Aimee, Anouk 1932(?)–

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AIMEE, Anouk 1932(?)–

(Anouk)

PERSONAL

Original name, Francoise Sorya Dreyfus; born April 27, 1932 (some sources say 1934), in Paris, France; daughter of Henri (an actor; professional name Murray) and Genevieve Sorya (maiden name, Durand) Dreyfus; married Edouard Zimmermann, 1949 (divorced, 1950); married Nico Papatakis (a director), 1951 (divorced, 1954); married Pierre Barouh, 1966 (divorced, 1969); married Albert Finney (an actor), August 7, 1970 (divorced, 1978); children: (second marriage) Manuela. Education: Studied dance at Marseilles Opera; studied theater in England, then at Cours Bauer–Therond.

Addresses: Agent—Artmedia, 20, av. Rapp, Paris 75007, France.

Career: Actress.

Awards, Honors: Film Award nomination, best foreign actress, British academy of Film and Television Arts, 1963, for Lola; Academy Award nomination, best actress, 1966, Film Award, best actress, British Academy of Film and Television Arts, Golden Laurel Award nomination, female dramatic performance, Golden Globe Award, best actress in a drama, 1967, all for Un omme et une femme; Fotogramas de Plata, best foreign performer, 1967; Cesar Award nomination, best actress, 1979, for Mon premier amour; Cannes International Film Festival Award, best actress, 1980, for Salto nel vuoto; Studios International Circle of Achievement, 1985; National Board of Review Award (with others), best acting by an ensemble, 1994, for Pret–a–Porter; Lifetime Achievement Award, Palm Beach International Film Festival, 2000; Honorary Cesar Award, 2002; Benhard Wicki Film Award–Honorary Award, Munich Film Festival, 2003, for La petite prairie aux bouleaux; Honorary Golden Berlin Bear, Berlin International Film Festival, 2003.

CREDITS

Film Appearances:

(Film debut) La maison sous la mer, 1946.

La fleur de l'age, 1947.

(As Anouk) Anna, The Golden Salamander, General Films, 1949.

Georgia Maglia (Juliette), Les amants de Verone (also known as The Lovers of Verona), Souvaine Selective, 1951.

Conquetes du froid, 1951.

Noche de tormenta (also known as Nuit d'orage), 1951.

Albertine, Le rideau cramoisi (also known as The Crimson Curtain), 1951.

Voice of la bergere, La bergere et le ramoneur (also known as The Shepherdess and the Chimneysweep, The Curious Adventures of Mr. Wonderbird, and Adventures of Mr. Wonderful), Raymond Stross/George Schaefer, 1953.

(As Anouk) Jeanne, The Man Who Watched Trains Go (also known as By The Paris Express), 1953.

Forever My Heart (also known as Happy Birthday), British Lion, 1954.

Contrabando, 1954.

Elena Vargas, Contraband Spain, British Pathe, 1955.

Francoise Maurer, Ich suche dich, 1955.

Catherine Racan, Les mauvaises rencontres (also known as The Bad Liaisons), 1955.

Nina Iwanowa, Nina (also known as Romeo and Julia in Wien), 1956.

Annette Stein, Stresemann, 1956.

Isabelle, Tous peuvent me tuer (also known as Anyone Can Kill Me and Tutti possono uccidermi), 1957.

Marie Pichon, Pot bouille (also known as The House of Lovers, Le donne degli altri, and Lovers of Paris), 1957.

Stephanie, La tete contre les murs (also known as The Keepers), 1958.

Carve Her Name with Pride, J. Arthur Rank, 1958.

Jeanne Hebuterne, Montparnasse (also known as The Lovers of Montparnasse, Modigliani, Modigliani of Montparnasse, Les amants de Montparnasse (Montparnasse 19), Les amants de Montparnasse, and Montparnasse 19), Franco–London/Astra–Pallavicina/Continental Distributing,1958.

Eva, The Journey (also known as Some of Us May Die), Metro–Goldwyn–Mayer, 1959.

Jeanne, Les dragueurs (also known as The Chasers, The Dredgers, and The Young Have No Morals), 1959.

Stephanie, La tete contre les murs (also known as Head Against the Wall and The Keepers), 1959.

Helene LaRouche, Le farceur (also known as The Joker), Lopert, 1961.

Maddalena, La Dolce Vita (also known as The Sweet Life and La douceur de vivre), Astor/American International, 1961.

Title role, Donna di vita (also known as Lola), Rome Paris/Euro International/Films–Around–the–World, 1961.

Claire, L'imprevisto (also known as L'imprevu and Unexpected), 1961.

L'antiquaire, Quai Notre Dame, 1961.

Irene, Il guidizio universale (also known as The Last Judgment and Le jugement dernier), 1961.

Queen Bera, Sodome et Gomorrhe (also known as Sodom and Gomorrah, Sodom e Gomorra, and The Last Days of Sodom and Gomorrah), Titanus/Pathe Cinema/S.G.C./Twentieth Century–Fox, 1962.

Luisa Anselmi, Otto e mezzo (also known as 8 ½, Huit et demi, Federico' Fellini's "8 ½," and Fellini's "8 ½"), Embassy, 1963.

Mita Palumbo, Liola (also known as A Very Handy Man), Federiz–Francinex–Cinecitta/Rizzoli, 1963.

Il giorno piu corto (also known as The Shortest Day and Il giorno pui corto commedia umoristica), 1963.

Anna Braschi, Il terroista (also known as The Terrorist), 1963.

Laura, Il successo (also known as The Success), 1963.

Anna, Les Grands Chemins (also known as Of Flesh and Blood and Il baro), Copernic–Saphrene–Dear/Times, 1964.

Lorenza, Le sexe des anges (also known as Le voci bianche, I castrati, Undercover Rouge, Counter Tenors, and White Voices), Franca–Federiz–Francoriz/Rizzoli, 1965.

Valeria, Il morbidone (also known as The Dreamer), 1965.

Luisa, La fuga (also known as The Escape), Cine 3/International Classics (Fox), 1966.

Anne Gauthier, Un homme et une femme (also known as A Man and a Woman), Les Films 13/Allied Artists, 1966.

Mita, La stagione del nostro amore (also known as Seasons of Our Love), Federiz–Francinex–Cinecitta/Rizzoli, 1966.

Lo scandalo, 1966.

Anne, Un soir, un train (also known as One Night ... a Train), Parc–Fox Europa Films du Siecle/Twentieth Century–Fox, 1968.

Carla, The Appointment, Metro–Goldwyn–Mayer, 1969.

Title role, Justine, Twentieth Century–Fox, 1969.

Lola, The Model Shop, Columbia, 1969.

Sarah Gordon, Si c'etait a refaire (also known as Second Chance and If It Were To Do Over Again), United Artists, 1976.

Jane (Mother), Mon premier amour (also known as My First Love), 7 Films/Gaumont, 1978.

Marta Ponticelli, Salto nel vuoto (also known as A Leap in the Dark, Le saut dans le vide, and Leap into the Void), Summit, 1982.

Barbara, Tragedia di un uomo ridiculo (also known as The Tragedy of a Ridiculous Man), Warner Bros., 1982.

Helene, Qu–est–ce qui fait courir David? (also known as What Makes David Run?), Columbia/EMI Warners/MK2–Diffusion, 1982.

Countess Betsy, Le general de l'armee morte (also known as The General of the Dead Army, and L'armata ritorna), WMF/Union Generale Cinematographique, 1983.

Monique de Fontaine, Success Is the Best Revenge (also known as Le succes a tout prix), Gaumont, 1984.

(As Anouk), Viva la vie! (also known as Long Live Life), Union Generale Cinematographique, 1984.

Un reve a peine commence, 1984.

Flagrant Desire, Hemdale, 1985.

Anne Gauthier, Un homme et une femme: Vingt ans deja (also known as A Man and a Woman: 20 Years Later), Films 13/Warner Bros., 1986.

Laura, Arrivederci e grazie (also known as Goodbye and Thank You), Medusa Distribuzione, 1988.

Herself/la voix de la bergere, La table tournante, 1989.

Herself/seul film–annonce, Il y a des jours ... et des lunes (also known as There Were Days and Moons), JP2 Audiousvel/AFMD–Roissy, 1990.

Marie–France Coudaire, Bethune–The Making of a Hero (also known as Bethune, l'etoffe d'uno heroes and Dr. Bethune), 1990.

Das schicksal des Freiherrn von Leisenbohg (also known as The Fate of Baron Leisnbohg), 1991.

Francoise, Les marmottes (also known as The Groundhogs), 1993.

Marthe, Ruptures, 1993.

Simone Lowenthal, Ready to Wear (also known as Pret–a–Porter and Pret–a–Porter: Ready to Wear), Miramax, 1994.

Actor for a Day, Les cent et une nuits (also known as A Hundred and One Nights, A Hundred and One Nights of Simon Cinema, and Les cent et une nuits), Mecure Distribution, 1995.

Claire Charvet, Dis–moi oui (also known as Say Yes), Lumiere Pictures, 1995.

Herself, L'univers de Jacques Demy (also known as The Universe of Jacques Demy and The World of Jacques Demy; documentary), 1995.

Widow, Hommes, femmes: Mode d'emploi (also known as Men, Women: A User's Manual), UFD, 1996.

Les menteurs (also known as The Liars), Lumiere Pictures, 1996.

La fee, Riches, belles, etc. (also known as Riches, belles et cruelles), 1998.

Herself, L.A. without a Map (also known as I Love L.A. and Los Angeles without a Map), United Media, 1998.

Eve, Madeleine's mother, Madeleine, Columbia–TriStar/Sony Pictures Entertainment, 1999.

La femme du musicien, Une pour toutes (also known as One 4 All), Bac Films, 1999.

Title role, Eve, 2000.

Millie Marquand, Festival in Cannes, Paramount Classics, 2001.

Herself, L'ultima sequenza (documentary; also known as The Lost Ending), 2003.

Herself, Federico Fellini—Mit den augen der anderen (documentary; also known as Federico Fellini—Through the Eyes of Others), Preview Release GmbH, 2003.

Myriam, La petite prairie aux bouleaux (also known as Birkenau und Rosenfeld and The Birch–Tree Meadow), 2003.

La mere de Vincent, Ils se marierent et eurent beaucoup d'enfants, Pathe, 2004.

Herself, Freedom2speak v.2.0 (documentary), 2004.

De particulier a particulier, 2005.