Sir Walter Scott

views updated May 23 2018

Sir Walter Scott

The Scottish novelist and poet Sir Walter Scott (1771-1832) is the acknowledged master of the historical novel. He was one of the most influential authors of modern times.

Walter Scott was born in Edinburgh on Aug. 15, 1771, the son of a lawyer with a long family tradition in law. By birth Scott was connected with both the rising middle class of Britain and the aristocratic Scottish heritage then passing into history. He was educated at Edinburgh University and prepared for a career in law, but his avocations were history and literature. He read widely in English and Continental literatures, particularly medieval and Renaissance chivalric romances, German romantic poetry and fiction, and the narrative folk poems known as ballads.

Translations and Poetry

From these intense interests Scott's earliest publications derived: a translation of J. W. von Goethe's play Götz von Berlichingen (1799) and other translations from German;Minstrelsy of the Scottish Border (1802-1803), a collection of ballads that generated great interest in folk poetry; and a succession of narrative poems, mainly of chivalric or historical action. These poems—including The Lay of the Last Minstrel (1805), Marmion (1808), and The Lady of the Lake (1810)—became best sellers, and Scott established his first literary reputation as a poet of the romantic school.

During these years Scott also pursued a legal career, rising to the official position of clerk of the Court of Session. His enormous energies allowed him to engage in scholarly and journalistic activities. His edition and biography of John Dryden, the English poet and dramatist, published in 1808, remains of value. His politically motivated founding of the Quarterly Review, a literary journal, helped make Edinburgh the most influential center of British intellectual life outside London. In these years Scott also began to create an estate, Abbotsford, to reflect his antiquarian interests. He modeled its furnishings and architecture on the traditions of the medieval era.

Waverley Novels

When sales of his verse narrative Rokeby (1813) declined and a new poet, Lord Byron, appeared on the literary scene, Scott began to develop another of his many capacities. Picking up the fragment of a novel he had begun in 1805, he tried his hand at fiction, and his most fully characteristic novel, Waverley (1814), resulted. As its subtitle, 'Tis Sixty Years Since, established, Waverley was a historical novel about the 1745 rebellion to restore the Stuart line to the British throne. By leading a young and naive Englishman through a wide range of Scottish classes, political factions, and cultural modes, Scott built up a substantial picture of an entire nation's life at a dramatic historical juncture.

The success of Waverley established Scott in the career of a novelist, but it did not establish his name in that role. Unwilling to stake too much on his venture into fiction, he had published Waverley anonymously. Finding that the mask of anonymity had stimulated public interest, Scott signed his subsequent novels "by the Author of Waverley." This signature became his trademark, the novels bearing it being called the "Waverley" novels. The Waverley novels exercised enormous fascination not only for Scots and Englishmen but also throughout the Continent. These novels provided the characters and plots for innumerable stories, plays, and operas, the most famous of which is Gaetano Donizetti's opera Lucia di Lammermoor.

Scott's achievement as a novelist can best be summarized by grouping his novels according to their themes and settings. His first successes were largely in the realm of Scottish history. In the order of their chronological setting, the Scottish novels are Castle Dangerous (1832) and The Fair Maid of Perth (1828), both set in the 14th century; The Monastery and The Abbot (both 1820), its sequel, set during the 16th century's religious upheavals; A Legend of Montrose (1819) and Old Mortality (1816), which deal with the campaigns of the 17th-century civil wars; and a series of novels of the Jacobite (Stuart) rebellions of the 18th century—Rob Roy (1817), Waverley, and Redgauntlet (1824). Other Scottish novels indirectly related to historical themes are The Black Dwarf (1816), The Heart of Midlothian (1818), The Bride of Lammermoor (1819), and The Pirate (1822). Scott also wrote a group of novels set in nearly contemporary times: Guy Mannering (1815), The Antiquary (1816), and St. Ronan's Well (1824).

English Novels

At a critical point of his career, Scott turned to English history for his subject matter. Critics are generally agreed that the English (and Continental) novels, mainly set in medieval times, are inferior in social and psychological realism, but they include Scott's most enduringly popular works. He began with Ivanhoe (1820) and then wrote three other novels set in the period of the Crusades: The Talisman (1825), The Betrothed (1825), and Count Robert of Paris (1832). Quentin Durward (1823) and Anne of Geierstein (1829) deal with the later Middle Ages, and the Renaissance is represented by Kenilworth (1821) and The Fortunes of Nigel (1822). The English phases of the civil-war and Restoration periods were rendered in Woodstock (1826) and Peveril of the Peak (1822), respectively.

So massive a literary corpus cannot be reduced to broad generalizations. Most critics and readers seem to prefer Scott's early novels. On the whole, Scott's work is flawed by sentimentality and rhetoric, but his novels command the power to put modern readers in touch with men of the past.

Scott's later years were clouded by illness, throughout which he continued to write. He spent the energies of his last years trying to write enough to recover honorably from the bankruptcy of a publishing firm in which he had invested heavily. He died at Abbotsford on Sept. 21, 1832.

Further Reading

The authorized biography by Scott's son-in-law, John Gibson Lockhart, Memoirs of the Life of Sir Walter Scott (3 vols., 1837-1838), has been supplemented by the definitive, scholarly work of Edgar Johnson, Sir Walter Scott: The Great Unknown (2 vols., 1970), which combines biography and criticism. The most thorough critical examination of the novels is Francis R. Hart, Scott's Novels: The Plotting of Historical Survival (1966). Another approach is presented in Alexander Welsh, The Hero of the Waverley Novels (1963). The most influential recent interpretation is that of George Lukács, The Historical Novel (1962). □

SCOTT, Sir Walter

views updated Jun 08 2018

SCOTT, Sir Walter [1771–1832]. Scottish poet, novelist, collector of ballads, and historian. Born in Edinburgh, he was partly brought up in the Borders, whose history and traditions were a fundamental influence. He was educated at the High School and U. in Edinburgh, and after training as a lawyer was appointed Sheriff-Depute of Selkirkshire in 1799. His first important published work was Minstrelsy of the Scottish Border (1802–3), an edited collection in three volumes of over 70 ballads. The tone and quality of ballad poetry influenced his series of narrative poems on Scottish historical themes. However, his reputation rests mainly on his novels, of which many are set in 17–18c Scotland, but others have settings from various periods in the history of England and France.

By virtually inventing the historical and regional novel as genres, Scott exerted a profound influence on the subsequent course of literature throughout the world. His successors include not only English regional novelists such as the Brontë sisters and Thomas HARDY, but James Fenimore Cooper and Mark Twain, for example, in the US, and others in Australia, Canada, India, and elsewhere. His use of SCOTS for dialogue encouraged others to experiment with non-standard forms of English and to provide them with more or less consistent orthographies. His English vocabulary is ornamented not only with words taken from Scots but with a large number of ARCHAISMS from Spenser and SHAKESPEARE, particularly in such fields as warfare, weaponry, horsemanship, and medieval architecture. His Scots dialogue is realistic and expressive, but most of his Scots-speaking characters belong to the lower orders or are associated with an age that was gone or passing when he wrote.

Scott, Sir Walter

views updated May 11 2018

Scott, Sir Walter (1771–1832). Poet, novelist, man of letters. Scott distilled the literary and historical culture of the Scottish Enlightenment into the first great European works of historical fiction. A patriot and publicist, he placed Scotland on the international tourist map as a land of enlightenment and romance. The son of an Edinburgh lawyer, educated for the Scottish bar, Scott remained an active lawyer for the rest of his life, becoming latterly sheriff depute of Selkirk and principal clerk of Session. His literary career began in the school playground, telling stories to his friends. He first made his mark as a poet, collecting, editing, and adapting border ballads and later writing enormously popular narrative poems of which the Lay of the Last Minstrel (1805) and Marmion (1808) are probably the best. His career as a novelist began in 1814 with the publication of Waverley, followed by another 24 novels which appeared at almost yearly intervals until the end of his life. In addition he edited standard editions of Swift and Dryden, wrote a series of lives of the novelists, a profusion of reviews, and an enormous personal correspondence. By the early 1820s he was sometimes writing more than 15,000 words per day. He built Abbotsford out of his substantial profits, turning it into an extraordinary physical embodiment of his taste for antiquities, real and phoney, and his more modern respect for creature comforts. Bankruptcy in 1825 and failing health overshadowed his later years, but yielded a Journal, a work of genius, posthumously published and surprisingly little read. Scott was a man universally liked, known, and admired.

Nicholas Phillipson

Scott, Sir Walter

views updated May 21 2018

Scott, Sir Walter (1771–1832) Scottish novelist and poet. He began his career with a collection of old Scottish ballads, Minstrelsy of the Scottish Border (1802–03). The wider fame brought by The Lay of the Last Minstrel (1805) was consolidated by the poems Marmion (1808) and The Lady of the Lake (1810). In 1814, he turned to historical fiction. His first novel, the anonymously published Waverley (1814), was an immediate success and was followed by a series of Scottish novels, including Rob Roy (1818) and The Heart of Midlothian (1818). Among his later novels are Ivanhoe (1819), Kenilworth (1821), and Quentin Durward (1823).