Karamzin, Nikolai Mikhailovich

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KARAMZIN, NIKOLAI MIKHAILOVICH

(1766–1826), writer, historian, and journalist.

Born in the Simbirsk province and educated in Moscow, Nikolai Karamzin served only briefly in the military before retiring to devote himself to intellectual pursuits. In 1789 he undertook a journey to western Europe, visiting several luminaries, including Immanuel Kant, on his way. Reaching Paris in the spring of 1790, he witnessed history in the making. He described his trip in his Letters of a Russian Traveler, published upon his return in 1790 in a series of journals he founded himself. The Letters display an urbane, westernized individual in command of several languages and behavioral codes and are meant to signal Russia's coming of age. They demonstrate a keen interest in history, but primarily as a collection of anecdotes.

The short stories Karamzin wrote in the 1790s exerted tremendous influence on the development of nineteenth-century fiction. Karamzin's main purpose in literature and journalism was to promote a culture of politeness. History became one of the main themes of his works, which grappled with the paradoxes of modernity: The systematic debunking of myths, inspired by a commitment to reason, clashed with a need to mythologize the past to throw into relief the moral and intellectual emancipation enabled by the Enlightenment.

Karamzin elaborated a new political stance while editing the Messenger of Europe in 1802 and 1803. A professed realist, he argued for a strong central government, whose legitimacy would lie in balancing conflicting interests and preventing the emergence of evil. Karamzin grew disenchanted with Napoleon, who had first seemed to bring forth peace and stability, but his infatuation with consolidated political power endured.

In October 1803, Karamzin became official historiographer to Tsar Alexander I. He uncovered many yet unknown sources on Russian history, including some that subsequently perished in the Moscow fire of 1812. In 1811 Karamzin submitted his Memoir on Ancient and New Russia, which contained a biting critique of the policies of Alexander I, but vindicated autocracy and serfdom. The Memoir signaled Karamzin's turn away from an Enlightenment-inspired universalist notion of history and affirmed the distinctness of Russia's historical path.

In 1818 Karamzin published the first eight volumes of his History of the Russian State, an instant bestseller. The History consists of two parts: a naive-sounding account of events, close in style to the Chronicles, with minimal narratorial intrusions and an apparent lack of overriding critical principle; and extensive footnotes, which display considerable skepticism in the handling of sources and sometimes contradict the main narrative. The narrative rests on the notion that the course of events is vindicated by their outcome—the consolidation of the Russian autocratic state—but it lets stories speak for themselves.

Due to this narrative and political stance, the immediate reception of the History was mostly negative. Yet after the publication of three more volumes from 1821 to 1824, which included a condemnation of the reign of Ivan the Terrible, the reception began to shift (the last volume was published posthumously in 1829). Alexander Pushkin called the History "the heroic deed of an honest man," and Karamzin's stance of moral independence came to the foreground. The History continued to be read in the nineteenth century, primarily as a storehouse of patriotic historical tales. It fell into disfavor during Soviet times, yet met an intense period of renewed interest in the perestroika years as part of an exhumation of national history.

See also: enlightenment, impact of; historiography; nationalism in the arts