Nationality: French. Born: Jules Auguste César Muraire in Toulon, 17 December 1883. Military Service: French Army, 1914–15: discharged for health reasons. Family: Married in 1936, daughter, Paulette. Career: Began performing as singer and actor in caféconcerts in Toulon; changed name to Raimu for engagement at Casino de Toulon, 1899–1900, and toured in southern France and North Africa for the next few years; 1905—worked as croupier in Aix-les-Bains; 1910—in Felix Mayol's performing group in Paris, and became successful performer at the Folies-Bergère and other clubs; 1915—first legitimate theater role in Feydeau's Monsieur Chasse, followed by roles in other stage plays; 1929—created the famous role of César in Pagnol's Marius, later recreated in film version; 1931—sound film debut in Le Blanc et le noir; 1944–45—member of the Comédie Française. Died: In Neuilly, France, 20 September 1946.
Films as Actor:
L'Homme nu (Desfontaines); L'Agence Cacahuete (Lion)
Le Blanc et le noir (Florey); Mam'zelle Nitouche (Marc Allégret) (as Célestin-Floridor); Marius (Korda) (as César Olivier)
La Petite Chocolatière (Marc Allégret) (as Félicien Bédarrides); Fanny (Marc Allégret) (as César Olivier); Les Gaîtés de l'escadron (Tourneur) (as Capitaine Hurluret)
Theodore et Cie (Colombier) (as Clodomir); Charlemagne(Colombier) (title role)
Ces Messieurs de la santé (Colombier) (as Tafard); Tartarin de Tarascon (Bernard) (title role); J'ai un idée (Richebé)(as Aubrey)
Minuit, Place Pigalle (Richebé); Faisons un rêve (Guitry);L'École des cocottes (Colombier) (as Labaume); Gaspard de Besse (Hugon)
Le Secret de Polichinelle (Berthomieu); Le Roi (Colombier)(as Bourdier); Les Jumeaux de Brighton (Heymann) (three roles); César (Pagnol) (title role)
Vous n'avez rien a déclarer? (Confessions of a Newlywed;Have You Nothing to Declare?) (Joannon) (as the Profes-sor); Les Perles de la couronne (The Pearls of the Crown)(Guitry and Christian-Jaque) (cameo); La Chaste Suzanne(Berthomieu) (as M. des Aubrais); Les Rois du sport(Colombier); Le Fauteuil 47 (Rivers); Gribouille (Heart of Paris) (Marc Allégret) (as Camille); Un Carnet de bal (Life Dances On, Christine) (Duvivier) (as François Patusset)
Le Héros de la Marne (Hugon); L'Étrange Monsieur Victor(Grémillon) (as Victor Agardanne); Les Nouveaux riches (Berthomieu) (as Legendre); La Femme du boulanger (The Baker's Wife) (Pagnol) (as Aimable Castenet, the baker)
Monsieur Brotonneau (Esway) (as Loulou); Dernière jeunesse(Last Desire) (Musso) (as Georges); L'Homme qui cherche la verité (The Man Who Seeks the Truth) (Esway) (as Vernet)
Le Duel (Fresnay); Parade en sept nuits (Marc Allégret); Les Petits Riens (Leboursier) (as Charpillon); Monsieur la Souris (Midnight in Paris) (Lacombe); Le Bienfaiteur(Decoin) (as Moulinet)
L'Arlésienne (Allégret) (as Marc)
Le Colonel Chabert (Le Hénaff) (title role); Untel Père et fils(The Heart of a Nation) (Duvivier) (as Jules Froment)
La Fille du puisatier (The Well-Digger's Daughter) (Pagnol—produced in 1940); Les Gueux au paradis (Hoboes in Paradise) (Le Hénaff); L'Homme au chapeau rond (The Eternal Husband) (Billon) (as Nicolas Pavlovitch)
La Vie de Raimu (Toe—doc)
Les Inconnus dans la maison (Strangers in the House)(Decoin—produced in 1942) (as Hector Loursat)
Les Étoiles ne meurent jamais (de Vaucorbeil—doc)
By RAIMU: articles—
"Raimu m'a parle," interview with Chantal, in Cinémonde (Paris), 6 November 1930.
"Pourquoi l'acteur et le metteur en scène doivent étroitement collaborer?," in Pour vous (Paris), 24 December 1931.
"Quelques minutes avec Raimu," by Henri Calef, in Paris-Midi (Paris), 22 September 1932.
"Les Souvenirs de Raimu," in Pour vous (Paris), no. 213–218, 15 December 1932/19 January 1933.
"J'aime toujours le théâtre, mais . . . ," in Le Jour (Paris), 3 October 1933.
"Quand j'étais Tartarin," in Ciné-Miroir almanac, 1935.
"Raimu écrit et se décrit," interview with Claude Christians, in Ecran Français (Paris), 23 October 1946.
On RAIMU: books—
Fronval, George, Raimu, sa vie, ses films, Paris, 1939.
Olivier, Paul, Raimu, ou La Vie de César, Paris, 1947.
Régent, Roger, Raimu, Paris, 1951.
Perisset, Maurice, Raimu, Paris, 1976.
Oliver, Paul, Raimu, ou L'Epopée de César, Paris, 1977.
Brun, Paulette, Raimu, mon pere, Paris, 1980.
Brun-Raimu, Paulette, Raimu: Une Biographie, Paris, 1982.
Lacotte, Daniel, Raimu, Paris, 1988.
On RAIMU: articles—
Moustier, J., "Raimu, ou le 'bon garçon' du Midi," in Cinémonde (Paris), 15 September 1932.
"Raimu" issue of Visages (Paris), December 1938.
Jeanson, Henri, "Quand M. Raimu joue rétrospectivement les héros de la Marne," in La Flèche (Paris), 16 December 1938 (also see Raimu's response in La Flèche, 23 December 1938).
Cocteau, Jean, "L'Arrivée de Raimu au Théâtre-Français," in Comoedia (Paris), 25 September 1943.
Cocteau, Jean, "M. Raimu à la Comédie-Français," in Comoedia (Paris), 1 April 1944.
Obituary in New York Times, 21 September 1946.
Pagnol, Marcel, "Raimu, mon compagnon," in Opéra (Paris), 2 October 1946.
Fronval, George, "Témoignages sur un comédien, recueillis et présentés par . . ." (series of ten articles), in Cinémonde (Paris), 22 October 1946 to 7 January 1947.
Senez, Monique, "Les Grand Jules va ressusciter," in Ecran Français (Paris), 22 and 29 July 1947.
Jacobson, H. L., "Homage to Raimu," in Hollywood Quarterly, Winter 1947–48.
Régent, Roger, "Il y a deux ans mourait Raimu," in Ecran Français (Paris), 5 October 1948.
Rim, Carlo, "Raimu chez Molière, tragédie en un acte," in Ecran Français (Paris), 3 October 1951.
"Souvenirs sur Raimu," in Le Figaro Littéraire (Paris), 7 September 1963.
"Pagnol raconte Raimu," in Télérama (Paris), 26 December 1965.
Leprohon, Pierre, "Raimu," in Anthologie du Cinéma, vol. 2, Paris, 1967.
"L'adieu de Marcel Pagnol à Raimu," in L'Avant-Scène du Cinéma (Paris), July-September 1970.
Cornand, A., "Raimu aurait cent ans," in Revue du Cinéma (Paris), October 1983.
Vincendeau, G., "Daddy's Girls," in IRIS (Iowa City, Iowa), no. 8, 1988.
24 Images (Montreal), Spring 1989.
Stars (Mariembourg), June 1989.
* * *
Between 1931 and 1936 the playwright Marcel Pagnol, turned screenwriter and then director, brought to the screen a trilogy, Marius, Fanny, and César, starring one of the best-loved French comedians, Raimu, who proved that a simple, natural comic style would work best in the contemporary French cinema. As César, the father of the wronged Fanny, he depicted the dignity of a poor man in a waterfront world trying to get along in a difficult situation. Raimu's attempt to preserve the honor and happiness of his abandoned, pregnant daughter ran the gamut of humor with a grace in acting seldom seen on the screen.
In the early 1940s director Pagnol would rework the same theme in La Fille du puisatier with an effective pairing of Raimu as the father and Fernandel as the suitor whose marriage to the daughter would solve the delicate situation of having an unwed mother. An earlier film, The Baker's Wife, created in the late 1930s by Pagnol, was probably Raimu's most humorous film. The touch of sympathy he elicited for the character prompted some critics to compare Raimu's technique with Chaplin's method of combining pathos and humor. Raimu played the baker whose wife had run away with a younger man, depicting a mild-mannered soul who gives up his trade because of his sorrow over his unfaithful wife.
These works with Raimu as the star represent some of the best comedy made during the golden period of French film in the 1930s and early 1940s. The writing and directing genius of Marcel Pagnol merged and complemented the acting genius of Raimu to produce these comic masterpieces.
"Raimu." International Dictionary of Films and Filmmakers. . Encyclopedia.com. (October 17, 2018). http://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/raimu
"Raimu." International Dictionary of Films and Filmmakers. . Retrieved October 17, 2018 from Encyclopedia.com: http://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/raimu
Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.
Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:
Modern Language Association
The Chicago Manual of Style
American Psychological Association
- Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most Encyclopedia.com content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
- In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list.