Flowers
FLOWERS
FLOWERS . The blossom, or reproductive part, of trees, shrubs, and other flora is known as the flower. This part of a growing plant takes on very special and often sacred meanings in every culture and religion of the world. The symbolism of flowers is often determined by a flower's natural properties: its color and smell, where it grows, and the length of its blooming period. While each kind of flower may be assigned a special meaning, flowers in general symbolize beauty and the transitory nature of life. Flowers are often used to represent the cycle of life and are an important part of rituals and ceremonies that celebrate birth, marriage, death, and the promise of regeneration. Flowers also serve as offerings or as a means of communicating with a deity or other sacred being. They are frequently sacred gifts bestowed as signs of welcome or in celebration of victory. Flowers represent certain deities and are associated with cultural beliefs regarding heaven or the afterlife.
It is not just the bloom of a plant that holds these special meanings. Several different plants may be combined to create a "flower" for sacred purposes. In some societies other parts of a living plant may be referred to as a "flower." In Japan, maple leaves are considered to be flowers even though they are not the bloom of the maple tree. And even sea coral was treated as a flower in nineteenth-century Christianity in the United States and was believed to represent heavenly love. Palms and evergreens are often included in the general category of flowers and are used in sacred contexts.
Flowers are used to teach general religious principles. The Japanese myth Mr. Butterfly and His Flowers teaches that all creatures are destined to become Buddhas. In this story a hermit is visited by a number of women who are actually the spirits of the flowers from his garden, which he had left behind in his search for enlightenment. These flowers, as spirits of women, had come to share his Buddhist attainment because flowers too are on the path to enlightenment.
The art of flower arrangement in Japan is called ikebana ("living flowers") and has spiritual significance. The word for flower is hana and includes blossoms, branches, foliage of trees, as well as individual flowers and grasses. The art of arranging these "flowers" expresses the Buddhist ideals of content, calm, and piety. Religious spirit, restraint, serene disposition, and respect for humankind are qualities the flower arranger must possess as he or she strives to portray the growth cycle of the plant from bud to maturity. The Daoist concepts of in (Chin., yin: female, passive, earth, moon, darkness, coolness, silence) and yo (Chin., yang: male, heaven, sun, action, power) must also be combined in the flower arrangement.
The lotus is used in many cultures to stand for the ideal of purity and perfection. The plant grows in muddy water and yet remains pure. The flower itself is most frequently believed to symbolize the oneness of Buddhist instruction and enlightenment.
Flowers and Deities
Flowers are connected to the sacred realm through their association with gods and goddesses. Flora, the Roman goddess of springtime and flowers, brings beauty and fragrance to blossoms, sweetness to honey, and aroma to wine. The Aztec god Xochipilli Cinteotl was one of thirteen day lords. He was the prince of flowers—the god of beauty, love, happiness, and youth. His female twin Xochiquetzal ("flower feather") was also the goddess of love. The Hindu love god, Kāma, is represented riding a parrot with a bow and arrow made of flowers. Ko-no-hana-sa-kura-hime ("the lady who causes trees to bloom") is a supernatural being of Japan, a fairy represented by the cherry blossom. The Japanese tennyo (like the Indian devatā s) are female deities of the sky. They play music and scatter flowers and the aroma of celestial perfume. The tennyo surround pious Buddhists like angels, they appear as decorations in Buddhist temples, and some have their own shrines. The tennyo may be identified with Shintō goddesses. In Zoroastrianism, thirty different species of flowers are associated with the thirty yazata s, or deities, that preside over the thirty days of the month.
Flowers may be created through the actions of gods. Almost every culture credits the presence of all forms of life, including flowers, to the sacred realm. The ancient Greek and Roman religions include several tales of creation. Jupiter, wishing to render Hercules immortal, placed him at the breast of the sleeping Juno. Some drops of her milk fell to the earth from which sprang the white lily.
The Muslims consider the rose a sacred plant that had sprung from the drops of perspiration that fell from the Prophet during his heavenly journey. Among the Indian cultures of Latin America the geranium is believed to have grown from drops of Christ's blood that fell as he ran from Satan. And the lily of the valley is called "Our Lady's Tears," because this plant grew from the tears the Virgin Mary shed at the cross of Christ.
Flowers are also associated with the birth or creation of deities. Ancient Egyptian religion described the fixed stars in the heavens as gods or souls, and also as fields of heavenly flowers and plants, believed to be the dwelling place of the blessed dead. It was from these fields of flowers and souls that the gods were created. Ancient Egyptians also believed that the sun was born every day from a blue lotus in the celestial ocean. In Asia the lotus is the flower on which Brahmā alighted when he sprang from the navel of Viṣṇu. From this beginning Brahmā ordered the existence of all worlds.
Flowers and deities together may protect human birth. In China the bodhisattva Guanyin is known as "the lady who brings children." Sitting on a lotus flower and holding a child in her arms, she is a goddess of fertility and aids in the treatment of all sickness. Her image is found in most homes. Kishimojin (Hariti) is a female divinity of Japan who was converted by the Buddha. She is the protector of children and women in childbirth. This goddess is portrayed standing with a baby at her breast and holding the flower of happiness.
Important symbolism is attached to flowers through their appearance with a sacred being. Many times this connection arises because of particular characteristics of the flower or the season of the year in which the bloom appears and the relation of this blossoming to the religious calendar of the culture. Artists have depicted the angel Gabriel coming to Mary with a spray of lilies in his hand to announce that she will be the mother of Christ. Many flowers are connected to Mary. These flowers all stand for virginity and purity: the annunciation lily, the flowering almond, the madonna lily, the gillyflower, the snow drop, and the rose. The thorns of the rose allude to the suffering of Mary as the mother of Christ. Christ's crown of thorns is believed to have been formed from the acanthus, bramble, or rose-briar. The hawthorn is also believed to be a symbol of Jesus, because it blooms at Christmastime. Because the Easter lily blooms at Eastertide, it is a symbol of Christ's resurrection.
Flowers and Rituals
Flowers as a link between humankind and the deities are presented as offerings to the sacred world, as food for the gods, or even as a reward from the gods. Deities may be appeased and worshiped through the singing of hymns, the anointing of images, the use of lights and incense, and through the offering of foods and flowers. In India flowers are said to have dropped from heaven to express the joy of the gods.
The religions of Latin America are a mixture of sixteenth-century Catholicism and native Indian religions. In many areas the seven most important saint's days are celebrated in festivals lasting three days. The first day of the festival is spent renewing flower decorations and offerings for house and church altars. The flowers used on this day, and throughout the year, are important offerings to the saints and to God. The last day of the festival falls on the saint's day as declared in the Roman Catholic calendar.
Among the Sherpas of Nepal, the high gods have achieved salvation and bliss and are utterly fulfilled and self-contained. Following traditional Buddhist beliefs, these gods have obtained enlightenment partly through conquering the delights of the senses. The high gods are unconcerned with humans and must be drawn down to aid humankind through a complex ritual involving sacred offerings. The god is "trapped" or seduced by the various offerings, each designed to appeal to one of the senses. The flower used in this ritual tempts the god to use his sense of smell.
Rites of passage
A rite of passage is a vehicle for transforming an individual, or a group of individuals, from one way of being to another through a series of culturally recognized stages. In most cultures, these transitions are marked or given meaning through the ritual use of flowers.
The earliest evidence for the use of flowers in a rite of passage is connected with a Neanderthal burial in the Shanidar Cave in Iraq. This burial site dates from sixty thousand years ago and reveals that the Neanderthals covered the body of the deceased with at least eight species of flowers.
The association of flowers with rituals of death occurs all over the world. The Greeks and Romans covered the dead and their graves with flowers. The souls of dying Buddhists in Japan are carried upward on a lotus, and the gravestones in cemeteries may rest on carved lotuses. Lotus leaves are also constructed out of gold or silver paper and are carried at Japanese funerals. Tahitians leave bouquets wrapped in ferns by the body after death and then pour floral perfume over the corpse to ease its passage into the sacred afterlife.
In Zorastrianism, the "rite of flowers" is performed by two priests; it invokes the blessings of the sacred and includes vows to the deceased. The priests conduct a complicated exchange of flowers accompanied by prayers and gestures. These flower exchanges symbolize the exchange of life between this world and the world after death. The ritual is also concerned with good and evil and the importance of good thoughts, words, and deeds.
Flowers are used in marriage rituals as an expression of fertility, virginity, purity, and to represent the sacred union of the bride and groom. Christian weddings in the United States include flowers for the altar, a bridal bouquet that represents the bride's fertility and the children that will result from the marriage, and flowers for virtually all the ritual participants. A Roman Catholic bride often lays her bridal bouquet at the foot of a statue of the Virgin Mary at the conclusion of the wedding ceremony as a dedication of her virginity to the mother of Christ.
The marriage ceremony of Java is a syncretism of Hinduism, Islam, and folk religion. This ceremony is completed only when the bride and groom exchange the kembang majang ("blossoming flowers") that represent their virginity. These "flowers" are large composite plants. The stems are from a banana tree trunk, the "blossom" consists of leaves, and the entire "flower" is wrapped in coconut branches.
Flowers and the afterlife or paradise
Not only are flowers used to express cultural beliefs about the changes in the life cycle, but they are also connected to ideas of life after death and paradise. Chinese Buddhists believe that at the hour of death the Buddha will appear to them, and their souls will be placed in a lotus. The souls will remain there until they are cleansed of all impurities, and then they will go to the Land of Extreme Felicity in the West, a paradise of all delights where showers of blossoms fall to the ground. The Aztec paradise was located above the ninth heaven and was called Xochitlicacan, the "place of flowers." The Huichol Indians of northwest Mexico call their paradise Wirikúta, a land of many flowers and much water. It is there that the ancient ones dwell, the ancestors and deities of the Huichol. These ancestor deities are called neyeteurixa, from yeteurixa, a thistle plant that flowers and then becomes the dry burrs found in the everyday world. Through the ingestion of peyote, or the five-petaled "flower," these Indians are able to journey to Wirikúta and to meet and join their ancestors amid the flowers of paradise.
Supernatural Powers of Flowers
Flowers are believed to possess powers that arise from their connection to the sacred realm. Greek and Roman religion held the amaranth as a sacred flower and associated it with immortality. In Switzerland it is believed that if this flower is worn on Ascension Day, it will render the wearer invisible. The peony is valued for medicinal properties and is named in celebration of Apollo, who as Paeon healed the wounds received by the gods in the Trojan War.
The Maya Indians of Zinacantan perform an illness-curing ceremony called "he enters in the flowers." This ritual includes visits to the ancestor/deity mountain shrines that surround the city of Zinacantan, as well as a ceremonial circuit of the sacred Roman Catholic churches within the town itself. This ceremonial circuit is called "great vision," referring to the number of gods visited during the ceremony, or "big flower," named for the large number of flowers necessary for the success of the procession. These flowers include not only the blooms of plants but also the sacred tips of evergreen trees. These tips are considered to be natural crosses, and two are erected alongside a permanent wooden cross to form the calvario, or calvary. This recreation of the three crosses present at Christ's crucifixion is necessary for many rituals, including curing ceremonies.
Perfume, the Essence of Flowers
Flowers may also be present at sacred times in the form of incense or perfume. The aroma of the blooms is believed to reach into the sacred sphere.
The people of Mayotte in the Comoro Islands have two religious systems that exist side by side. The public and male religion is Islam, while the religion of the private domestic sphere of women is a complex system of possession by spirits. Flowers, and especially the perfume made from them, are used to celebrate the sacred in both realms. The flowers are selected for their fragrance, not for their color or form. The cologne made from these flowers is used to mark and give meaning to several occasions: the onset of puberty in women, rituals of curing, and the anointing of the bride and groom during and after their wedding, as well as of the other major participants in the marriage ceremony. Every household keeps a supply of cologne and generously sprinkles the fragrance on body and clothing on all major holidays and Fridays at the weekly mosque service. Cologne is also offered to the mullahs at family rituals, especially during mawlid celebrations of the month of the Prophet's birth. Perfume contacts and pleases the sacred and enables prayers to travel more quickly.
The Zoroastrian Dhup-sarvi ("ceremony of the perfumes") involves the use of fragrant flowers, flower water, and other perfumes. These are passed out to the people, who are assembled to honor the dead, and they symbolize the fragrance and joyful nature of the path that righteous souls take to the afterworld.
The meanings attached to flowers, indeed the definition of flower itself, vary from culture to culture. The religious significance of these blooms is a very important part of the definition of flower for most societies. There is power in all life, especially in this form of nature that almost universally stands for beauty, purity, and the transitory nature of life.
See Also
Gardens; Incense; Lotus; Paradise; Rites of Passage.
Bibliography
One of the best examples of the nineteenth-century use of flowers by Christians is Andrew Joseph Ambauen's The Floral Apostles, or, What the Flowers Say to Thinking Man (Milwaukee, Wis., 1900). The use and meaning of flowers in religious practices, especially the historical development of their role in ritual, is well described by Jacques Duchesne-Guillemin in Symbols and Values in Zoroastrianism: Their Survival and Renewal (New York, 1966). For an excellent description of the Nyingmawa (Rñiṅ-ma-pa) sect of Tibetan Buddhist beliefs and practices, see Sherry Ortner's Sherpas through Their Rituals (New York, 1978). This book is primarily concerned with the underlying beliefs of hospitality that shape the lives of the Sherpas of Nepal and includes a consideration of flowers and their religious significance. The use of flowers as offerings to Mayan gods and Catholic saints is explored by Evon Z. Vogt in Zinacantan: A Maya Community in the Highlands of Chiapas (Cambridge, Mass., 1969). This is an extensive study of the Tzotzil-speaking Indians of Guatemala and includes a thorough description of the importance of flowers in ritual. Clifford Geertz's seminal work The Religion of Java (New York, 1960) describes the syncretism of Hindu, Islamic, and folk beliefs that constitute Javanese religion. He includes in this work an excellent consideration of flowers as part of the life-cycle rituals and in other religious celebrations. Michael Lambek presents a fascinating account of the importance of flowers and perfume among the people of Mayotte in the Comoro Islands in his Human Spirits: A Cultural Account of Trance in Mayotte (New York, 1981). Flowers and the perfume made from flower petals are essential ingredients for the two religious belief systems among the Mayotte: Islam and a native folk religion that centers around trance and possession by spirits. Barbara G. Myerhoff describes two different types of "flowers" in her consideration of Huichol Indian culture. In her book Peyote Hunt: The Sacred Journey of the Huichol Indians (Ithaca, N.Y., 1974), flowers represent the Huichol ancestor/deities in paradise and refer to the peyote, the five-petaled flower that enables the contemporary Huichol to journey to this paradise.
New Sources
Coffey, Timothy. The History and Folklore of North American Wildflowers. Boston, 1994.
Hielmeyer, Marine. The Language of Flowers: Symbols and Myths. New York, 2001.
Innes, Miranda, and Clay Perry. Medieval Flowers. London, 1997.
Laufer, Geraldine Adamich. Tussie-Mussies: The Language of Flowers. New York, 2000.
Ward, Bobby. A Contemplation upon Flowers: Garden Plants in Myth and Literature. Portland, Ore., 1999.
Wells, Diana. 100 Flowers and How They Got Their Names. New York, 1997.
Pamela R. Frese (1987)
Revised Bibliography
