Prokofiev, Sergei Sergeyevich
PROKOFIEV, SERGEI SERGEYEVICH
(1891–1953), composer and pianist, one of the most important figures of the early Russian modernism, later of Socialist Realism.
Sergei Sergeyevich Prokofiev studied at the Petersburg conservatory from 1904 to 1914. By 1915 he was already one of the outstanding figures of modern Russian music. In his early works, Prokofiev employed new modes of expression while audibly referring to the musical language of the late nineteenth century. Prokofiev followed various stylistic courses. He was known as a radical exponent of provocative new music and also distinguished himself through his neoclassical experiments. Later he would be known precisely for his synthesis of the unusual and the familiar, of complexity and simplicity, of constructive rationality and melodious emotionalism.
In 1918, hoping for greater artistic perspectives, Prokofiev left Russia for the United States. After mixed experiences there, he left in 1922 to settle in Paris. Prokofiev was not a "classical" emigrant: He assumed Soviet citizenship in 1924 and often travelled to the Soviet Union to give concerts. Finally, in 1936, the artist returned to Russia with his family. His decision can be attributed to a deep longing for his home country, a diffuse sympathy for the political developments there, a marked interest in the privileged position of an exceptional artist in the Soviet state, and a sense of invulnerability. It was not difficult for Prokofiev to fulfil the ideological standards of "Socialist Realism," given the melodious simplicity of his work. He had long ago given up his futuristic inclinations and instead tried to realize a new rhythmic-motoric, tonally tense, poignant style. Yet in 1948 even Prokofiev was severely criticized by the Soviet government, which perceived "formalistic distortions and anti-democratic tendencies" in the works of leading Soviet composers. Prokofiev criticized himself, and until his death (on the same day as Stalin's) he attempted to reconcile his own stylistic conceptions with the party line.
See also: music; socialist realism
bibliography
Jaffé, Daniel. (1998). Sergey Prokofiev. London: Phaidon.
Robinson, Harlow L. (1987). Sergei Prokofiev: A Biography. New York: Viking.
Matthias Stadelmann
