Skip to main content

Bridge, Frank

Bridge, Frank (b Brighton, 1879; d Eastbourne, 1941). Eng. composer, conductor, violinist, violist, and teacher. Played vn. and va. in several str. qts., incl. Joachim, Grimson, and English. Was a member of the last-named until 1915. Also cond. of New SO and of opera during Marie Brema's 1910–11 season at the Savoy. Cond. at CG 1913 and many BBC studio concerts in 1930s. Visited USA 1923, under sponsorship of Elizabeth Sprague Coolidge, to cond. own works. Was noted teacher, but his only composition pupil was Benjamin Britten, who first went to him for lessons at the age of 14.

Bridge's early songs, chamber mus., and orch. works such as The Sea are in an idiom familiar to British audiences from the works of Bax, Ireland, and Delius. However, the impact of the First World War on one of deeply held pacifist convictions wrought a significant change and the piano sonata of 1921–4 showed a tougher harmonic idiom, with a more radical approach which in the 3rd and 4th str. qts. came near to the atonality of the Second Viennese School but nearer still to Scriabin. Yet Bridge never wholly severed his ‘Englishness’, as can be heard in the orch. tone-poem Enter Spring (1927). His detachment from the ‘establishment’ figures in the Eng. mus. of his day led to his being regarded as an outsider and to the almost complete neglect of such major works as the Phantasm for pf. and orch. (1931) and the vc. conc. Oration (1930). It was not until his works were rehabilitated by his former pupil Britten at Aldeburgh Festivals that a new generation had its interest in him stimulated, leading to many more performances and recordings. Prin. comps.:OPERA: The Christmas Rose (1918–29).ORCH.: Coronation March (1901); 3 Orchestral Pieces (1902); Isabella (1907); Dance Rhapsody (1908); Suite, str. (1910); The Sea (1910–11); Dance Poem (1913); Summer (1914); Lament, str. (also pf.) (1915); Sir Roger de Coverley, str. (also str. qt.) (1922); Enter Spring (1927); There is a willow grows aslant a brook (1928); Oration, concerto elegiaco, vc. and orch. (1930); Phantasm, pf. and orch. (1931); 2 Entr'actes (orch. of Rosemary, pf. 1906 and Canzonetta, pf. 1926) (1936); Vignettes de danse (Niccollette, Zoraida, and Carmelita, pf. 1925) (1938); Norse Legend (vn., pf., 1905) (1938); Rebus Overture (1940); Allegro Moderato, str. (1941, unfinished, last 21 bars orch. Anthony Pople 1979).CHAMBER MUSIC: pf. trio (1900); Scherzo Phantastick, str. qt. (1901); str. qt. in B♭ (1901); pf. qt. in C minor (1902); Phantasie String Quartet (1905); 3 Idylls, str. qt. (1906); Phantasie Piano Trio (1907); Allegro appassionato, va. and pf. (1908); Phantasie Piano Quartet (1910); Elégie, vc. and pf. (1911); pf. quintet (1904–7); str. sextet (1906–12); Heartsease, vn., pf. (arr. pf. 1921) (1912); vc. sonata (1913–17); Amaryllis, vn., pf. (1915); str. qt. (1915); Sally in our Alley, Cherry Ripe, str. qt. (1916); Morning Song, vn., pf. (1919); Souvenir, vn., pf. (1919); Sir Roger de Coverley, str. qt. (1922); str. qt. No.3 (1925–6, rev. 1927); trio, rhapsody, 2 vn., va. (1928); pf. trio No.2 (1929); vn. sonata (1932); str. qt. No.4 (1937); Divertimenti, fl., ob., cl., bn. (1934–8).VOCAL: Music when soft voices die, SATB (1904); A Prayer, ch. and orch. (1916); A Litany, 3-part ch. (1918); Evening Primrose, 2-part ch. (1923); Golden Slumbers, 3-part ch. (1923).SOLO SONGS: Blow, blow, thou winter wind (1903); Tears, idle tears (1905); Come to me in my dreams (1906); Love is a rose (1907); Love went a-riding (1914, also orch. acc.); Go not, happy day (1916); Blow out, you bugles (1918, also orch. acc.); When you are old (1919); 3 Songs of Tagore (1922–5, also orch. acc.); Journey's End (1925); Golden Hair (1925).PIANO: Capriccio Nos.1 and 2 (1905); 3 Sketches (April, Rosemary, Capricieuse) (1906); 3 Pieces (Minuet, Columbine, Romance) (1912); Lament (1915, also for str.); 4 Characteristic Pieces (Water Nymphs, Fragrance, Bittersweet, Fireflies) (1915); Sally in our Alley, Cherry Ripe, pf. duet (1916, also for str. qt.); Fairy Tale Suite (1917); sonata (1921–4); 3 Lyrics (Heartsease, vn., pf. 1912, Dainty Rogue, The Hedgerow) (1921–4); In Autumn (1924); 4 Pieces (Carmelita, Niccollette, Zoraida, En Fête, nos.2, 3, and 1 arr. orch. 1938) (1925); Winter Pastoral (1925); Berceuse (1929).ORGAN: 3 Pieces (1905); Organ Pieces, Book 1 (1905), Book 2 (1912); In memoriam C.H.H.P. (1918); Minuet (1939); Prelude (1939); Processional (1939).

Cite this article
Pick a style below, and copy the text for your bibliography.

  • MLA
  • Chicago
  • APA

"Bridge, Frank." The Concise Oxford Dictionary of Music. . 19 Feb. 2019 <>.

"Bridge, Frank." The Concise Oxford Dictionary of Music. . (February 19, 2019).

"Bridge, Frank." The Concise Oxford Dictionary of Music. . Retrieved February 19, 2019 from

Learn more about citation styles

Citation styles gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).

Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.

Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, cannot guarantee each citation it generates. Therefore, it’s best to use citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:

Modern Language Association

The Chicago Manual of Style

American Psychological Association

  • Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
  • In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list.