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bhakti

bhakti (bŭk´tē) [Skt.,=devotion], theistic devotion in Hinduism. Bhakti cults seem to have existed from the earliest times, but they gained strength in the first millennium AD The first full statement of liberation and spiritual fulfillment through devotion to a personal god is found in the Bhagavad-Gita. The Puranas (from the 1st cent. AD) further elaborated theistic ideas. Devotion to Shiva and Vishnu and to the latter's avatara (incarnations), Rama and Krishna, continues to be practiced throughout India. Intense love for God and surrender to Him, reliance on His grace rather than on rituals, learning, or austerities, and the continuous repetition of His name are the means to the goal of His constant presence. The devotee may worship the chosen deity as child, parent, friend, master, or beloved. The bhakti tradition has tended to stress authentic inner feelings as opposed to institutional forms of religion and to disregard caste distinctions. Great devotees and saints such as the Alvars of S India (a Vaishnavite group of wandering singers), Mirabai, Tukaram, Tulsidasa, Kabir, and Chaitanya have continuously inspired the cults, founded their own sects, and produced a great literature of songs and poems in their vernaculars.

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Bhakti

Bhakti (Skt., either from √bhaj, ‘to share, be loyal’, or √bhañj, ‘to separate’). Devotion in love and adoration, especially to one's chosen manifestation of the divine (iṣṭadeva); but it may be guru-bhakti (surrender to a guru) or vaidhibhakti (willing acceptance of a guru's instructions). In its theistic form, it perhaps appears in the Ṛg Veda (5. 85. 7 f.; 7. 87. 7), in hymns imploring Varuṇa to forgive the offences of his devotees. But it became a major way of Indian religious life (owing much to the religion of Tamil Nadu), in which the grace (prasāda) of God modifies the strict causality of karma. Bhakti-marga (the way of bhakti) has produced some of the world's most moving theistic poetry, as well as the formalization of the stages through which union with God can be attained, in Bhakti-yoga. The Bhagavad-gītā is the foremost exposition and expression of bhakti addressed to Kṛṣṇa. See also VAIṢṆAVA; ŚAIVA; ŚRI-VAIṢṆAVISM.

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bhakti

bhaktifooty, putti, sooty, tutti •shufti • casualty • deputy •butty, cutty, gutty, nutty, puttee, putty, rutty, smutty •mufti, tufty •bhakti • subtlety • humpty-dumpty •Bunty, runty •bustee, busty, crusty, dusty, fusty, gusty, lusty, musty, rusty, trusty •fealty • realty •propriety, society •loyalty, royalty •cruelty •Krishnamurti, Trimurti •liberty • puberty •faggoty, maggoty •Hecate • chocolatey • Cromarty •commonalty • personalty • property •carroty • guaranty • mayoralty •warranty • admiralty • severalty •poverty •Alberti, Bertie, dirty, flirty, shirty, thirty •uncertainty •Kirstie, thirsty •bloodthirsty

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Bhakti

BHAKTI

BHAKTI . The Sanskrit term bhakti is most often translated in English as "devotion," and the bhaktimārga, the "path of devotion," is understood to be one major type of Hindu spiritual practice. The bhaktimārga is a path leading toward liberation (moka ) from material embodiment in our present imperfect world and the attainment of a state of abiding communion with a personally conceived ultimate reality. The word devotion, however, may not convey the sense of participation and even of mutual indwelling between the devotees and God so central in bhakti. The Sanskrit noun bhakti is derived from the verbal root bhaj, which means "to share in" or "to belong to," as well as "to worship." Devotion, moreover, may not suggest the range of intense emotional states so frequently connoted by bhakti, most of which are suggested by the inclusive English word love. God's love, however, whether answering or eliciting the devotee's love, is denoted with other words than bhakti. Thus bhakti is the divine-human relationship as experienced from the human side.

While bhakti is sometimes used in a broad sense to cover an attitude of reverence to any deity or to a human teacher, the bhaktimārga is understood to be a "path" of exclusive devotion to a divine or human figure representing or embodying ultimate reality, a path whose goal is not this-worldly benefits but supreme blessedness. Those who follow the path believe that ultimate reality is the personal Lord (Īśvara) who both transcends the universe and creates it. Bhakti is thus theistic and can be distinguished, not only (1) from those religious movements that deny the reality of Īśvara (including those of Buddhists and Jains), but also (2) from polytheistic beliefs in a number of deities within a divine cosmos, and (3) from philosophies that see Īśvara as an ultimately illusory appearance of the reality that transcends personal qualities, nirgua brahman.

In practice the boundaries of the bhaktimārga are indistinct and its forms are many and diverse, and it is differently defined by various sectarian communities. Nonetheless, there are some important common features found in different expressions of bhakti, and there is a discernible "history" of bhakti during the last fifteen hundred to two thousand years.

Modern historical approaches to Indian religion generally recognize some traces of bhakti in a few of the classical Upaniads and see it strikingly present in large sections of the epics (including notably the Bhagavadgītā ). The earliest devotional poetry is considered that in praise of the Tamil god Muruka, beginning about 200 ce, followed between the fifth and ninth centuries by the works of many poets in two distinct bodies of Tamil poetry, one in praise of Śiva, the other in praise of Viu. According to the traditional accounts, however, the Tamil poet-saints are scattered through the first five thousand years of the fourth and most degenerate age, the kaliyuga. This traditional dating fits a frequent theme, that bhakti is an easier path to salvation appropriate to an age of diminished spiritual capacities, but another theme sometimes crosses this: the assertion that the triumph of bands of singing and dancing devotees marks the breaking of the power of the demon Kali, and thus the end of Kali's evil age and the restoration of the age of spiritual perfection.

From a modern historical standpoint the flowering of bhakti is the coming together of considerably earlier theistic tendencies in three major religious traditions of ancient India: (1) the sacrificial cult of the invading Aryans and the recitation by brāhmaa priests that became the foundation of the Vedas; (2) the practice of bodily mortification and spiritual withdrawal by individuals and groups known as śramaa s, probably continuing traditions of earlier inhabitants of India but soon adopted and adapted by some of the Aryans; and (3) the pre-Aryan cults of spirits and village goddesses inhabiting trees and rocks and protecting special places or special groups.

All three traditions were subject to one type of reinterpretation that emphasized the great results of effective practice and a second type of reinterpretation that concentrated on the intuitive knowledge of the deities or ultimate powers of that tradition. There was also a third type of reinterpretation, however, that ascribed omnipotence to a particular deity, more or less personally conceived, and advocated single-minded devotion to this supreme deity. In the case of the Vedic tradition it was increasingly Viu who was regarded as both the essential core and the lord of the sacrifice. Some of the śramaa s sometimes regarded Śiva as the great yogin, paradoxically lord of fertility and sexual plenitude as well as of sexual abstinence. The more popular and polytheistic traditions have also had their bhakti forms, in which local goddesses are conceived as manifestations of the Mother, the great Power (Śakti) whose devotees sing her praises as the giver of both destruction and well-being.

Those who worship Viu (in any of his incarnations but particularly as Ka and Rama) as the supreme deity are known as Vaiavas; likewise those who accord the supreme place to Śiva are called Śaivas, and those who are devotees of the Goddess, conceived not as the subordinate consort of Śiva but as the ultimate Power, are termed Śāktas. Each "sect" is in practice divided into a large number of groups marked by allegiance to particular forms of the supreme deity, to particular lineages of teachers and teachings in characteristic sectarian organizations, which usually include some form of initiation.

The major forms of bhakti are described by Hindus themselves, not only by their special relation to particular forms of deity, but also according to the various moods of the devotee. The classifications vary slightly; some are closely related to classical Indian aesthetic theory according to which a particular raw emotion (bhāva ) is transformed in drama into a refined mood or essence (rasa ). Each combination of bhāva and rasa uses a particular human relationship: servant to master or child to parent (respectful subordination), friend to friend (joking familiarity), parent to child (maternal affection and concern), and beloved to lover (combining elements of the other three relationships in passionate love). Individual devotees as well as larger sectarian movements differ in their personal preference and doctrinal ranking among these relationships, but all are generally accepted as appropriate devotional stances.

When passionate attachment to the Lord is stressed, bhakti is a striking contrast to yoga and other ascetic paths to salvation that stress detachment and the overcoming of all passions, positive as well as negative. Yet many forms of bhakti also stress the detachment from all worldly beings that must accompany attachment to the Lord, or, like the Bhagavadgītā, which speaks of bhaktiyoga, they use the language of ascetic philosophy to extol the path of bhakti.

The bhakti movements generally stand religiously in between the more extreme ascetic paths and popular Hindu religiosity. (Less extreme forms of asceticism are often incorporated within the bhakti movements.) Bhakti generally shares the ascetic concern for moka: release from finite existence and the realization of transcendent beatitude. What is primary, however, is communion with the Lord, and if bhakta s think of moka as anything else than such communion, they will reject it as a goal that would deprive them of the very communion for which they fervently yearn.

A few bhakta s make the total commitment of time and style of life characteristic of Hindu "renouncers," spending whole days in chanting and singing the praise of their Lord. Most, however, must find time for their devotion in the midst of their daily occupations, whether high or low, but may become "full time" devotees temporarily during a lengthy pilgrimage. Their being bhakta s is sometimes shown by the sectarian marks on their foreheads or by other signs that they have been initiated into a particular community.

Bhakti often shares with popular Hinduism the basic ritual of pūjā: worship of the deity in some image form with vegetables, fruits, and flowers, which are spiritually consumedor wornby the deity and then returned to the worshiper as prasāda, material substance filled with the Lord's grace. Such pūjā may take place in one's home shrine or local temple, or it may be done as the culmination of a lengthy and arduous journey to a center of pilgrimage. Most Hindus perform such pūjā in order to win the deity's favor for some request, or, in the case of a vow (vrata ), to fulfill a promise made at the time of a request since favorably answered. True bhakta s, however, perform the very same ritual acts in a different spirit: in thanksgiving for divine gifts freely granted, in petition for the supreme gift of God's presence, sometimes expressed as the privilege of doing God some service, in obedient performance of duties to the deities God has ordained, which include sacrificial worship for the maintenance of the universe. Bhakta s recognize that the Lord they serve also grants worldly gifts to those who seek them, and moreover, even grants requests made to lower deities. This means that they often can practice common Hindu forms of worship and support temple establishments. On the other hand, some bhakti movements have at one time been or continue to be sharply critical of popular religion and/or the temple establishment. This was strikingly true of the Vīraśaiva poets in Karnataka from the twelfth to the fourteenth century ce. In North India Kabīr and Nānak (the first Sikh gurū ) were sharply critical both of popular piety and of the religious establishments, Hindu as well as Muslim.

There are also distinctive bhakti rituals: the singing (sometimes communal) of hymns and chants, the performance of dramas, dances, and recitals of the heroic deeds or erotic sports of Viu's incarnations or of the mysterious appearances of Lord Śiva. Stories about the Lord may thus lead to stories about the great bhakta s. The recounting of their lives is almost as popular as the singing of their songs.

Here, too, there is a strong difference in emphasis between devotional and ascetic paths, for the distinctive rituals of bhakta s are generally not reserved for the few qualified initiates but open to all, whatever their motives or their qualifications in the socioreligious hierarchy. This egalitarian thrust of bhakti, although it has not always penetrated in practice to the untouchables, is usually praised in song and story. It is not the equality of modern Western individualism, but the openness to a divine seeking that transcends or even reverses the order of human society, sometimes precisely because humility is the necessary qualification for receiving the Lord's grace.

Bhakti means not only "sharing" with God but also some form of sharing or mutual participation among God's devotees. While there is a heroic loneliness in the lives of some of the great bhakta s corresponding to or even combined with the physical and spiritual isolation of more extreme asceticism, the dominant note in bhakti is community, between generations as well as among fellow devotees of the same generation. Within this devotional community there is usually both a hierarchical relationship between teacher and disciple and a more egalitarian relationship between fellow disciples.

The English word movement is particularly appropriate for most bhakti movements, for there is a spiritual movement between the divine and the human, an emotional movement affecting or even engulfing any particular community of devotees, and a movement through time celebrated in sacred story. The stories about the bhakti saints help to define particular devotional communities and sometimes to extend them. While the sacred history of many devotional movements is of interest only to their own members, there has also been, especially in North India since the fifteenth century, a combination of hagiographies known as the Bhaktamāla (The garland of devotees). The present evil age, the kaliyuga, is considered to be the one, in the vast recurring cycle of the four ages, in which the human capacity to live rightly is at its lowest. Yet this cycle of stories assumes that the present age is also the bhaktikāla, the time for devotion. The worst of times becomes the best of times for those who join together in fervent praise. Those who remember the Lord (as continuously as the flow of oil, in Rāmānuja's definition of bhakti ) have already in this life a foretaste of the eternal communion that is their final goal and, in many Vaisnava communities, the expected goal at the end of their present earthly life. Bhakta s thus share in a movement from eternity through time back to eternity.

Philosophically, Vaisnava bhakti has expressed itself in a range of positions between the "pure nondualism" (śuddhādvaita ) of Vallabha and the "dualism" (dvaita ) of Madhva, and Śaiva bhakti ranges from the monistic philosophy of Kashmir Śaivism to the dualistic or pluralistic position of the Tamil Śaiva Siddhānta, yet almost all of these philosophical positions agree both on the infinitely superior quality of the divine reality and on some kind of subordinate reality for finite souls and material things.

The common goal of communion with the Lord can also be understood more or less monistically. One classification distinguishes between four degrees of communion: (1) sālokya, being in the same heaven with a continuous vision of the Lord; (2) sāmīpya, residing close to the Lord; (3) sārūpya, having the same form, understood to be the privilege of the Lord's intimate attendants, whose external appearance is similar to the Lord's; and (4) sāyujya, complete union through entering the body of the Lord.

In terms of religious practice and religious experience there is a somewhat comparable range of positions between the affirmation of the constant divine presence both within finite realities and surrounding them, on the one hand, and the lamenting of God's absence from the devotee's experience in this present life. The typical bhakti position is somehow to affirm both God's presence and God's absence, but there is considerable difference in emphasis, not only between different sects and different individuals, but also within the experience of the same bhakta. The moments of experienced union (saślea ) and anguished separation or desolation (viślea or viraha ) alternate, but the bhakta 's experience is still more complicated: the realization of the fleeting character of the experience of union may intrude into it, while, on the other hand, the grief at separation is sharpened by the memory of previous shared delight. That grief itself, if it passes the moment of despair, expresses itself as a passionate yearning for a new moment of divine presence or as a more serene confidence in the final goal of unending communion with God.

Those who express a devotion of passionate attachment to the Lord, especially when the Lord is conceived as Ka, are sometimes dissatisfied with merely spiritual union after this earthly life. They yearn for the Lord's physical embrace of their present embodied selves. Bhakta s differ as to whether such union of the human devotee's body with the Lord's body is possible. Within this life, however, ecstatic moments of perceived union are fleeting. Permanent union brings with it an end to the bhakta 's life in this world, as is dramatically portrayed in the stories of the merger of two of the Tamil Vaisnava saints (Āāl and Tiruppān Āvār) into the Lord's image incarnation, Ranganātha. Similar stories are told of the Rājpūt woman saint Mīrā Bāī, absorbed with Ka's image at Dvarka, and of Caitanya, who, according to the local Oriya tradition in Puri, was absorbed into the image of Jagannātha.

For the more monistic bhakti that regards permanent union as the end of the finite self's distinct personal existence, the state of separation may actually be preferred as ensuring the continued bittersweet experience of the Lord's absence. Certainly for bhakta s in many schools and sects, the moments of absence are conveyed in poetry of great intensity and beauty. There our common human experience of separation from the infinite source of being is transfigured by the special experience of that rare human being who has felt the divine presence or known the divine rapture and then experienced even more intensely the pain of separation from this incredibly beautiful and desirable Lord.

In the South Indian Vaisnava bhakti of Rāmānuja, however, separation and union are coordinated in a hierarchical vision in which the Lord enters the heart of all finite beings as their inner controller, without obliterating the distinct existence and moral responsibility of the finite person. Here longing for God and belonging to God are not alternatives but mutually reinforcing coordinates in intensifying the bhakta 's experience.

From an outside vantage point the meaning of bhakti may be conveyed by two questions. One is a theological question: how can the infinite Lord be independent of all finite reality and yet be dependent on his devotees? Most bhakta s affirm both propositions. The second is the corresponding anthropological question: how can the bhakta be both the humble servant and the intimate companion of the Lordnot only the Lord's instrument but the Lord's bride? Since we recognize that these are no more than an outsider's "translation" of the bhakta s' own questions, we must add a third, what we might call a hermeneutical question: how can the outside student of Hindu bhakti (whether non-Hindu or non-bhakta ) understand any particular form of Hindu bhakti? How can divine-human "sharing" be understood without sharing in it? While most of the Hindu tradition would find it difficult to imagine such external understanding as the question implies, and those in the Western Platonic tradition would reject the separation of loving and knowing, most Western study of religion in general and of Hindu bhakti in particular assumes that reasonable understanding is possibleenough to write this article, for examplewithout personally participating as a scholar in the bhakta 's experience. The very nature of bhakti as experienced participation, however, is a continuing challenge to the strong tendency of Western notions of understanding, especially the Western effort to "capture" all human experience in carefully crafted objective concepts.

To understand an alien experience we need to remember partially similar experiences familiar to us. Bhakti has both appealed to and puzzled Western students because they see in its central features Western monotheism combined with other elements that seem different or even totally alien. Many features of Hindu bhakti are also found in the more popular aspects of Jainism and Buddhism, and Pure Land Buddhism has incorporated much of bhakti at its very core. The Indian expressions of both Islam and Christianity, moreover, have developed their own bhakti poets and saints. In the case of Islam, bhakti has provided a bridge for a mutual interpenetration with Hindu piety that has given the piety of Muslims in South Asia a distinctive character; yet Islamic and Hindu bhakti did not merge. In the case of Christianity in the modern era, bhakti provided the basic vocabulary for Christian prayer and hymnody in most modern Indian languages, yet Christian bhakti has usually been so distinctive as to be unaware of its debt to the Hindu tradition. Perhaps bhakti, although distinctively Hindu, may be appropriated and developed, if not by the proud at least by the humble, in a great variety of religious and cultural communities.

See Also

Bhagavadgītā; Caitanya; Devotion; Īśvara; Kabīr; Mīrā Bāī; Moka; Nānak; Poetry, article on Indian Religious Poetry; Pūjā, article on Hindu Pūjā; Rāmānuja; Śaivism, article on Vīraśaivas; Yoga.

Bibliography

Dhavamony, Mariasusai. Love of God according to Śaiva Siddhanta. Oxford, 1971.

Hardy, Friedhelm. Viraha Bhakti: The Early Development of Ka Devotion in South India. Oxford, 1981.

Hawley, John Stratton. Sūr Dās: Poet, Singer, Saint. Seattle, 1984.

Hawley, John Stratton, and Donna M. Wulff, eds. The Divine Consort: Rādhā and the Goddesses of India. Berkeley, 1982.

Hein, Norvin J. "Hinduism." In A Reader's Guide to the Great Religions, edited by Charles J. Adams, pp. 106155. New York, 1977. See pages 126140.

Ramanujan, A. K., trans. Speaking of Śiva. Harmondsworth, 1973.

Ramanujan, A. K., trans. Hymns for the Drowning. Princeton, 1981.

Schomer, Karine, and W. H. McLeod, eds. The Sants: Studies in a Devotional Tradition of India. Berkeley and Delhi, 1985.

Yocum, Glenn E. Hymns to the Dancing Śiva. New Delhi and Columbia, Mo., 1982.

Zelliot, Eleanor. "The Medieval Bhakti Movement in History: An Essay on the Literature in English." In Hinduism: New Essays in the History of Religions, edited by Bardwell L. Smith, pp. 143168. Leiden, 1976.

New Sources

Bhakti Religion in North India: Community Identity and Political Action. Edited by David N. Lorenzen. Albany, 1995.

Devotion Divine: Bhakti Traditions from the Regions of India: Studies in Honour of Charlotte Vaudeville. Edited by Diana L. Eck and Françoise Mallison. Groningen, 1991.

Haberman, David L. Acting as a Way of Salvation: A Study of Raganugabhakti Sadhana. New York, 1988.

Love Divine: Studies in Bhakti and Devotional Mysticism. Edited by Karel Werner. Durham indological series no. 3. Richmond, Surrey, 1993.

Tripathi, S. K. Music and Bhakti. Varanasi, 1993.

John B. Carman (1987)

Revised Bibliography

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Bhakti

BHAKTI

BHAKTI Bhakti ("sharing" or "devotion") denotes an intensely personal devotion to one's deity. Religious devotion in a general sense can be found in the earliest Indian literature, the poems of the Rig Veda. But the devotion known as bhakti—and the word itself—first appears in the last two or three centuries b.c. The Shvetāshvatara Upanishad preaches devotion to Shiva, the Bhagavad Gītā to Vishnu/Krishna. Other, later texts are dedicated to the worship of the Great Mother Goddess or to a more abstract deity, as in the scripture of the Sikhs. Much of the bhakti movement was distinguished by its links to the rich Purāṇic mythology, questions of righteousness and spiritual liberation, and to India's Hindu social structure, either defending or criticizing the system of castes ( jati) and classes (varna).

A common feature of bhakti worship is the acceptance that spiritual liberation is open to members of all social orders, including women, even by those who maintain the traditional divisions of castes and classes. The devotion manifests itself in various ways: through ritual offerings, by listening to stories of Krishna's deeds, by consorting with pious people, and by chanting the deity's name or merely thinking about it. Even hatred or fear of Vishnu/Krishna may lead to liberation, because one's mind is fixed on him. Bhakti is the preferred path to liberation (moksha) in this degenerate age, rather than meditation, Vedic sacrifice, or temple worship, which dominated in ages past; bhakti is a special blessing and opportunity for our otherwise miserable age. In the sixth through the tenth centuries the level of emotional involvement was raised dramatically in the poetry of the Ālvārs, who were devoted to Vishnu, and that of the Nāyanārs, who were devoted to Shiva, all written in Tamil. There were also hymns centered on yoga composed by the Siddhas (perfect masters). An idea that developed among the later Vishnu devotees was that bhakti is difficult and really plays only a secondary role, since salvation depends ultimately on Vishnu's grace.

During the following centuries, what appears to have been a wave of popular bhakti movements spread north, expressed often in regional languages and carried by ordinary people. Late highpoints included the songs of Kabīr, many of which entered the Guru Granth Sahib, the holy scripture of the Sikhs, with their focus on an abstract nondenominational deity; and the popular Rāmāyaṇa epic of Tulsīdās and the Gītagovinda, both works of intense devotion to forms of Vishnu, (Rāma and Krishna). The modern International Society of Krishna Consciousness traces its roots to Chaitanya, a fifteenth-century devotee of Krishna in Bengal.

Hartmut E. Scharfe

See alsoBhāgavata Purāṇa ; Bhagavad Gītā ; Vishnu and Avatāras

BIBLIOGRAPHY

Lorenzen, David N. "Bhakti." In The Hindu World, edited by Sushil Mittal and Gene Thursby. New York: Routledge, 2004.

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