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Baseball

EARLY BASEBALL

EARLY BLACK PROFESSIONAL PLAYERS

THE NEGRO LEAGUES

SOME GREAT NEGRO LEAGUE TEAMS

TWO GREAT NEGRO LEAGUE PLAYERS

JACKIE ROBINSON AND THE INTEGRATION OF BASEBALL

THE HALL OF FAME

LATIN AMERICAN BASEBALL

JAPANESE BASEBALL

BASEBALL AND RACE

BIBLIOGRAPHY

As “America’s pastime,” baseball is inextricably bound to the history of U.S. race relations and racism. At its 1867 convention, baseball’s first national organization, the National Association of Base Ball Players (NABBP), called for the banning “of any club which be comprised of one or more colored persons” (Peterson 1970, pp. 16–17). It did so based on the patronizing rationale that “if colored clubs were admitted there would in all probability be some division of feeling, whereas excluding them no injury would result to anyone.” (Tygiel, quoted in Hogan 2006, p. vii).

The development of professional major league baseball through the 1880s, however, saw the signing of about twenty black players. Segregation was reintroduced in the late 1880s, and by 1890 no integrated teams remained. This was consistent with the 1896 Supreme Court decision in Plessy v. Ferguson, which affirmed separation of white and black social institutions. As a result, the number of African-American teams grew, and in 1920 the Negro Leagues were formed. The segregation of professional baseball lasted until 1947.

Baseball was central to the civil rights movement of the mid-twentieth century. Martin Luther King Jr. called the breaking of the color line by Jackie Robinson and his fellow black ballplayers fundamental to the desegregation of American society (Aaron and Wheeler 1992). At the same time, the abuse Robinson endured reflected the resistance of white Americans to racial integration.

Whereas the primary story line of baseball and racism pertains to African Americans, Latin Americans and Native Americans have played important roles in the history and evolution of baseball. Baseball’s globalization, beginning in the late twentieth century, continued to intertwine issues of race and ethnicity, especially with regard to players from Latin America and Japan.

EARLY BASEBALL

American baseball, which was probably derived from a form of English baseball, has been documented since colonial times. George Washington played “base ball” with his troops, while the earliest black baseball was played by slaves. The game became increasingly popular during the Civil War, when it was played in army camps and military prisons. By the late 1860s, baseball was becoming organized through the formation of more than 100 professional teams. African-American players were on the rosters of many of these minor league teams, although racist attitudes and Jim Crow laws made it difficult for black ballplayers to play and travel with their teams. Black players often had to eat and sleep on their team busses or stay in the private homes of black families in towns where they played.

One response to this discrimination was the formation of Negro teams and leagues. The Philadelphia Pythians, formed in 1869, was one the first Negro teams. When they were not allowed to join the NABBP, they joined the National Colored Base Ball League, which was the first professional Negro league. Unfortunately, the league ran out of money after two weeks and disbanded.

During the 1860s, black baseball teams formed in northern cities. The first intercity games were played in 1866 between Albany and Philadelphia teams. The Washington Mutuals’ third baseman was Charles Douglass, the son of Frederick Douglass. The first baseball game between black and white teams occurred on September 3, 1869, when the Pythians played the Olympics. The final score favored the Olympics 44-23, but as Hogan notes, “the Pythians were … the real winners of the day, having had recognition from the white sporting community finally bestowed upon them” (Hogan 2006, p. 16).

The first nationally recognized black team was the Cuban Giants. This team evolved from the Keystone Athletics, formed in 1885 as a team of barnstorming all-stars comprising the best players from the Philadelphia Orions and Washington, D.C., Manhattans. They won many games against white teams, but perhaps their greatest accomplishment was playing (although losing to) two major league teams, the Philadelphia Athletics and the New York Metropolitans. The team was renamed the “Cuban Giants” to attract white fans. Team members also pretended to speak Spanish in order to pass as Latino.

EARLY BLACK PROFESSIONAL PLAYERS

John W. Jackson, who subsequently took the name Bud Fowler, was the first African-American professional baseball player. Born in Fort Plain, New York, in 1858, Fowler grew up in Cooperstown, New York, the subsequent home of the National Baseball Hall of Fame and the mythological place of origin of baseball. He joined a white team from New Castle, Pennsylvania, around 1872. He was a gifted second baseman and played for nearly twenty-five years. He was the first of about sixty black players to play on white teams before 1890.

Moses Fleetwood Walker is considered the first black major league ballplayer. Born in 1857—the year of the Dred Scott decision and the formation of the NABBP— “Fleet” Walker’s career and life reflect the history of baseball and race in the late nineteenth century. The son of a medical doctor, he played baseball at Oberlin College, one of the first integrated colleges in the United States, and at the University of Michigan. In 1883, he played for the Toledo Blue Stockings in the Northwestern League (part of the NABBP) and became the first black major league ballplayer when his team joined the American Association in 1884. He was an accomplished bare-handed catcher (catchers did not start wearing gloves until the 1890s). He played only on integrated teams, and his experiences of racial abuse led him to become a part of the Back-to-Africa movement, on which he wrote a major treatise, Our Home Colony (1908). In 1883, Cap Anson, the manager and star of the Chicago White Stockings, threatened to cancel his game against Toledo if Walker played. The Toledo team called Anson’s bluff, however, and the game was played. Unfortunately, this event was the start of Anson’s campaign to get the team owners to ban black ballplayers.

George Stovey, the first great African-American pitcher, played for several white clubs. In 1886 he was the top pitcher for the Jersey City team. He played for the Newark Eagles in 1887, the year the team set an International League record for wins. Frank Grant was probably the most accomplished black baseball player of the nineteenth century. Grant joined the Buffalo Bisons team in 1886 and became the first black to play on the same team in organized baseball for three consecutive seasons. By 1887, approximately twenty black ballplayers were on the rosters of major league teams. Even more significantly, the League of Colored Ball Players, formed in 1887 and sometimes referred to as the National Colored Baseball League Clubs, was considered a legitimate minor league.

In 1887, the baseball owners resumed discussing a “color line” in baseball. Some players were refusing to sit beside black ballplayers, and others balked at playing integrated teams. The owners ultimately bent to these racist attitudes by assenting to a “gentleman’s agreement” not to sign any black ballplayers. Cap Anson again announced that his team would not play any team that had black players on its roster. Because his team drew the league’s largest attendance, the other owners yielded to his economic blackmail. By 1890 there were no longer any black players on major league or minor league teams.

The story of the great Penobscot ballplayer Louis Sockalexis is another episode in nineteenth-century American race relations. Sockalexis, the first Native American to play major league baseball, was signed by the Cleveland Spiders in 1897. Although he played only parts of three years, his prowess as a ballplayer is legendary. Indeed, his accomplishments led to the team being renamed the Cleveland Indians. At the time, team nicknames were sometimes given to celebrate great players. This use of laudatory nicknames contrasts sharply with the practice of using racial caricatures as mascots—such as Chief Wahoo of the Cleveland Indians—who was adopted in 1933. The tension between celebrating ethnicity and dehumanizing ethnic groups through the use of sports mascots came to the fore in 2005 when the National Collegiate Association banned the use of Native American mascots for all schools. Subsequently, Florida State University’s use of Seminoles as its nickname was exempted because the Seminole tribe agreed to this sponsorship.

THE NEGRO LEAGUES

The Negro National League was established on February 13, 1920, at a YMCA in Kansas City, Missouri. It was founded by Andrew “Rube” Foster, a star pitcher who served as the league’s first president. He undertook the challenge to create a league that would ultimately merge with the white major leagues. The Negro Leagues had great success, with the teams playing before big crowds in major league parks. Negro League teams also played against white teams in barnstorming tours and developed some of the greatest players in baseball history.

The Negro League World Series and All Star “East-West” Game were national events that attracted tens of thousands of fans and national press coverage. In 1924 the first Negro League World Series was played between the Kansas City Monarchs (Negro National League Champions) and the Hilldale Club (Eastern Colored League Champions). Kansas City won the series championship, five games to four. The first East-West Colored All-Star Game was played at Chicago’s Comiskey Park before more than 20,000 fans.

SOME GREAT NEGRO LEAGUE TEAMS

Most major cities east of the Mississippi River had great Negro League teams. The Newark Dodgers merged with the Brooklyn Eagles to form the Newark Eagles in 1936. The Eagles were owned by Abe and Effa Manley. Effa Manley, who was raised by a white mother and an African-American father, was the first woman to operate a professional baseball team. Though her biological father was white, she portrayed herself as black and was an important member of the black community. The Eagles rented Ruppert Stadium from the Newark Bears (a New York Yankees affiliate) for 20 percent of the gate receipts, providing an economic incentive to maintain the segregation of the leagues. The team also produced four Hall of Famers: Larry Doby, Leon Day, Monte Irvin, and Roy Dandridge. Both Doby and Irvin eventually played in the major leagues.

In the 1930s and 1940s, Pittsburgh was the home of two of the Negro League’s most talented teams. In 1935, Gus Greenlee’s Pittsburgh Crawfords’ lineup showcased five future Hall-of-Famers: Satchel Paige, Josh Gibson, Cool Papa Bell, Judy Johnson, and Oscar Charleston. Cumberland Posey’s Homestead Grays won nine consecutive Negro National League titles from the late 1930s through the mid-1940s. They featured former Crawfords stars Gibson and Bell and Hall-of-Fame first baseman Buck Leonard.

From 1936 to 1948, the New York Black Yankees heralded such great players as Clint Thomas, Fats Jenkins, DeWitt “Woody” Smallwood, Barney Brown, “Crush” Holloway, and the powerful George “Mule” Suttles. In 1937, the Negro American League was formed from the best western and southern teams. The league featured some of the greatest players in baseball history, including Jackie Robinson, Willie Mays, and Hank Aaron.

TWO GREAT NEGRO LEAGUE PLAYERS

Leroy “Satchel” Paige (1906–1982) is considered by some to be the greatest right-handed pitcher in baseball history. He was certainly the most durable, winning most of more than 2,000 games. He pitched almost daily, and claimed to have won 104 or 105 games in 1934. That same year, he refused a salary offer from Gus Greenlee and the Pittsburgh Crawfords and was banned from the Negro National League. He subsequently joined several Negro League stars to play in the Dominican Republic for the team owned by the country’s president, Rafael Trujillo. Determined to have his professional team win the Dominican championship, Trujillo recruited Paige, Josh Gibson, and Cool Papa Bell. The Negro Leaguers played for one year and then returned to the United States. When Paige was sold to the Newark Eagles in 1938, he left again, this time to play in Mexico. He was again banned from Negro League Baseball, this time for life. In 1948, Paige was signed by the Cleveland Indians and became major league baseball’s all-time oldest rookie at the age of forty-two. Joe DiMaggio called Satchel Paige “the best and fastest pitcher I’ve ever faced.”

Josh Gibson (1911–1947), is considered by some to be baseball’s greatest hitting catcher. He is often referred to as “the black Babe Ruth,” though some baseball historians have commented that Ruth should be considered the white Josh Gibson. Gibson, who is reputed to have hit more than 800 home runs, desperately wanted to be the first black ballplayer in Major League Baseball. Tragically, he died at the age of thirty-five in 1947, the

year baseball was integrated. He was elected to the Hall of Fame by the Negro Leagues Committee in 1972.

JACKIE ROBINSON AND THE INTEGRATION OF BASEBALL

The signing of Jackie Robinson in 1945 by Branch Rickey of the Brooklyn Dodgers marked a new era of integration in baseball, as well as the beginning of the demise of the Negro Leagues. Significantly, Robinson’s signing occurred one year after the death of baseball commissioner Kennesaw Mountain Landis. A staunch segregationist, Landis had presided over the 1913 trial that convicted Jack Johnson, the black heavyweight boxing champion of violating the Mann Act. He asserted that the integration of baseball was not necessary, because “colored” ballplayers had their own league (Burns 1994).

Jackie Robinson, a stellar college athlete, lettered in baseball, football, basketball, and track and field at the University of California, Los Angeles (UCLA). Just as important as his athletic talent, however, was Robinson’s strength of character. While serving in the U.S. Army, Robinson was court-martialed for not going to the back of a public bus while in uniform. He stood his ground and was acquitted.

Robinson first played professional baseball in 1945 with the Kansas City Monarchs of the Negro American League. When he signed with the Brooklyn Dodgers on October 23, 1945, he became the first African American to join a major league organization in almost fifty years. Knowing that this was going to provoke racist reactions by many fans and players, the Dodgers assigned Robinson to their Canadian farm club, the Montreal Royals, and they moved the Dodgers’ spring training to Havana, Cuba. Robinson made his major league debut on April 15, 1947. He excelled immediately, stealing two bases in his first game. He won the 1947 National League Rookie of the Year Award, despite the verbal and physical abuse he took all year from fans, players, and managers. Robinson retired in 1957 and was inducted into the Hall of Fame in 1962.

Jackie Robinson’s debut was followed shortly by the Cleveland Indians’ signing of Larry Doby, who integrated the American League and won that league’s Rookie of the Year Award. But the breaking of the color line in Major League Baseball also meant the end of the Negro Leagues. The last Negro League World Series was played in 1949 between the Birmingham Black Barons and the Homestead Grays. The Negro National League folded in 1950 after the last East West All-Star game was played, although some Negro League teams played into the 1950s.

The integration of baseball continued very slowly. The final two teams to integrate were the New York Yankees in 1955 and the Boston Red Sox in 1959. Spring training facilities in Florida were not fully integrated until 1962. Wendell Smith, a journalist for the African-American newspaper The Pittsburgh Courier, was a leader in the fight to integrate baseball. His stories on spring training facilities in Florida, where African-American ballplayers had to stay in private residences and could not bring their families with them, brought the story of segregation to the public.

Many African-American ballplayers followed Robinson into the major leagues, some of whom became the game’s greatest stars. Hank Aaron started his professional play with the Negro League’s Indianapolis Clowns at the age of nineteen. He signed with the Milwaukee Braves in 1950 and eventually became Major League Baseball’s all-time home run leader. As Aaron approached Babe Ruth’s record of 714 home runs, he received numerous death threats from racist white fans who feared a black ballplayer bypassing their white hero. When he retired in 1976, Aaron was the last Negro Leaguer playing in the integrated major leagues.

Because his high school had no baseball team, Willie Mays began playing semi-pro ball on his father’s team at age fourteen. He joined the Birmingham Black Barons at sixteen. He was paid the significant sum of $250 per month for just playing home games during the school year. He began his professional career by hitting a double against Satchel Paige in his first at bat. Mays was signed by the New York Giants organization in 1950 and was sent to play for their Trenton, New Jersey, team when one of their southern minor league teams would not accept a Negro ballplayer. He soon joined the Giants, leading them to the 1951 World Series. His total career statistics are among baseball’s best, despite giving up two of his prime athletic years to the U.S. Army.

THE HALL OF FAME

The movement to induct black ballplayers who played before racial integration into the Hall of Fame began seriously in the 1960s. Baseball researchers began compiling information and statistics on early black baseball in the 1960s, and Robert Peterson’s seminal book Only the Ball Was White (1970) spurred additional research. John Holway’s Voices from the Great Black Baseball Leagues (1975) included interviews with ballplayers and Effa Manley. When the great Boston Red Sox player Ted Williams was inducted into the Hall of fame in 1966, he called for Negro Leaguers to be included in the Hall of Fame balloting process. The Society for American Baseball Research formed a Negro League research group in 1971 (Hogan 2006).

Beginning in 1971, Negro League ballplayers began being admitted to the Hall of Fame. The first group to be inducted included Satchel Paige, Rube Foster, Josh Gibson, Ray Dandridge, Buck Leonard, Leon Day, Monte Irvin, Willie Foster, Cool Papa Bell, Willie Wells, Judy Johnson, Bullet Rogan, Oscar Charleston, Smokey Joe Williams, John Henry “Pop” Lloyd, Turkey Stearnes, Martin Dihigo, and Hilton Smith.

From 1995 through 2001, Hall of Fame electors were given supplemental lists of Jim Crow era players, and several of them were elected. In 2003, Major League Baseball funded a project to research the statistics of preintegration black ballplayers. This has resulted in a comprehensive compilation of baseball statistics, as well as Larry Hogan’s Shades of Glory (2006) companion narrative. In 2005 the National Baseball Hall of Fame determined that there was sufficient knowledge to nominate more than seventy players and administrators from the Negro League and pre-Negro League eras for a special Hall of Fame election. In February 2006, seventeen players and administrators were elected to the Hall of Fame from this list. Among these were Effa Manley, the first woman voted into the hall of fame, and J. L. Wilkinson, the white owner of the Kansas City Monarchs.

LATIN AMERICAN BASEBALL

The first organized baseball game in Cuba occurred in 1868, only twenty-two years after the invention of the modern game of baseball on the diamond at Elysian Fields in Hoboken, New Jersey, in 1846. In 1878 the first Cuban baseball league was formed. By 1871 Esteban Enrique Bellán, a Cuban who had studied at Fordham University, was playing for the Troy Haymakers, part of the National Association of Professional Baseball Players. Between 1890 and 1911, U.S. teams regularly visited the Caribbean. Racism intervened in 1911, when Ban Johnson, the president of the American League, banned these visits. Several white Cuban players were signed by U.S. teams around the turn of the twentieth century.

The corporate expansion of the Boston-based United Fruit Company into the Caribbean in the early twentieth century and the 1916 U.S. military occupation of the Dominican Republic helped spread the game throughout the Caribbean. Cuba built baseball into a national game, especially after the Revolution of 1959.

Prior to the integration of U.S. baseball, only light-skinned Latinos, primarily Cubans, could play professional baseball in the United States. Players who could not pass as white played in the Negro Leagues. Three Negro League Latino players from this time were

eventually elected to the Hall of Fame: José Méndez (The Black Diamond), Cristóbal Torrienti, and Martin Dihigo. After integration, Latino players increasingly succeeded in U.S. professional baseball. In 1947, only three Latin Americans were playing in Major League Baseball. By 1854, this number had increased to fifty-four, and by 2006, almost 30 percent of the 750 major league players were Latino. The 2005 All-Star game had representatives from eight Latin American countries.

The proper recognition of Latin American ballplayers has been called into question by the omission of Roberto Clemente, a Hall of Fame Player for the Pittsburgh Pirates, from Major League Baseball’s All-Century Team. Clemente, who was of Puerto Rican descent, died in an airline crash while delivering supplies to Nicaragua after the 1972 earthquake in that country. In 2005, partly in response to this controversy, Major League Baseball launched a campaign to recognize great Latin American ballplayers, including those who played in the Negro Leagues. The result was the Latino Legends Team.

JAPANESE BASEBALL

The history of baseball in Japan goes back to the late 1800s, when Japanese plantation workers formed company teams. In 1903 a Japanese baseball team came to the United States for the first time, and this was followed by the formation of many Japanese teams in the United States. Kenso Nushida played in the Pacific Coast league as the first Japanese minor league player. Babe Ruth’s tours of Japan with other major league all-stars in the 1930s also spurred an increased interest in baseball.

The popularity of the game among the Japanese is illustrated by the fact that baseball was played in all of the World War II Japanese internment camps. After this unfortunate episode in U.S. history, Japanese Americans played widely on college teams and in Japan. The first Japanese player to play in the major leagues was Masonori Murakami, a pitcher who played for the San Francisco Giants from 1963 to 1965. It took thirty years for the next Japanese player, the pitcher Hideo Nomo of the Los Angeles Dodgers, to play Major League Baseball. Despite notions that Japanese players were not good enough to play positions other than pitcher, the first Japanese position players, signed in the 1990s, had great success. Ichiro Suzuki and Hideki Matsui, have indeed become all stars, while Kenji Johjima was signed in 2006 as the first Japanese catcher. There have only been a few Japanese-American players, however. Ryan Kurosaki signed in 1975, while in 1977 Lenn Sakata became the first Japanese-American position player in the major leagues.

BASEBALL AND RACE

Baseball has always reflected U.S. race relations. At times it has reinforced racial division, as in the “gentleman’s agreement” that kept owners from signing black baseball players to professional contracts. At other times, it has led the way toward social justice, as the signing of Jackie Robinson demonstrates. The biographies of black ballplayers reveal the injustices of racism. Henry Aaron’s recounting of his Negro League team eating in a restaurant in Washington D.C., and hearing the wait staff break the plates that the players had used reveals the virulent, personal nature of racism (Aaron and Wheeler 1992). Throughout the history of the sport, baseball and American culture have remained intertwined.

SEE ALSO Basketball; Boxing; Football (U.S.); Genetics and Athletic Performance; Track and Field.

BIBLIOGRAPHY

Aaron, Henry, with Lonnie Wheeler. 1992. I Had a Hammer: The Hank Aaron Story. New York: HarperCollins.

Bjarkman, Peter C. 1994. Baseball with a Latin Beat: A History of the Latin American Game. Jefferson, NC: McFarland Press.

Block, David. 2005. Baseball before We Knew It: A Search for the Roots of the Game. Lincoln: University of Nebraska Press.

Burns, Ken. 2005. Unforgivable Blackness: The Rise and Fall of Jack Johnson. DVD. Florentine Films and WETA, Washington, D.C.

Einstein, Charles. 1979, Willie’s Time: A Memoir. New York: Lippincott.

Erskine, Carl, with Burton Rocks. 2005. What I Learned from Jackie Robinson: A Teammate’s Reflection on and off the Field. New York: McGraw Hill.

Gould, Stephen Jay. 2004. “The Creation Myths of Cooperstown.” In Triumph and Tragedy in Mudville: Lifelong Passion for Baseball, 190–204. London: Jonathan Cape.

Hogan, Lawrence. 2006. Shades of Glory: The Negro Leagues and the Story of African-American Baseball. Washington, D.C.: National Geographic Press.

Lanctot, Neil. 2004. Negro League Baseball: The Rise and Ruin of a Black Institution. Philadelphia: University of Pennsylvania Press.

McKissack, Patricia C., and Fred McKissack, Jr. 1994. Black Diamond: The Story of the Negro Baseball Leagues. New York: Scholastic.

Naakagawa, Kerry Jo. 2001. Through a Diamond: 100 years of Japanese Baseball. Iowa City, IA: Rudi Publishing.

Nisei Baseball Research Project. Available from http://www.niseibaseball.com.

Peterson, Robert. 1970. Only the Ball Was White: A History of Legendary Black Players and All-Black Professional Teams. Englewood Cliffs, NJ: Prentice-Hall.

Regaldo, Samuel. 1998. Viva Baseball: Latin Major Leaguers and their Special Hunger. Urbana: University of Illinois Press.

Ruck, Rob. 1999. Tropic of Baseball: Baseball in the Dominican Republic. Lincoln: University of Nebraska Press.

Simon, Scott. 2002. Jackie Robinson and the Integration of Baseball. New York: John Wiley.

Vignola, Patricia. 2005. “The Enemies at the Gate: An Economic Debate about the Denouement of Negro League Baseball.” NINE: A Journal of Baseball History and Culture 13 (2): 71–81.

Villegas, Jose Luis, and Marcos Bretón. 2003. Home Is Everything: The Latino Baseball Story: From Barrio to the Major Leagues. El Paso, TX: Cinco Punto Press.

Ward, Geoffrey C., and Ken Burns. 1994. Baseball: A Film by Ken Burns. Produced by Ken Burns and Lynn Novick. DVD. Florentine Films and WETA, Washington, D.C.

White, Sol. 1995. Sol White’s History of Colored Baseball, with Other Documents on the Early Black Game, 1886–1936. Compiled and introduced by Jerry Malloy. Lincoln: University of Nebraska Press.

Stanton W. Green

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