Funerary Beliefs and Practices
Funerary Beliefs and Practices
So much of modern knowledge of the ancient Egyptians derives from material recovered from tombs that the misconception that the Egyptians were obsessed with death is common. We are indeed fortunate that the Egyptians decorated their tombs with scenes of daily life, that they included objects from everyday life in their burials, and that they buried their dead with texts of all types, from funerary texts intended to smooth the transition into the next life for the deceased, to literary and even administrative texts. Since the Egyptians buried their dead in the desert west of the Nile, avoiding wasting the scarce arable land, arid conditions have preserved this wealth of material.
The ancient Egyptians viewed the individual as the sum of component parts, some of which came into existence at birth and coexisted with the individual throughout life, while others came into existence only at death. The Egyptians were not consistent in their description of these different entities, and it is not always possible to distinguish them clearly from each other. In Egyptian mythology, Khnum the potter god was responsible for the physical creation of the individual. Contemporaneous with the molding of the body, the god also fashioned a double for a person, called a ka. The ka is the life force, the difference between a living and a dead person. It was transmitted from parent to child, and represented that aspect of the deceased individual that was capable of making use of the numerous offerings of food and drink. Prayers accompanying offerings or taking the place of offerings were frequently addressed to the ka of the deceased. A statue of the deceased could serve as an image of the ka, and was placed in the tomb as insurance against the destruction of the body. In the event that occurred, the statue could serve as a stand-in and conduit to transfer the benefits of the offerings to the deceased.
After death, the mummified body was placed in the tomb, where it was meant to stay for all eternity. In order to allow the deceased to leave the tomb and visit the world of the living and the gods, another element of the individual was necessary. This was called the ba. The ba was frequently depicted as a jaribu stork, occasionally with a human head. At death, the ba was said to fly away from the deceased. This separation was not permanent, however, since the ba must return to the mummy every night. The image of a person's separation from his ba came to be used as a description for the condition brought about by drunkenness, or the losing of one's wits in a stressful situation. The ba provided the deceased with two necessary capabilities: movement, signified by the wings of the ba-bird, and transformation. In order to make the transition to the next life, avoiding the pitfalls that awaited, the deceased often found it useful to transform him or herself into different forms. Spells in the Book of the Dead transformed the deceased into a falcon, lotus, snake, crocodile, or swallow, just to name a few of the forms assumed by the deceased. The ba also provided the dead with the ability to continue to enjoy sexual activity beyond the grave.
A third aspect of the deceased individual was the akh, frequently translated as glorified or effective spirit. This was the aspect of an individual that achieved a glorified and exalted status in the next life. It was the spirit that could get things done, as shown by the letters preserved between living Egyptians and their dead relatives. These letters were written on papyrus or in bowls that would have contained offerings to entice the deceased to grant their requests. The letters could ask the dead to cease troubling the living, or to intercede with other spirits in the afterlife on behalf of the living to either bring about or cease a certain activity.
An important aspect of preparing for the afterlife was the construction of the tomb. Tombs could take many forms, including the elaborate pyramid complexes of the Old Kingdom kings; rectangular, box-like constructions called mastabas; and tombs cut deep into the rock, known most famously from the Valley of the Kings. The construction of the tomb began as soon as a man had the means to do so. The Instruction of Prince Hardjedef gives this advice: "When you prosper, found your household, take a hearty wife, a son will be born to you. … Make good your dwelling in the graveyard, make worthy your station in the West [another euphemism for the land of the dead]." Whatever its form, the tomb had two main purposes: to house the body and to provide a place where the cult of the deceased could be carried out. This cult took the form of regular offerings and special rituals carried out during particular festivals. The two main parts of the tomb correspond to these two functions. The burial chamber, usually located below ground, housed and protected the body. Above ground was the superstructure, the chapel, which served as the public part of the tomb and was accessible to priests and visitors.
The burial chamber frequently contained the equipment necessary for a proper burial and a pleasant afterlife. Inside the burial chamber was the coffin, four canopic jars (containing the liver, lungs, stomach, and intestines, which were removed at mummification), shawabti figures (figurines designed to act as stand-ins whenever the deceased was called upon to do any work in the afterlife), amulets, and texts. Objects of daily life that were thought necessary for the comfort of the deceased were also included in the burial chamber. These objects included food containers, furniture, tools, games, clothing, and any other object the deceased could have used. The walls of the burial chamber could be left plain, or be decorated with scenes from daily life, offering scenes, or scenes of the deceased in the afterlife.
The chapel could also take different forms. It could be as simple as a stele erected above the burial; wealthier individuals could have a chapel of many rooms, usually—but not necessarily—above the burial chamber. The focal point of the chapel was a stele called a "false door" by Egyptologists, since it represented a door carved in stone. This door, usually located directly above the burial chamber, was thought to be the place where the ba of the deceased could leave and enter the burial chamber. In front of the door could be found a stone table on which offerings could be left. The sides of the door were frequently engraved with the text of the offering formula, and it was thought that if any passersby would stop and recite the formula on behalf of the deceased, he would be magically provided with nourishment.
The walls of the chapel could be decorated with many types of scenes. Some scenes depicted activities associated with agriculture, such as plowing, planting, and harvesting of crops, and the herding of animals. Scenes showing the processing of foodstuffs include those of brewing beer and making bread. Scenes of daily life include such activities as fishing and fowling, boating and boat-jousting matches, and the manufacturing of goods such as jewelry, chairs, beds, coffins, pottery, or cloth. Other tombs have representations of the funeral procession with mourners. During the First Intermediate Period, chapel walls were rarely decorated with such scenes. Rather, small wooden models depicting the same types of activities were included in the burials. The purpose of the scenes and models was the same: to ensure the deceased a steady supply of those goods he would need in the afterlife.
The focus of all this effort and activity was the mummy (embalmed remains) of the deceased. The English word derives from the Persian word mumia, meaning pitch or bitumen. The word was used at least since the Renaissance to describe the embalmed remains of the Egyptians because they appeared to be covered with pitch. The practice of mummification may have arisen because of the natural drying property of the Egyptian sand. The earliest Egyptian burials, from the Predynastic Period, were simply shallow pits on the desert's edge. The heat combined with the sand served to dry out the body's tissues before they could decompose, leaving a considerably lifelike appearance. With the introduction of more elaborate tombs, however, the body was no longer buried in the sand, and as a result quickly decomposed. Consequently, various attempts were made to preserve the body. The mythological justification for the process of mummification derives from the myth of the god Osiris. After Osiris had been dismembered by his brother Seth, Isis traveled throughout Egypt gathering up the pieces of his body. The god of embalming, Anubis, then reassembled the pieces and rejuvenated the body of Osiris to allow him to sire a son with Isis. Each deceased Egyptian was thought to become an Osiris, and by reenacting the same mummification process, to gain renewed life, as Osiris did.
Methods of Mummification.
The earliest example of mummification dates to the Fourth-dynasty (2675–2500 b.c.e.) burial of Queen Hetepheres, the wife of Sneferu (2625–2585 b.c.e.) and mother of Khufu. Throughout Egyptian history, several different methods of mummification were used, depending on what the deceased or his family could afford. An elaborate mummification could have proceeded along the following lines. First, the corpse was taken to the Per-Nefer, the House of Mummification, where it was placed on the embalming table. This table was supposed to resemble the one on which Osiris had been placed after his death. The table is frequently shown with lion's feet. Next, the brain was removed through the nose and thrown away. The Egyptians did not recognize the significance of the brain, and thought it of no use. The embalmer, known as the ut -priest, made a cut in the left side of the abdomen of the mummy and removed the liver, lungs, stomach, and intestines. The organs were wrapped separately and each one was placed in its own jar. These jars were buried in the tomb with the mummy, often in a special chest. At times, the heart was removed and carefully wrapped and returned to its place. At other times, it was simply left in place. Near the heart the embalmer could place a "heart scarab," an amulet containing a protective spell. The body cavity was packed with linen and other stuffing material. The body was packed and covered with dry natron, a salt-like compound used to dry out the body. This process took about forty days, after which the natron was removed and the body cavity was packed with linen bags of sawdust or myrrh soaked in resin. Then the abdominal incision was sewn shut. Priests rubbed the body with a mixture of cedar oil, wax, natron, and gum, and sprinkled it with spices. They smeared the skin with molten resin which, when hardened, kept moisture out of the body. The last step was wrapping the body with linen. This could involve the use of hundreds of yards of linen. Beginning in the Thirtieth Dynasty (381–343 b.c.e.), scribes wrote texts from the Book of the Dead on some of the mummy bandages. During the wrapping process, priests included amulets on the mummy to protect it. Throughout the whole process, priests recited the appropriate incantations at each stage of the mummification. Some of these spells have been preserved on papyri. For example, after anointing the head of the mummy with good quality resin, the embalming priest was to recite the following: "Ho, Osiris N [N represents the name of the deceased], resin which came forth from Punt is on you in order to make your odor agreeable as the divine scent. The efflux which comes forth from Re is on you in order to make [your odor] agreeable in the broad hall of the Two Truths." According to the Greek historian Herodotus (fifth century b.c.e.) the process of making a mummy took seventy days, this number deriving from the number of days the star Sirius was invisible. In actuality, the mummification could last anywhere from thirty to over 200 days. Once the mummy was completed, the funeral could begin.
The funeral began when the coffin of the deceased left his house. It could be carried by pallbearers or drawn on a sledge. The family of the deceased accompanied the procession, and they were said to be in a state of mourning. Tomb scenes show these individuals pulling at their hair, throwing dust on their heads, and collapsing from grief. Men and women mourned separately, men outside, and women inside the home. Two women fulfilled the roles of the goddesses Isis and Nephthys, who mourned for Osiris. The wife of the deceased usually took the part of Isis. Also present were the embalmer, lector priest, and the Sem-priest. Since most Egyptians lived on the east bank of the Nile, and most cemeteries were located on the west bank, a trip to the necropolis required travel by water. The west was also the location of the land of the dead, since the sun set in the west. When the procession reached the river, the mourners placed the coffin on a barge and towed it to the wabet, the "place of purification" on the west bank of the Nile. In the wabet, various rituals of purification were carried out. From there, they again placed the coffin on a sledge which was drawn by oxen to the tomb.
Opening of the Mouth.
At the tomb the Sempriest purified the deceased, and the lector-priest performed the Opening of the Mouth ritual. The Opening of the Mouth ritual restored the vital faculties which the deceased had lost, and allowed him to make use of the funerary offerings. This ritual derived from the statue workshops of Memphis, and was originally used to animate statues of the gods after they were complete. Through a series of ritual passes made with an adze (a cutting tool), the priest opened the eyes, ears, nostrils, and mouth of the deceased, restoring his or her senses and faculties. Priests recited glorification spells in order to help the deceased transform into a glorified akh. The offering ritual involved the presentation of food, drink, incense, and many other goods before the false door of the tomb. The text stresses that the deceased has his own heart. This was essential, since in the final judgment before Osiris it was the deceased's heart that the gods weighed in the balance against the feather of maat. If the heart failed to measure up to maat, it and the deceased would be devoured by the demon Ammit. This is why the heart was often carefully wrapped and replaced in the chest cavity of the mummy. The heart scarab frequently placed inside the chest was engraved with a spell to prevent the heart from opposing the deceased in the tribunal before Osiris. Completion of the rites of mummification and burial are what allowed the deceased to acquire the status of netjer, divine being.
TWO STELE DESCRIBING FUNERARY RITES
introduction: Two stele from the New Kingdom preserve a description of the funerary rites. They come from the tombs of Amenemhet in Thebes and the joint tomb of Djeheuty and Intef. This is a rare Egyptian description of a ritual.
A goodly burial arrives in peace after 70 days have been completed in your embalming house. [You] are placed on a bier pulled by four sound bulls, the path being sprinkled with milk until you reach the door of your tomb. Your grandchildren are assembled together weeping with loving hearts. Your mouth is opened by the lector priest; you are purified by the Sem-priest. Horus has adjusted your mouth for you; he has opened your eyes and ears for you. Your flesh and bones are complete (as) that which belongs to you. The spells of glorification are recited for you. The offering ritual is performed for you. Your own heart is with you, the one you had upon earth. You have arrived in your former appearance, as on the day in which you were born. Your beloved son is presented to you while the attendants give reverence. You enter the land which the king provides, into the area of the West. It is done for you as was done for the ancestors. The Muu dancers come to you rejoicing.
We have seen that at burial the deceased was the recipient of offerings of food and drink. The need for such sustenance lasted far beyond the funeral, however. In order to ensure that he would have a steady supply of offerings to support him in the afterlife, an Egyptian would endow a foundation with land or with the income from a priestly office that he held. Usually, this endowment went to the eldest son of the deceased, called his "beloved son" on the condition that some of the income from the endowment went to provide offerings for the deceased. Such individuals functioned as "ka-priests" for the deceased. Such offices could be bequeathed to descendants of the ka priest for generations. During the New Kingdom, an individual who had royal permission could set up a statue of himself in the temple precincts, and through the intermediary of this statue share in the prayers and offerings which went on in the temple.
Although the dead were buried in the necropolis, they did not cease to form part of an Egyptian's family. During certain religious festivals, the dead received special offerings. During the New Kingdom, at the "Feast of the Valley," families would cross over to the west bank of the Nile to visit the tombs of their relatives, and hold picnics within their chapels. Within the home, busts of deceased relatives as "effective spirits" could be set up, and were the focal point of prayers and offerings. According to Egyptian thought, the deceased still influenced the lives of the living, hence the necessity to make sure that their needs were satisfied.
Sue d'Auria, et al., Mummies & Magic: The Funerary Arts of Ancient Egypt (Boston: Museum of Fine Arts, 1988).
Salima Ikram and Aidan Dodson, The Mummy in Ancient Egypt (London: Thames and Hudson, 1998).
A. J. Spencer, Death in Ancient Egypt (Middlesex, England: Penguin Books, 1982).
"Funerary Beliefs and Practices." Arts and Humanities Through the Eras. . Encyclopedia.com. (September 19, 2018). http://www.encyclopedia.com/humanities/culture-magazines/funerary-beliefs-and-practices
"Funerary Beliefs and Practices." Arts and Humanities Through the Eras. . Retrieved September 19, 2018 from Encyclopedia.com: http://www.encyclopedia.com/humanities/culture-magazines/funerary-beliefs-and-practices
Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.
Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:
Modern Language Association
The Chicago Manual of Style
American Psychological Association
- Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most Encyclopedia.com content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
- In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list.