Alfonso Reyes (1889-1959), one of Mexico's most distinguished men of letters, was especially well known as an essayist.
Alfonso Reyes was born on May 17, 1889, in Monterrey, Nuevo León. He attended the Escuela Nacional Preparatoria (National Preparatory School) and the Facultad de Derecho (Law School) in Mexico City. In 1909 he was one of the founders of the Ateneo de la Juventud (Athenaeum for Young People). He served as secretary of the Faculty for Advanced Studies, where he also taught the course on the history of the Spanish language and Spanish literature. His first book, Cuestiones estéticas (Esthetic Questions), appeared in 1911.
Reyes received his law degree in 1913, and that year he was appointed second secretary of the Mexican legation in France. In 1914 he went to Spain, where he devoted himself to literature and journalism, working in the Centro de Estudios Históricos (Center for Historical Studies) in Madrid. His book Visión de Anáhuac was published in 1917.
In 1920 Reyes was named second secretary of the Mexican legation in Spain. From that time on he occupied various diplomatic posts: chargé d'affaires in Spain (1922-1924), minister to France (1924-1927), ambassador to Argentina (1927-1930), ambassador to Brazil (1930-1936), and again ambassador to Argentina (1936-1937).
When Reyes returned to Mexico in 1939, he became president of the Casa de España en México (Spanish House in Mexico), which later became the Colegio de México. He was one of the founders of the Colegio Nacional. In 1945 he won the National Prize in Literature, and he was a candidate for the Nobel Prize. He served as director of the Academia Mexicana de la Lengua (Mexican Academy of the Spanish Language) from 1957 to 1959.
The works by Reyes that have enjoyed the greatest success are Simpatías y differencias (1921; Likes and Dislikes); La experiencia literaria (1942; Literary Experience); El deslinde (1944), a treatise on literary criticism which is considered his masterpiece; and La X en la frente (1952; X on the Forehead). His works have been more frequently translated into foreign languages than those of any other contemporary Mexican author.
Reyes symbolizes the humanist par excellence. To his immense intellectual curiosity and his vast culture he added a gift of style which made his prose creations peculiarly his own. He was a wise and penetrating critic, a short-story writer prodigal in surprises, and a poet of delicate sensitivity; educated in the school of Góngora and Mallarmé, he was learned in both classical and modern writers.
Reyes died in Mexico City on Dec. 27, 1959. He was buried in the Rotonda de Hombres Ilustres (Rotunda of Illustrious Men).
Most biographical and critical work on Reyes is in Spanish. ForEnglish translations of his works see The Position of America, and Other Essays (1950) and Mexico in a Nutshell and Other Essays (1964), both translated by Charles Ramsdell with a foreword by Arturo Torres-Ríoseco. He is discussed in Carlos González Peña, History of Mexican Literature (3d ed., trans. 1968). □
Alfonso Reyes (älfôn´sō rā´yĕs), 1889–1959, Mexican writer, diplomat, and educator. Reyes is generally recognized as one of the greatest Spanish American writers of his time. After spending several years in Europe, Argentina, and Brazil as a diplomat, he became president of the Colegio de Mexico. Reyes gained international fame for his poetry, narratives, literary criticism, and essays. His Visión de Anáhuac (1917) is a long prose poem. His poetry also includes Huellas [traces] (1922), Romance del Río de Enero (1933), Yerbas del Tarahumara (1934), Golfo de México (1935), and Romances (1945). A classicist both in style and temperament, he brought grace, wit, and prodigious erudition to his essays. His prose works number in the hundreds; some of the most representative are La experienca literaria (1942), El deslinde [the frontier] (1944), Mexican Heritage (in English, 1946), and the series Simpatías y diferencias [sympathies and differences], Burlas literarias [literary spoofs], and Marginalias. His more recent works are Ancorajes (1951), Albores (1960), and A campo traviesa [open country] (1960). The complete works of Reyes were published in 14 volumes between 1955 and 1959.
See his selected essays (tr. and ed. by C. Ramsdell 1964); studies by J. W. Robb (1969), B. B. Aponte (1972).