Max Klinger (mäks klĬng´ər), 1857–1920, German painter, sculptor, and etcher. Before 1886 he produced cycles of original and somewhat morbidly imaginative etchings, such as Deliverances of Sacrificial Victims Told in Ovid and Brahms-Phantasie. From 1886 to 1894 Klinger devoted himself primarily to painting, usually on a grandiose scale. Among his paintings are Judgment of Paris and Christ on Olympus (both: Vienna). After 1894 he worked predominantly in sculpture, his most successful medium. Notable examples are Salome, Cassandra, and the dramatic polychromed statue of Beethoven (all: Leipzig) and the bust of Nietzsche (Weimar).
"Klinger, Max." The Columbia Encyclopedia, 6th ed.. . Encyclopedia.com. (September 22, 2018). http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/klinger-max
"Klinger, Max." The Columbia Encyclopedia, 6th ed.. . Retrieved September 22, 2018 from Encyclopedia.com: http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/klinger-max