lent, for the four weeks of Advent before Christmas, and on a number of other days throughout the year. At these times the eating of all animal products and sexual intercourse were forbidden. Prolonged fasts were also considered signs of saintliness. For women saints, in particular, fasting had a special significance. Long-standing religious teachings condemned women as "daughters of Eve," and the view that women were more highly sexed than men also ran through much medical and scientific literature in circulation in the Renaissance. While the biographies of Renaissance male saints sometimes stressed their asceticism, the ability to survive without food was usually a necessary precondition for becoming a female saint. The ability to fast demonstrated a woman's victory over her body, that she had successfully conquered her flesh. For most Christians, though, the church stressed that fasting should be practiced in moderation, as but one part of a program of self-denial and discipline. Most people were more eager to celebrate the numerous "feast days" that occurred throughout the church's calendar than they were to fast. Although the precise dates and reasons for these holidays differed from place to place, feast days were usually times for parish festivals, for processions, and for other events that helped to relieve the monotony of daily life. Many religious rituals also occurred outside the church, and often without the participation of the clergy. People practiced a lush variety of prayers, benedictions, and ceremonies at the time and saw ritual as possessing an almost magical effectiveness to protect one's self or family. Women in childbirth, for example, relied on talismans, charms, and prayers to ensure their safety. Farmers used similar measures to try to increase their yields of livestock and crops. Specific prayers existed for almost any circumstance. Some were believed to be effective in winning lawsuits, others for curing nosebleeds, and still others for avoiding sudden death, robbery, or specific illnesses. The church had long condemned this attitude toward prayer as magic, but it survived nonetheless.
Society's love of ritual and the church's desire to promote the veneration of the saints combined to inspire a great age of pilgrimage in the later Middle Ages. In 1300 the papacy had initiated the practice of the Roman Jubilee, a year-long religious festival held in the church's capital. Journeys to Palestine had become unfeasible for most Europeans because of the spread of Islamic power in the Western Mediterranean. Now Rome became Europe's undisputed pilgrimage capital, and the papacy supported its development by awarding rich indulgences to those who made the journey. During the second Jubilee held in the city during 1350, more than a million Europeans journeyed there, their journeys inspired by indulgences and the desire to demonstrate their devotion to God in the wake of the Black Death that had recently afflicted Europe. Individuals and communities often relied on pilgrimage in this way to secure the saints' aid in solving their problems. Church teaching stressed that the saints could not perform miracles, but they could offer people aid by interceding with God, encouraging him to grant a miracle. If plague threatened a town, civic leaders often promoted communal pilgrimages to try to obtain the saints' aid. Those suffering from disease, or in fear of dying, promised to make journeys to local shrines, too. By the fourteenth century, thousands of pilgrimage shrines dotted the European landscape, and new shrines added to their number constantly. Some were quite small, but Europe also had many impressive centers for long-distance pilgrimage. Like Rome, these places drew the faithful from throughout the continent. In Spain, Santiago di Compostella, a shrine possessing the relics of St. James, drew pilgrims from everywhere in Europe, as did Canterbury in England, and Mont St. Michel in France. The pilgrimage industry brought with it the rich donations of Europe's faithful, and by the fifteenth century, local church leaders and civic boosters were often anxious to see the development of shrines within their provinces. In Germany, places like Wilsnack, Grimmental, and Regensburg were enthusiastically advertised to draw as many pilgrims as possible. In Regensburg, for example, the shrine developed in the wake of miracle reports during 1519, and during the next two years, it had drawn several hundred thousand pilgrims. But the excitement could fade just as quickly as it arose. By 1522, Regensburg had largely been forgotten. This enthusiasm inspired criticism from many in the church and state who feared these spontaneous outbursts of religiosity. Crowds might turn dangerous, as at Niklashausen in Germany during 1476. Pilgrims traveled to a shrine there because of the anticlerical sermons of an itinerant preacher. When the church prohibited their pilgrimage, the faithful revolted, marching on the local bishop's palace and staging riots along the way. Other critics of late-medieval pilgrimage attacked it as nothing more than a ploy to raise money. Humanists like Desiderius Erasmus poked fun at the popular beliefs in the saints. In his short dialogue, A Pilgrimage for Religion's Sake, Erasmus used bitter satire to mock those who believed their problems could be solved merely by journeying to a saint's relic. It would be better, he advised, for people to stay at home, say their prayers, and do their work.
Erasmus's pragmatic attitude had been shaped by a different set of religious values, values that had been formed by his education and early upbringing within the schools of the Brethren of the Common Life. The Brethren practiced a disciplined religious life that was known as the Modern Devotion. The movement's founder, Gerd Groote, had been destined for a brilliant career in the church when, in 1370, he renounced his worldly ambitions and entered a monastery. After several years spent as a monk, Groote embarked on a preaching career that lasted until his death in 1384. During this time he turned over his house and belongings to a group of laywomen, who became known as the Sisters of the Common Life. These women took no formal religious vows, nor did they wear any special dress. They were free to leave the group when they wished, but while serving as members of the community they were to share their possessions. Within a short time, a male wing of the movement, the Brothers of the Common Life, had developed, and during the next century, scores of houses of the Brothers and Sisters had been founded in the Netherlands and Germany. The life of the Brothers and Sisters stressed prayer and introspection. They frequently expressed distaste for the ritualistic formalism they saw in the church, but they did not reject Catholic teachings. They insisted instead that the sacraments and other rituals of the church must be practiced with a spirit of fervent internal devotion. To support themselves, many of the Brothers undertook scribal work, copying manuscripts for scholars. Others ran boarding schools that provided their students with an elementary knowledge of Latin and the Christian classics. The Sisters, on the other hand, served as nurses and ran hospitals. Church leaders had long distrusted lay movements like the Brothers and the Sisters because they feared they might teach heresy. Over time, though, this group ingratiated itself with the church leadership in most of the places in which it founded communities, in part because the Brothers and Sisters resembled other orders of monks and nuns. By the late fifteenth century, the number of their lay members had shrunk as Brothers and Sisters took permanent vows and followed disciplines similar to other religious orders. Even at this time, though, the Brothers continued to exert an influence over learning and scholarship in Northern Europe through their primary schools. From their scribal endeavors, many of the Brothers of the Common Life were also aware of the inaccuracies that had crept into manuscripts over the centuries. With the coming of the Renaissance to Northern Europe in the late fifteenth century, the schools of the Brothers of the Common Life helped to disseminate knowledge of the textual studies of the Italian humanists in their schools. The largest of these institutions at Deventer had more than 2,000 students in 1500, and counted among its pupils Desiderius Erasmus. Elsewhere the alumni of the Brethren of the Common Life schools were just as distinguished, and included such figures as the Protestant reformer Martin Luther.
The Imitation of Christ.
The teachings of the Modern Devotion were broad and eclectic, despite a firmly orthodox flavor. One work, The Imitation of Christ, became particularly important in spreading the ideas of the movement. The work has long been ascribed to Thomas à Kempis, a member of a religious house associated with the New Devotion, but evidence to prove his authorship is slight. The Brothers and Sisters of the Common Life enjoyed works like the Imitation which was essentially a collection of adages, proverbs, and spiritual admonitions drawn and paraphrased from other spiritual writings. One phrase in the work, though, manages to sum up much of its teaching: "It is better to feel sorrow than it is to understand it." When he used the word "understand," the author of the Imitation had in mind the intense intellectual efforts that theologians used to understand sorrow as a necessary part of the sacrament of Penance. The Brothers and Sisters of the Common Life believed that these attempts to comprehend how the sacraments worked were meaningless. The sacraments, they taught, were not mere exercises in ritual; they needed to be combined with an internal change of heart. As such, the Imitation was typical of a rising strain of piety in the later Middle Ages which advocated a greater internalization of religious experience. The immediate impact of the work is evident from the more than 700 handwritten manuscripts that survive from the fifteenth century. The Imitation was also printed in 1472, and by the end of the century, more than 85 printed editions were in circulation. During the sixteenth century another 200 printings appeared. Eventually, the Imitation had translations in all European languages, and from its almost unchallenged vantage point as a manual of the Christian life, it continued to inspire the religious devotion of both Catholics and Protestants until modern times. Its effect can be seen on figures as diverse as Desiderius Erasmus, Martin Luther, Ignatius of Loyola, and John Wesley.
The Art of Dying.
The fifteenth century witnessed a number of new theological handbooks and practical guidebooks that treated the subject of death. The surge in the production of texts on these themes was part of a more general preoccupation with death in the later Middle Ages. Preparation for death, concentration on its inevitability, and attention to the final hours of those who were dying had long been important themes in the Christian religion. Since the early church, in other words, Christians had written numerous texts about the final moments of life and how the Christian should approach that time. The grim realities of living in the fourteenth and fifteenth centuries heightened people's fascination with these themes. Many of the new works used the word "art" in their titles. By art, their writers had in mind "skill." The authors of these books treating the art of dying intended to teach the skills that the still-healthy would need as they approached their final hours. The theologian Jean Gerson (1363–1429) wrote the first of these works entitled On the Art of Dying. Another twenty similar theological handbooks appeared on the subject during the fifteenth century. The primary aim of Gerson's work was to keep sick and dying people confirmed in their faith in the period between their last Confession and the moment of death. These moments were particularly important in the medieval mind. Sins committed after a person's final Confession would need to be atoned for in purgatory. More serious mortal sins, like denying one's religion or cursing God, would result in one's damnation. Gerson tried to provide his readers with prayers, admonitions, and meditations that would keep the Christian true to his religion on his deathbed. Other theologians imitated his success, but the genre of books treating the art of dying also included two works intended for a popular readership. The first of these was a text version and it was more widely circulated. The second was an illustrated handbook that consisted of a series of pictures outlining the stages the dying would experience before their last breath. More than 300 handwritten manuscripts of both works still survive, and 75 printed editions appeared in Latin and other European languages between 1468 and the end of the fifteenth century. Both works recommended that family members and friends accompany the dying on their deathbeds. This custom had been used in the medieval monastery and it now came to be practiced by laypeople relying on the books of the art of dying for advice. The works gave those gathered at the deathbed tools to help their loved ones avoid the temptations that approaching death might bring. Overall, the tone of these books was not morbid, but cautiously optimistic. Every death, the books taught, is a drama, but armed with the proper tools of the faith, the dying can be committed to the afterlife successfully. The art of dying was one of the most popular religious themes treated in the early press, with scores of editions being printed in the late fifteenth and early sixteenth centuries.
Mysticism was a form of religious experience that became increasingly popular in the later Middle Ages. Mystics came from many different social classes and educational backgrounds, and they were both male and female. Great variety characterized late-medieval mysticism, making it difficult to generalize about the movement. All mystics attempted to achieve a direct, unmediated union with God, but the methods they relied upon to achieve this relationship differed dramatically. Still, trends can be discerned in the history of mysticism in medieval and Renaissance Europe. By the fourteenth century, European writers wrote more mystical texts than ever before. Laymen and laywomen, too, played roles in mysticism, as they did in other dimensions of late-medieval piety. Finally, mysticism influenced other areas of late-medieval and Renaissance intellectual life. In Italy, the movement affected humanist scholars from Francesco Petrarch (1304–1374) to Giovanni Pico della Mirandola (1463–1494), who studied mystical texts for the insights they offered concerning human nature and its relationship to the Creator. Northern European scholars similarly combed through the mystical heritage. Renaissance humanist Jacques Lefevre D'Etaples (d. 1536) in France and scholastic theologian Martin Luther were just two of the many Northern European intellectuals whose ideas were in part shaped by mystical texts. Although mysticism's influence stretched to these different spheres of Renaissance life, both the church and society at large were distrustful of mystics. The mystic claimed to have direct knowledge of God, a knowledge that was more personal and subjective than the insights the scriptures and church theology offered. Many mystics experienced visions, and their pronouncements could veer into prophecies that were a challenge to the church and state. As a consequence, church authorities often carefully scrutinized the writings of mystics to see if they conformed to church teaching or if they threatened medieval institutions.
THE IMITATION OF CHRIST
introduction: The third book of Thomas à Kempis's devotional classic is written as a dialogue between Christ and a Christian. In this, the 43rd of its chapters, Christ advises the faithful on the proper use of learning and study.
MY CHILD, do not let the fine-sounding and subtle words of men deceive you. For the kingdom of heaven consists not in talk but in virtue. Attend, rather, to My words which enkindle the heart and enlighten the mind, which excite contrition and abound in manifold consolations. Never read them for the purpose of appearing more learned or more wise. Apply yourself to mortifying your vices, for this will benefit you more than your understanding of many difficult questions.
Though you shall have read and learned many things, it will always be necessary for you to return to this one principle: I am He who teaches man knowledge, and to the little ones I give a clearer understanding than can be taught by man. He to whom I speak will soon be wise and his soul will profit. But woe to those who inquire of men about many curious things, and care very little about the way they serve Me.
The time will come when Christ, the Teacher of teachers, the Lord of angels, will appear to hear the lessons of all—that is, to examine the conscience of everyone. Then He will search Jerusalem with lamps and the hidden things of darkness will be brought to light and the arguings of men's tongues be silenced.
I am He Who in one moment so enlightens the humble mind that it comprehends more of eternal truth than could be learned by ten years in the schools. I teach without noise of words or clash of opinions, without ambition for honor or confusion of argument.
I am He Who teaches man to despise earthly possessions and to loathe present things, to ask after the eternal, to hunger for heaven, to fly honors and to bear with scandals, to place all hope in Me, to desire nothing apart from Me, and to love Me ardently above all things. For a certain man by loving Me intimately learned divine truths and spoke wonders. He profited more by leaving all things than by studying subtle questions.
To some I speak of common things, to others of special matters. To some I appear with sweetness in signs and figures, and to others I appear in great light and reveal mysteries. The voice of books is but a single voice, yet it does not teach all men alike, because I within them am the Teacher and the Truth, the Examiner of hearts, the Understander of thoughts, the Promoter of acts, distributing to each as I see fit.
source: Thomas à Kempis, Imitation of Christ (Milwaukee, Wisc.: Bruce Brothers, 1940): 164–166. Christian Classics Ethereal Library. Available online at http://www.ccel.org/k/kempis/imitation/imitation.html; website home page: http://www.ccel.org (accessed January 8, 2004).
Two broad categories of mystical experience have long been identified in late-medieval Europe, with considerable overlap between the two. The first, known as "affective mysticism," involved the mystic adopting certain behaviors to try to achieve union with God. Affective mystics desired to conquer their wills as a necessary pre-condition for uniting with God. Many practiced acts of self-denial and subjected their bodies to tortures so that they could triumph over their human needs. Affective mystics described their journey to union with God using metaphors drawn from the writings of monasticism. They treated the mystical union as a marriage, or they pictured Christ as a mother who fed them from His breasts or the wound in His side. One affective mystic, Catherine of Siena (d. 1380), used these metaphors in her Dialogue On Divine Providence, one of the major mystical texts of the later Middle Ages. Catherine was the daughter of a large Sienese family who had spent her youth in conflict with her parents. They disapproved of her desire to become a nun and her extremes of religious devotion. From a young age, Catherine had fasted regularly and subjected her body to regimens of sleep deprivation so that she could spend more time in prayer. Because of her deep feelings of unworthiness, Catherine never became a nun, but instead joined an auxiliary order of laywomen attached to a local Dominican convent. There she performed the most menial of tasks and tended the sick and dying. For much of her life she was said to have lived only on the communion wafer she received each day and pus she drained from those she nursed. Following the first of these episodes of drinking filth Catherine reported a vision of Christ, who came to feed her from the wounds in his side, and from this point forward she developed a rich visionary life. She died at 33 as a consequence of her fasting, but her ability to conquer her human needs and her success in achieving mystical union with Christ gave her a great deal of influence while she was alive. In the many letters she wrote to kings, queens, and popes, she doled out praise and blame. Other women followed a path similar to Catherine's. St. Birgitta of Sweden (1303–1373) told of her many visits from Christ in her Revelations, as did Julian of Norwich (1342–c. 1416) in her Revelations of Divine Love. Margery Kempe (1373–1438), a laywoman, recounted her visions in a widely read spiritual autobiography in English. And at the end of the Middle Ages, St. Catherine of Genoa (1447–1510) published her fascinating visionary accounts of purgatory, which reached a large audience. The affective mystical tradition persisted in the sixteenth century, particularly in Spain where St. Teresa of Avila (1515–1582) and St. John of the Cross (1542–1591) informed their readers of their visions through their writings. St. Teresa wrote her autobiographical The Interior Castle in 1577, a book that found a ready audience in both the women of her religious order and members of the Catholic devout. John of the Cross' The Ascent of Mt. Carmel and Dark Night of the Soul were equally popular and provided early-modern Catholics with an orthodox theology of mysticism. John's writing, in particular, stressed that the Christian's soul needed to be emptied and purified in order to be filled by the spirit of God. Teresa of Avila's mysticism, on the other hand, shows less influence from the scholarly and theological traditions; it is instead an often highly personal and emotional account of the visitations she received from God while in prayer.
introduction: In his Life of St. Catherine, Raymond of Capua recorded St. Catherine's rich visionary life. This excerpt describes one of Catherine's most famous visions. It occurred the day after Catherine first drank human pus and Christ rewarded the saint by allowing her to drink from the wound in his side.
On the night following … a vision [of Christ with his five wounds] was granted to her as she was at prayer … "My beloved," [Christ] said to her, "You have now gone through many struggles for my sake … Previously you had renounced all that the body takes pleasure in … But yesterday the intensity of your ardent love for me overcame even the instinctive reflexes of your body itself: you forced yourself to swallow without a qualm a drink from which nature recoiled in disgust … As you then went far beyond what mere human nature could ever have achieved, so I today shall give you a drink that transcends in perfection any that human nature can provide …" With that, he tenderly placed his right hand on her neck, and drew her toward the wound in his side. "Drink, daughter, from my side," he said, "and by that draught your soul shall become enraptured with such delight that your very body, which for my sake you have denied, shall be inundated with its overflowing goodness." Drawn close … to the outlet of the Fountain of Life, she fastened her lips upon that sacred wound, and still more eagerly the mouth of her soul, and there she slaked her thirst."
A second kind of mystical experience was important in late-medieval Europe. It was less emotional and less ascetic than "affective" mysticism and is sometimes referred to as "speculative" mysticism because of the importance that intellectual issues had for its practitioners. Speculative mysticism flourished in Germany and Northern Europe in the later Middle Ages, and Meister Eckhart (c. 1260–c. 1327) was among its most important exponents. Many speculative mystics drew upon Neoplatonism in their writings. Neoplatonic thought had allowed Christian theologians like St. Thomas Aquinas (1225–1275) to argue that human ideas were dim reflections of universal truths that preexisted in the mind of God. Neoplatonism also stressed that human nature, which had been created in God's likeness, possessed a spark of divinity. As a consequence, speculative mystics often stressed that mystical union with God was but a return to humankind's original oneness with God, a teaching that, when overstated by Meister Eckhart, led to the condemnation of his ideas as heretical. Speculative mysticism also found inspiration in the newly discovered works of Pseudo-Dionysius. Pseudo-Dionysius was actually a sixth-century writer, but he alleged to be Dionysius the Areopagite, the associate of St. Paul spoken of in the New Testament. In his works Pseudo-Dionysius had tried to communicate a special "gnosis," that is, a secret wisdom he alleged had been given to him by the apostles. This special wisdom, Pseudo-Dionysius argued, surpassed human reason, and thus those mystical writers who relied upon his texts stressed that union with God was an experience that was incomprehensible according to rational, intellectual standards. Besides influencing Meister Eckhart, Dionysian ideas can be seen at work in a number of late-medieval mystical writers. The Cloud of Unknowing, an anonymous fourteenth-century English mystical text, was among the first to apply these sober insights about the limits of the human intellect to understanding the divine mind. But the ideas of Pseudo-Dionysius continued to have perennial appeal. On Learned Ignorance, a treatise written by the late-medieval theologian Nicholas of Cusa (1401–1464), went to great lengths to demonstrate the finite limitations of human reason when applied to the infinitude of God. Cusa's treatise argued that the true mystic needed to cultivate an awareness of the limitations of his own intellect, a first step toward developing a higher knowledge of the divine mind.
Other mystical texts appeared in late-medieval Europe that cannot neatly be fit into "affective" and "speculative" traditions. The Theologia Germania, or German Theology, a compilation of mystical texts that circulated in Northern Europe in the fifteenth century, shows influences from all the Christian mystical traditions—affective, speculative, monastic, Dionysian, Neoplatonic, and so forth. The publication of that text in 1516 by the German reformer Martin Luther (1483–1546) granted medieval mysticism renewed life in the early-modern period. It also ensured that mystical ideas would continue to be discussed and debated, not only among Catholics, but among Protestants, too. Mystics were often eclectic, drawing upon a variety of texts, metaphors, and allusions in their quest to express the union with God. These metaphors were adaptable, and could be used not only by other mystics but by nonmystical devotional writers in search of vocabulary and rhetoric to portray the indescribable character of God and the Christian's relationship to Him.
C. Bynum, Holy Feast and Holy Fast; The Religious Significance of Food to Medieval Women (Berkeley, Calif.: University of California Press, 1987).
B. Gordon and P. Marshall, eds., The Place of the Dead: Death and Remembrance in Late-Medieval and Early-Modern Europe (Cambridge: Cambridge University Press, 2001).
F. Oakley, The Western Church in the Later Middle Ages (Ithaca, N.Y.: Cornell University Press, 1979).
T. Tentler, "Ars Moriendi," in New Catholic Encyclopedia (Detroit: Gale Group, 2002).
"Renaissance Piety." Arts and Humanities Through the Eras. . Encyclopedia.com. (September 25, 2018). http://www.encyclopedia.com/humanities/culture-magazines/renaissance-piety
"Renaissance Piety." Arts and Humanities Through the Eras. . Retrieved September 25, 2018 from Encyclopedia.com: http://www.encyclopedia.com/humanities/culture-magazines/renaissance-piety
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