The study of Etruscan architecture is principally the study of tomb design because the greatest body of evidence preserved consists of subterranean tombs. The examination of architectural types such as temples and other public structures cannot be based on standing buildings, as is possible with the Greek or Roman material. It is necessary to rely on archaeological finds, which consist mainly of foundations and the remains of building parts. However, the descriptions of ancient authors, particularly Vitruvius, supplement modern knowledge. His De Architectura (On Architecture) is a particularly useful reference because, among other topics, he describes his understanding of the basic rules for the design and construction of Etruscan temples and their sites. It always has to be remembered that Vitruvius wrote in the late first century b.c.e. and had a desire to explain and employ classical styles in the work of his own time. He was a practicing architect and had a practical knowledge of materials, working techniques, and other areas of knowledge—such as site planning—that were part of the necessary education of the architect. His motives and the time in which he wrote, at the beginning of the reign of August Caesar, influenced his attitudes. Since he was one of the few ancient authors whose writing on architecture was preserved, he was very much respected in the Renaissance. Architects of that time turned to his work for the clearest explanation of ancient styles and techniques available to them.
Materials and Techniques.
In the earliest beginnings, Etruscan architecture employed the crude wattle and daub technique, a method of construction employing bundled sticks with an overlay of mud. It is clear, from the evidence of tomb decoration that imitates living structures, that timber work was employed by the early sixth century b.c.e. in the construction of houses. From other evidence it can be seen that the Etruscans employed tufa blocks and ashlar masonry in foundations, buildings, and walls. "Tufa" is a porous volcanic rock common in Italy, and "ashlar" describes large, squared stones. Mud brick and half-timber construction on stone foundations was also practiced, a technique that used wood for framing and unbaked brick to fill the spaces between the frames. Mud brick and wood were the main materials of temple wall construction throughout most of Etruscan history. The lack of plentiful physical evidence available for an understanding of temple architecture can be attributed in part to the perishable nature of the material employed.
The Etruscan Temple.
Our principal knowledge of Etruscan temple architecture comes from Vitruvius who described in great detail their layout and construction as he understood them. In addition to the scant archaeological evidence and the literary sources for temple planning and construction, there are also imitations of temples found in tombs and on tomb facades and miniature copies used as votive gifts. The Etruscan-style temple, also called the Italo-Etruscan temple, had a form of its own that resisted the growing influence of Greek architecture. The Etruscan temple was more open in plan than the Greek, in part influenced by the need for observation of natural phenomena such as the flight of birds in divination. The material of the Etruscan temple never changed in the way that Greek construction did where wooden elements were later superseded by stone. The materials in Etruria remained wood on a stone foundation with considerable use of terracotta for decorative elements and roof tiling. One of the standard ground plans seems to have been a simple structure with a cella divided into three parts which has been interpreted as a provision for the worship of a triad of gods (Jupiter, Juno, and Minerva). There are also examples of ground plans preserved that have one or two rooms, depending on the number of deities worshipped in a particular locality. The main body of the temple opened on a porch supported by columns. The temple usually was raised on a podium or platform approached by a flight of stairs. The raised platform and stairs remained a characteristic of later Roman temple architecture in contrast to the Greek preference for closer visual relationship with the ground plane.
The earliest Etruscan burials were essentially of two types: pit burial containing an urn with the ashes of the deceased, or a trench burial for the remains. Around 700 b.c.e. more developed tombs began to appear. These were also of two general types. One of these was a chamber-tomb type somewhat similar in design to the tholos tombs of the Mycenaeans, with a domed or "bee-hive" shape constructed of corbelled masonry. The shape varied and could be round or square. Side rooms provided space for the remains of other family members or personal belongings. This type of tomb could accommodate the sarcophagi of the deceased as well as some tomb furniture and personal possessions. The mound, or tumulus, that covered this type became a characteristic element of the landscape and made the location of the tomb clearly visible. Around the year 400 b.c.e. cremations of the dead became a more regular practice and the architecture of tombs gradually underwent a change. Instead of the constructed stone chamber covered with a mound, the tomb was cut into the rock or tufa hillside. Imitations of wooden architectural elements were carved on the façade and in the interior of the tombs. Instead of space for sarcophagi, shelves for cinerary urns were provided to accommodate the cremated remains of several family members. The wall decoration of tombs of both types included relief carving and painting. The subject matter of Etruscan tomb painting included the funerary banquet as well as scenes from Greek mythology.
City Planning and Domestic Architecture.
Etruscan towns and cities were situated to take advantage of water supply and defensive positions, as were most early communities in the ancient world. Access to the sea was important but most settlements were far enough inland to offer some protection against sea raiders. City walls for defense did not seem an important part of town planning if the choice of the site offered enough security. An ancient tradition credits the Etruscans with the invention of the type of city plan where streets intersect at right angles forming a north-south east-west grid. Although this system of city planning became very popular with the Romans, there is not yet enough evidence to prove that it was an Etruscan innovation in the Italian mainland. Etruscan houses of the early seventh century b.c.e. tended to be oval in plan and were placed to take advantage of the terrain, not according to a grid plan. These houses were of the wattle and daub type of construction with a thatched roof. Rectangular houses begin to appear around the middle of the seventh century. These were built on a stone foundation with wooden framing and unbaked mud brick. Gradually house plans developed from a broad layout with an entrance vestibule and a few rooms to one with a long entrance corridor leading to a courtyard surrounded by several rooms. This type of house with an interior courtyard was carried on in later Roman dwellings with an atrium, a larger and more formal central court.
Axel Boëthius and J. B. Ward-Perkins, Etruscan and Roman Architecture (Baltimore, Md.: Penguin Books, 1970).
Friedhelm Prayon, "Architecture," in Etruscan Life and Afterlife: A Handbook of Etruscan Studies. Ed. Larissa Bonfante (Detroit: Wayne State University Press, 1986): 174–201.
"Etruscan Architecture." Arts and Humanities Through the Eras. . Encyclopedia.com. (October 17, 2018). http://www.encyclopedia.com/humanities/culture-magazines/etruscan-architecture
"Etruscan Architecture." Arts and Humanities Through the Eras. . Retrieved October 17, 2018 from Encyclopedia.com: http://www.encyclopedia.com/humanities/culture-magazines/etruscan-architecture
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