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Bergonzi, Carlo

Bergonzi, Carlo (b Polisene, Parma, 1924). It. tenor. Began career as bar. at Lecce 1948 as Figaro in Il barbiere di Siviglia. Second début, as ten., at Bari 1951 (Andrea Chénier). London (Stoll Th.) 1953; La Scala 1953; US (Chicago) début 1955; NY Met 1956; CG 1962; Salzburg Fest. 1970. CG farewell recital 1991.

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Bergonzi, Carlo

Bergonzi, Carlo (b Cremona, c.1683; d Cremona, 1747). It. maker of vns. in style of his master, Stradivarius. Finest period 1730–40. His instrs. look as beautiful as they sound. Succeeded by his son and nephews.

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Bergonzi, Carlo

Carlo Bergonzi, 1924–2014, Italian opera singer. He began his career as a baritone, debuting in 1948, but he made a second debut as a tenor in 1951 after realizing his voice was better suited to the higher range, and soon after first sang at Milan's La Scala. He debuted in the United States in 1955 in Chicago and first appeared at the Metropolitan Opera in 1956 as Radames in Verdi's Aïda. He performed more than 300 times at the Met through the 1980s. One of his most memorable performances was there in 1964 as a soloist in Verdi's Requiem, a memorial for President John F. Kennedy. With his supple lyric tenor voice, Bergonzi came to be considered his era's finest Verdi tenor, and he excelled in numerous 19th-century Italian and French operas.

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Bergonzi, Carlo

Bergonzi, Carlo

Bergonzi, Carlo, Italian violin maker; b. Cremona, e. 1683; d. there, 1747. He began manufacturing violins about 1720, working independently of Stradivarius and other violin makers of his time. His son, Michael Angelo Bergonzi, continued the trade, as did his grandsons, Carlo, Nicola, and Zosimo Bergonzi.

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

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Bergonzi, Carlo

Bergonzi, Carlo

Bergonzi, Carlo, eminent Italian tenor; b. Polisene, near Parma, July 13, 1924. He studied with Grandini in Parma, where he also took courses at the Boito Cons. During World War II, he was imprisoned for his fervent anti-Fascist stance. After his liberation, he made his operatic debut in the baritone role of Rossini’s Figaro in Lecce in 1948. In 1951 he made his debut as a tenor singing Andrea Chénier in Bari. He made his first appearance at Milan’s La Scala in 1953 creating the title role in Napoli’s Masaniello, and that same year he made his London debut as Alvaro at the Stoll Theatre. In 1962 he returned to London to make his Covent Garden debut in the same role. In 1955 he made his U.S. debut as Luigi in II Tabarro at the Chicago Lyric Opera. On Nov. 13, 1956, he made his Metropolitan Opera debut in N.Y. as Radames, remaining on its roster until 1972, and again for the 1974–75, 1976–77, and 1978–83 seasons. He

gave his farewell N.Y. concert at Carnegie Hall on April 17, 1994; he then bade farewell to Europe that same year in a series of concerts. He was blessed with a voice of remarkable beauty and expressivity. Among his many outstanding roles were Pollione, Rodolfo, Alfredo, Canio, Manrico, Nemorino, and Cavaradossi.

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

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