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Charles François Gounod

Charles François Gounod

The French composer Charles François Gounod (1818-1893) is best known for his operas. His music tends to be more lyric than dramatic, his melodic writing at its best revealing a considerable warmth of feeling.

Charles Gounod was born on June 17, 1818, in Paris. His father was a prominent painter; his mother was a pianist, and Charles received his first musical education from her. In 1836 he entered the Paris Conservatory, where he studied counterpoint with Jacques Fromentin Halévy and composition with Jean François Lesueur.

In 1837 Gounod won second place in the coveted Prix de Rome award and in 1839 the Grand Prix. This enabled him to study in Italy, where he was exposed to the choral music of Giovanni Pierluigi da Palestrina. This remained an important influence throughout his life, perhaps even to the detriment of his own choral writing. Returning from Rome through Austria, he also had the chance to hear some of the more romantic compositions of Robert Schumann and Felix Mendelssohn.

For a time Gounod studied theology and even considered becoming a priest. His theological interests ultimately earned him the title "Abbé." Eventually he returned to music, and he attempted to gain success through the composition of operas, the surest road to fame for any French composer. His first opera, Sapho (1851), achieved only a moderate success. With his fourth opera, Faust (1859), he achieved international renown. Although both the libretto and the music have been criticized for their sentimental oversimplification of Goethe's great drama, Faust maintained its position as the most popular French opera in the repertoire for almost a century. Gounod completed 12 operas, but only one other, Roméo et Juliette (composed 1864, first performed 1867), has remained in the repertoire. Its fame rests on Juliette's waltz song and the numerous love duets.

From 1870 to 1875 Gounod lived in London, where, in addition to presenting concerts and composing a number of religious works, he organized the Gounod Choir, later to become the Royal Choral Society. In his last years he concentrated almost exclusively on composing large choral works, but none of these added to his stature as a composer. He died at Saint-Cloud on Oct. 18, 1893.

Two short compositions by Gounod have attained sufficient popularity to merit mention. One is the orchestral Funeral March for a Marionette (1873), which captures perfectly the peculiar humor suggested in the title. The other is the Ave Maria (1859) based on Johann Sebastian Bach's first prelude from The Well-tempered Clavier. This has been criticized as a sentimentalization of the work of a great master, but it is in actuality an ingenious display of compositional craft in which Gounod kept Bach's prelude unchanged but used it as an accompaniment for his own expressive melody.

Further Reading

Gounod wrote his Autobiographical Reminiscences (trans. 1896; repr. 1970). There are no major biographies of Gounod in English. Norman Demuth, Introduction to the Music of Gounod (1950), is a study of his work. Brief material on Gounod is in Edward J. Dent, Opera (1940; rev. ed. 1949), and Donald Jay Grout, A Short History of Opera (1947; 2d ed. 1965). □

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Gounod, Charles (François)

Gounod, Charles (François) (b Paris, 1818; d St-Cloud, 1893). Fr. composer, conductor, and organist. Won Grand Prix de Rome 1839; impressed by Rome and made special study of Palestrina. Became org. at Paris church and studied for priesthood but eventually decided to devote himself to comp. Wrote several operas from 1851 but had no real success until Faust in 1859, which became and remained one of the most popular of all operas. Later operas were less successful, though Roméo et Juliette survives and the delightful La Colombe has been rediscovered. Also wrote many choral works and lived in Eng. 1870–5, becoming first cond. of what is now Royal Choral Soc. His oratorios La Rédemption and Mors et vita were comp. for the Birmingham and Norwich Fests. of 1882 and 1885. Gounod's mus. has considerable melodic charm and felicity, with admirable orchestration. He was not really a master of the large and imposing forms, in this way perhaps being a Fr. parallel to Sullivan. Works incl.:OPERAS: Sapho (1851); La Nonne sanglante (1854); Le Médecin malgré lui (1858); Faust (1859); La Colombe (1860); Philémon et Baucis (1860); La Reine de Saba (1862); Mireille (1864); Roméo et Juliette (1867); Cinq Mars (1877); Polyeucte (1878); Le Tribut de Zamora (1881).ORCH.: sym. No.1 in D (1855), No.2 in E♭ (c.1854); Petite Symphonie in B♭, for 9 wind instrs. (1885).ORATORIOS: La Rédemption (1868–81); Mors et Vita (1885).CANTATAS: Marie Stuart (1837); Gallia (1871).CHURCH MUSIC: Messe a tre (1841); Messe solennelle (1849); Messe solennelle de Ste Cécile (1855); Messe à Jeanne d'Arc (1887); three Requiems; Stabat Mater, Te Deum, Magnificat, etc.MISC.: Funeral March of a Marionette (for pf., 1872, orch. 1879); Méditation sur le premier prélude de S. Bach, pf., vn. or vc., org. or vc. ad lib (1853, being 1st prelude of Bach's ‘48’ with counterpoint melody by Gounod. In 1859 this was arr. as a solo song, Ave Maria, mélodie religieuse adaptée au premier prélude de J. S. Bach); many songs.

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Gounod, Charles François

Charles François Gounod (shärl fräNswä´ gōōnō´), 1818–93, French composer, studied at the Paris Conservatory and received the Grand Prix de Rome in 1839. His fame rests chiefly on his operas Faust (1859) and Romeo and Juliet (1867), marked by their richly lyrical romantic music. One other opera, Mireille (1864), had some success. His oratorios La Rédemption (1882) and Mors et Vita (1885) and his funeral cantata, Gallia (1871) are worthy of note. He spent some years in the study of theology and greatly admired the church music of Palestrina.

See his reminiscences (tr. 1896, repr. 1970); biography by J. Harding (1973).

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Gounod, Charles François

Gounod, Charles François (1818–93) French composer and organist. He composed church and choral music and is best known for his operas, which include Faust (1859), Mireille (1863), and Roméo et Juliette (1864).

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