Carson, Rachel Louise

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CARSON, RACHEL LOUISE

(b Springdale, Pennsylvania, 27 May 1907; d. Silver Spring, Maryland, 14 April 1964)

ecology, natural history, marine biology.

Carson, the third and youngest child of Maria Frazier McLean Carson and Robert Warden Carson, grew up in semirural Pennsylvania. Her father was a moderately successful insurance agent who augmented his income by the piecemeal selling of the family farm. Despite financial difficulties she was able to attend Pennsylvania College for Women (now Chatham College) in Pittsburgh, graduating magna cum laude in English and biology in 1929, Zoology professor Mary Scott Skinker encouraged Carson to face the daunting prospects for a woman in professional zoology, and she entered graduate studies at the Johns Hopkins University after summer research at the Woods Hole Marine Biological Laboratory in Massachusetts. Her thesis research, under R. P. Cowles, was detailed microscopy of the embryological development of the kidney system in a catfish species, Morphology was standard training in 1930 even for the field of fisheries biology, which she wished to enter.

Financially constrained, Carson worked for a year as laboratory assistant to the geneticist Raymond Pearl, took a position in 1931 as assistant in zoology at the University of Maryland, and continued there after taking an M.A. in marine zoology in 1932 at Hopkins. With employment opportunities restricted and the need to care for her widowed mother, she began part-time writing for the U.S. Bureau of Fisheries public information projects in 1935 Thus, out of necessity Carson began her career as a science writer. When a civil service opening arose in 1936. she entered the bureau as a junior aquatic biologist under Elmer Higgins of the Division of Scientific Inquiry, who had requested her appointment to his office.

Carson wrote informative radio broadcasts, pamphlets, and reports on fisheries research and oceanography. To supplement her income she produced articles on the sea and marine ecology, including “Undersea”in Atlantic Monthly (1937), which led the popular science writer Hendrik Willem van Loon and Quincy Howe, editor in chief at Simon & Schuster, to encourage her to write Under the SeaWind, a natural history of sea life with a sharp ecological focus but also a touch o( drama. It appeared to good reviews in ISM I, but sales were low.

In 1940 Fisheries merged with the Bureauo( Biological Survey to create the Fish and Wildlife Service; Carson moved into its information section. Respected for her analytical abilities and her literary skills, she advanced to editor in chief by 1949, Significant projects that she oversaw were the promotion of applied oceanography, conservation efforts, and the new wildlife refuge network. Although she sailed on research vessels, Carson s scientific work for the Fish and Wildlife Service was as a synthesizer of information, not a field research zoologist.

She pursued her writing career with the help of the Eugene F. Saxton Memorial Fellowship, which allowed her to take a leave of absence and write The Sea Around Us. Using recent research, she traced the origins and history of the oceans and explained the ecological relation so( the physical environment to marine and human life. Chapters were serialized in the New Yorker and other magazines to much acclaim, and when the book appeared in 1951 it was an immediate best-seller. It was on the New York Times best-seller list for eighty-six weeks, joined by a reissue of Sea-Wind. and (arson became a literary celebrity. Among the awards, medals, and honorary doctorates following tins book was a Guggenheim fellowship for another book, which allowed her to take a leave of absence in 1951 and finally resign a year later. Her subsequent financial success gave her the opportunity to travel and to do research on her next book, a guide and natural history of seashore life in the intertidal zone. The Edge of the Sea appeared in 195s and also became a best-seller.

Shy and reserved, Carson did not relish the attention bestowed on her as a popular author, although she answered the many letters she received. Rumored to be a recluse, she lived a quiet life of scholarship with her mother and her grandnephew Roger Christie, whom she had adopted when he was orphaned in 1957. She stayed in touch with a close circle of friends, was active in the Audubon Society, and corresponded with a number of professional scientists and writers.

In January 1958 one of these correspondents, Olga Owens Huckins, brought to Carson’s attention environmental problems caused by indiscriminate pesticide use. Plagued by poor health, and slowed by the death of her mother in 1958 and the removal of a cancerous tumor in 1960, Carson nonetheless uncovered in four years of research a remarkable amount of evidence, never before brought together, that profligate spraying had led to unexpected damage throughout the natural environment, Applying the same principles that had informed her previous work, she explained in Silent Spring how the ecologically interconnected “web of life” was affected by chemical disruption, including groundwater contamination, the concentration of residues in animals high in the food chain, and the death of birds. Pest control problems had increased even through the loss of natural enemies and the evolution of resistance.

The public controversy started in 1962. even before publication of the best-selling Silent Spring that same year, when the New Yorker serialized chapters, Not opposed to all pesticide use, Carson objected to the application of a technology without sensitivity to the natural balance maintained by the complex interactions of organism and environment, or to the loss of wild habitat and species in the drive to eradicate pests, Nonetheless, she was attacked strongly by spokespersons for the agricultural chemical industry and portrayed as a fanatic opposed to all pest control. In the unfavorable reviews, innuendo and claims of error outweighed actual refutations of her carefully documented argument. Her popularity and the lyrical quality of her writing were used to cast her as a nonprofessional, sentimental nature lover, a crank in a balance-of-nature cult. The debate that raged around her, as favorable reviews pointed out, was fundamentally between ecological theorists and economic entomologists more tied to simplistic agricultural practice than to the science of complex environmental relationships, Carson’s ecological theory was not radical. She tied Charles Elton’s standard views on food chains and interconnectivity to the holistic views on energy and materials flow of such ecologists as Aldo Leopold. If she stressed the harmony of nature, she also had a Darwinian view of the ceaseless struggle forcing adaptation both to the environment and among organisms, She was, more pointedly, successful in transmitting the paradigmatic ecological theory of the 1950’s to a wide audience.

The debate reached national proportions, and Carson became a figure of headlines, editorials, and popular culture. In 1963 the Presidents Science Advisory Committee report on pesticides vindicated her argument, and federal environmental protection laws were one eventual outcome. In all her books, but especially in Silent Spring, (arson brought the relatively new science of ecology to the public’s attention, and helped change the relations of applied science to government through public environmental policy, Carson died of cancel two years after the publication of Silent Spring.

BIBLIOGRAPHY

I. Original Works. Carson’s major works are Under the Sea-Wind (New York, 1941); The Sea Around Us (New York, 1951); The Edge of the Sea (Boston, 1955); and Silent Spring (Boston. 1962)

Her library and some of her correspondence are held at the Rachel Carson Council. C hew Chase. Maryland. Correspondence and literary papers are in the Beinecke Rare Book and Manuscripts Library, Yale University.

II. Secondary Literature. Numerous obituaries and biographical sketches have been published, including several biographies. The most definitive of these is Paul Brooks, The House of Life: Rachel Carson at Work (Boston, 1972). The pesticide controversy and some of its political repercussions are discussed in Frank Graham. Jr., Since Silent Spring (Boston, 1970).

William C. Kimler

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