El Gran Combo
El Gran Combo
The legendary Puerto Rican band El Gran Combo played their first gig in San Juan in 1962 and soon became the island’s most popular salsa group. While many bands formed and dissolved during the 1960s and 1970s, El Gran Combo had unusual staying power. Throughout the next several decades, the band’s style altered and evolved to fit Latin dance-music trends, from boogaloo and merengue to tango and bomba. While an influx of talented young singers and musicians kept the 12- or 13-member band sounding fresh, the steady presence of a few founding members—including the pianist-songwriter Rafael Ithier—gave El Gran Combo their signature style and their venerable reputation as a premier salsa band.
El Gran Combo originated as an offshoot of the popular Puerto Rican band El Combo de Rafael Cortigo. Invited to start a new group with Joseito Mateo, a singer from the Dominican Republic, Ithier and six fellow musicians dropped out of Cortigo’s band to start their new enterprise. The move shocked the Latin music world. “You were not supposed to leave Puerto Rico’s favorite group like that,” Ithier told Montreal’s Gazette, “but the discipline was not very good anymore…. I did not want to be with a band that was not ready to work.”
The new band was not lacking in discipline. Its members—including Rafael Alvarez Guedes (who chose the band’s name), Eddie Pérez, Héctor Santos, Roberto Rohena, Rogelio Vélez, Martin Quiñones, and Miguel Cruz—prized teamwork and organization as much as they did musical talent. In 1962 the group recorded its first album, Meneame los Mangos (Shake My Mangos). The album was not a hit and the band was not an overnight sensation, but El Gran Combo were willing to work for their success.
It was three or four years before El Gran Combo reached that success, which arrived not long after the group recruited a promising young singer named Junior Montañez (later known as Andy Montañez). With Montañez joining singer Pellin Rodriguez on vocals, the band turned out hit after hit—catchy dance tunes with such names as “El Menu,” “Telefono,” and “Goyito Sabater.” The songwriting talent behind these and other hits was Perin Vazquez, whose lyrics told tales of everyday passions and universal longings. Working closely with Vazquez, Ithier created lively arrangements for piano, bass, trumpets, saxophone, congas, timbales, and bongos.
The group had released the album Acangana in 1963, just two days before the assassination of U.S. President John F. Kennedy. Although distribution of the album was postponed because of the tragedy, the recording eventually reached gold-record status. In 1970 the band created EGC, an independent record label under which they released a number of albums, beginning with that year’s recording, El Momo de Oro.
El Gran Combo gradually rose to become the first name in salsa within Puerto Rico, winning the island’s
Members include Charlie Aponte, vocals; Rafael Ithier, musical director, piano;Mitchell Laboy, bongo;Taty Maldonadob, trumpet;Freddi Miranda, saxophone;Moises Nogueras, trom-bone;Eddie Perez, alto saxophone;Jerry Rivas (replaced Andy Montañez, 1977), vocals;Freddie Rivera, bass;Victor Rodriguez, trombone;Papo Rosario, vocals;Domingo Santos, timbales;Miguel Torres, congas.
Group formed in Puerto Rico, 1962; released first album, Meneame los Mangos (Shake My Mangos), 1962; created independent record label, EGC, 1970; peaked in international popularity, 1971-86; Breaking the Ice—El Gran Combo en Alaska received Grammy nomination, 1984; held 25th anniversary concert, Madison Square Garden, New York, 1987.
Awards: Agueybana de Oro prize for Best Band (Puerto Rico), 1969’; Billboard magazine, Lifetime Achievement Award, 2002.
Addresses: Record company —Combo Records, 904 23rd St., 1st Floor, Union City, NJ 07087, website; http://www.comborecords.com.
prestigious Agueybana de Oro prize for the Best Band of 1969. Slowly, word about the band began to spread beyond the island’s borders, and from 1971 to 1986 the band’s international popularity was at its peak. During this time, El Gran Combo attracted a series of gifted young salsa performers—including singers Charlie Aponte, Johnny Ventura, Celia Cruz, and Jerry Rivas, and musicians Miguel Marrero, Milton Correa, Edwin Cortes, and Martin Quinones. In fact, so many exceptional salsa performers “graduated” from El Gran Combo that the band became affectionately known as the University of Salsa.
For many fans, El Gran Combo is synonymous with salsa—a musical genre that fuses Cuban and Puerto Rican sounds. Headed by three lead singers, El Gran Combo has always drawn dynamic energy from vocals. True to the salsa style, the group balances a vibrant horn section and a rhythmic percussion beat, tempered by the less-prominent bass and piano. One secret to El Gran Combo’s long-lived success has been the group’s ability to keep its music evolving and to remain open to new, fresh sounds. In 1971 the band added a trombone to its repertoire, played by Epifanio (Fanny) Ceballo. The recording De Punta a Punta, which won best album at Miami’s Gold Record Festival, marked the debut of Ceballo, who remained with the band until his death in 1991.
More changes came for El Gran Combo in the mid-1970s, when Pellin Rodriguez left the band and was eventually replaced by the popular vocalist Charlie Aponte. By 1977 the vocalist Montañez also departed, joining the Venezuelan group La Dimensión Latina. Montañez’s departure shocked and saddened fans, but his replacement, Jerry Rivas, soon won over audiences.
In 1984 El Gran Combo toured Alaska, where they produced Breaking the Ice—El Gran Combo en Alaska, which received a Grammy Award nomination. The band toured internationally throughout the 1980s and celebrated its 25th anniversary in 1987 with a historic concert at New York City’s Madison Square Garden.
Although many music critics thought El Gran Combo was past its peak by the 1990s, the band held on to its core group of devoted fans. “When they had singer Andy Montañez, they used to be the music machine of the Caribbean,” Rudolph Mangual, publisher of the Los Angeles dance-music magazine Latin Beat, told the Los Angeles Times in 1996. “Obviously, they’re way past their prime, but they’re so good that they still matter…. [T]heir collective presence has a unique magnetism.”
Although the band is an ensemble, one key figure stands out in El Gran Combo: Ithier, who has either outlasted or outlived the band’s other cofounders. Many fans regard him as the group’s heart and soul, yet Ithier has always emphasized the band’s lack of hierarchy. “[El Gran Combo] has persevered because of its system,” Ithier told Billboard magazine. “We share everything: our successes, our failures, our earnings. Everything is evenly distributed. And this is an incentive for the band. Everything we make, we divide.”
In May of 2002, celebrating its fortieth anniversary, El Gran Combo received a Lifetime Achievement Award from Billboard. The group—known by many as La Bandera de la Salsa (The Salsa Flag)—has shown no signs of retiring, kicking off a series of concerts and tributes and keeping fans dancing in Puerto Rico and abroad.
Estamos Primeros, EGC, 1970.
Nuestra Musica, Combo, 1971.
De Punta a Punta, Combo, 1971.
El Gran Combo 7, EGC, 1975.
Mejor Que Nunca, EGC, 1976.
El Historia Musical de el Gran Combo de Puerto Rico, EGC, 1982.
Innovations, Combo, 1985.
25th Anniversary, Vols. I & II, CMO, 1987.
Romantico Y Sabroso, CMO, 1988.
35th Anniversary, Combo, 1997.
Billboard, May 11, 2002, p. 3.
Boston Globe, March 29, 1997, p. C6.
Gazette (Montreal), April 20, 1995, p. C11.
Los Angeles Times, September 28, 1996, p. F6.
“El Gran Combo,” All Music Guide, http://www.allmusic.com (June 17, 2002).
“El Gran Combo: Salsa,” Music of Puerto Rico, http://musicofpuertorico.com/en/el_gran_combo.html (June 19, 2002).
"El Gran Combo." Contemporary Musicians. . Encyclopedia.com. (March 18, 2019). https://www.encyclopedia.com/education/news-wires-white-papers-and-books/el-gran-combo
"El Gran Combo." Contemporary Musicians. . Retrieved March 18, 2019 from Encyclopedia.com: https://www.encyclopedia.com/education/news-wires-white-papers-and-books/el-gran-combo
Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.
Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:
Modern Language Association
The Chicago Manual of Style
American Psychological Association
- Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most Encyclopedia.com content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
- In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list.