Japanese Royal Family and Buddhism
JAPANESE ROYAL FAMILY AND BUDDHISM
Although the royal family of Japan, headed by the tenn? (heavenly monarch), has since 1868 been identified by the Japanese media and government with Shint?, it long led a religious life dominated by Buddhism. It was, indeed, the prince-regent Sh?toku (574–622) who was identified as having the greatest impact on the early history of Buddhism in Japan, in emphatically supporting Buddhism in early proclamations, in supporting the construction of major temples such as Shitenn?ji in ?saka, and in writing—or, more likely, sponsoring—one or more of the commentaries on Buddhist scriptures that have been attributed to him.
The eighth-century sovereign Sh?mu combined a deep faith in Buddhism with an effort to incorporate the faith into his effort to undergird his authority. Following several years of natural disasters and pestilence, while queen K?g? administered a new and extremely active s?tra-copying bureau, Sh?mu hatched a plan to establish a national system of provincial temples and nunneries (kokubunji). He surprisingly described himself at the dedication of the Great Buddha at T?daiji in Nara as a "slave" of the Three Jewels (a reference to Buddha, his teachings, and his community).
Although the period after Sh?mu was infamous for the undue influence of clerics over the ruler, whatever qualms the family and court had vis-à-vis the Buddhists were no longer evident by the early ninth century, when sovereigns balanced support of the Nara schools with that of the new Tendai and Shingon schools. From the 830s on, Buddhist rites formed an increasingly large role in the ritual life of the royal family and court: The Shingon monk K?kai successfully petitioned for the inauguration of the annual esoteric Latter Seven-Day Rite (go-shichinichi mishiho), to be conducted from January 8 through January 14, simultaneously with the long-established exoteric Misai'e (Gosai'e) rite for the welfare of ruler and realm, and for the construction of the palace chapel, Shingon'in in Kyoto.
Increasing domination of the royal family by the northern Fujiwaras from the late ninth century on was also marked by an effort to promote the ruler's authority in religious terms. For example, the increase in the number and volume of accession rites performatively represented the ruler's sanctity and grace on a grand scale. As part of this effort, the court, in the name of the acceding ruler, sponsored the Great Treasures Offering (ichidai ichido daijinp? h?bei) and the Buddha Relics Offering (ichidai ichido busshari h?ken), both of which were made to native shrines throughout the realm. The offering of remains of the Buddha (housed in small st?pas) to non-Buddhist religious institutions and local deities (kami), while seemingly odd, was focused especially on Usa Hachimangu shrine in Ky?sh?, where the local gods had been venerated since at least the early ninth century as both the spirit of the legendary ancient ruler ?jin (ca. early fifth century) and the bodhisattva Hachiman. Meanwhile, tenn? were sometimes cremated in Buddhist ceremonies, and the royal family increasingly sponsored Buddhist masses to memorialize their dead.
Royal culture and Buddhism
The retired ruler Uda (867–931) became the first retired tenn? to become a monk (in), entering the Shingon order at Ninnaji Monastery in Kyoto and receiving the denb? kanj? initiation as acarya (ajari) there. Thus Uda set the precedent not only for royal relatives to often head Ninnaji but for princes to serve regularly as abbots of the so-called O'muro royal-temple compound (monzeki) in Ninnaji beginning in the late eleventh century, and, from the twelfth century on, effectively ruling over the entire Buddhist community. (Cloistered rulers also tended to have close ties with the Tendai temples Onj?ji and the monzeki Sh?ren'in, both near Kyoto.)
At the same time, Uda also established the pattern for a former tenn? to engage in politics while donning clerical robes. From the late eleventh century on, retired sovereigns (insei) increasingly replaced the Fujiwaras as rulers, while symbolically demonstrating their religiosity by elaborating on precedents set by figures such as Fujiwara no Michinaga (966–1027) and those around him. Thus, retired tenn? Shirakawa (1053–1129) established magnificent temples and multiple st?pas as expressions of his grace, and his son Toba (1103–1156)—on better terms with the Fujiwaras—established the Sh?k?my?'in chapel and treasury (h?z?) near Kyoto, housing a Buddhist scriptural collection and other treasures in apparent imitation of the Fujiwara chapel By?d?'in, also near Kyoto, which similarly featured an Amidist sanctuary and a scriptural treasury (ky?z?). This "royal culture" of powerful aristocrats and cloistered sovereigns, particularly with its emphasis on demonstrating largess and religious devotion as well as an increasing interest in acquiring knowledge of esoteric Buddhism—and influence over the clerical appointment system—was one of the primary factors that influenced Tendai and Shingon monks and temples of the medieval era. Under this influence, Buddhists increasingly sought to produce large iconographic collections (the first, Zuz? sh? [ca. 1135–1141], was reputedly produced by order of Toba), to establish large treasuries of scriptures and other objects, and to specialize in particular tantric rites (shuh?) of concern to the royal family.
Buddhist accession rites and Shint?
Moreover, during the same period, particularly in the O'muro at Ninnaji, the enriching of esoteric Buddhist teachings with worship of native deities produced novel teachings and ritual practices that attempted to confer legitimacy on the ruler, and were later referred to as Gory? Shint?. At the latest, by Go-Uda's accession (late thirteenth century), the ruler often underwent an esoteric Buddhist consecration rite (sokui kanj?) as part of the accession process. The initiation of retired tenn? Go-Daigo in the fourteenth century into what would later be deemed the "controversial" Tachikawa line of Shingon was, indeed, an elaboration of this trend. Moreover, the first use of the term Shint? was established in and through the so-called kenmitsu institutions of Shingon and Tendai. Even the emphasis on the three royal regalia was forged in the milieu of those institutions to legitimize royal rule amidst the impending split into rival lines: The jewel (magatama) was newly emphasized and was commonly compared to the wish-fulfilling jewel and Buddha relics of the treasuries of esoteric temples such as the Shingon temple T?ji.
In spite of the rising prominence of nativist scholars such as Motoori Norinaga (1730–1801), the royal family remained devoted Buddhists until the Meiji restoration in 1868, when mid-level samurai returned the Japanese government from Tokugawa warrior rule to royal rule in the name of the tenn?. Rituals such as the Latter Seven-Day Rite were no longer held in the palace, and any public relationship between the royal family and the Buddhist community was dissolved—a government policy that has continued to the present.
See also:A?oka; Meiji Buddhist Reform; Nationalism and Buddhism; Politics and Buddhism; Tachikawary?
Bibliography
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Kamikawa Michio. "Accession Rituals and Buddhism in Medieval Japan." Japanese Journal of Religious Studies 17, no. 2/3 (1990): 243–280.
Maki Toshiyuki. "Go-Uda tenn? no mikky? juh?" (The ruler Go-Uda's initiation into esoteric Buddhism). In Kodai/ch?sei no shakai to kokka, ed. Osaka Daigaku Bungakubu Nihonshi Kenky?shitsu. Osaka, Japan: Seibund?, 1998.
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Brian O. Ruppert
