The Gods of Olympus

Updated About encyclopedia.com content Print Article Share Article
views updated

The Gods of Olympus

The Divine Beings of Greece.

If a modern observer could tour the cities and villages of ancient Greece, he would be astonished at the multitude of gods and goddesses that the Greeks worshipped. They would include some gods whom he recognized, such as Zeus, the king of the gods, or Athena, whose ruined temple in Athens, the Parthenon, has appeared in countless tourist brochures. But many of them would be unfamiliar. There were woodland nymphs, female spirits of nature who might kidnap mortals whom they fancied. There were river gods who could cause floods if they were angered. A god called Pan, half man and half goat, lived in the woods, and could instill irrational terror in men or beasts, which was called 'panic' after him. To make matters more confusing, sometimes the Greeks referred to "Pan" in the plural, as if he was free of the mortal constraints of singular and plural. If the observer went to the little island of Aegina which is a short distance south from Athens, he might see a well-preserved temple built in the early fifth century b.c.e. that was dedicated to a goddess named Aphaea. She is possibly the Minoan goddess called Britomartis, surviving on Aegina with a changed name. Her temple was in the countryside, high on a hill in the center of the island, and there the islanders gathered for her festivals to pray, offer sacrifices, and enjoy the festivities of a "holy day."

The Demigods.

To add to the modern observer's bewilderment, there were the demigods or "half-gods." They were the heroes, and they played a role similar to Christian saints. They were mortals, many—but not all—of whom belonged to the Age of Heroes. What made them demigods was that they won great renown in their lifetimes, and hence received worship after death, for their power did not perish along with their mortal bodies. No temples were built for them, but they did have shrines where worshipers could venerate them with prayers and sacrifice. They did not dwell with the Olympian gods; instead they subsisted with the ghosts of the dead in the Underworld. If they were heroes of mythology, they might be the sons of gods, or more rarely, of goddesses. Great families boasted of pedigrees which went back to a demigod who might have divine ancestry, and the sacrifices they offered their semi-divine ancestor reinforced family solidarity. Our visitor might even have found some heroes that were nameless: if they ever had names, they were lost in the mists of time. One clan in Athens offered yearly sacrifice to a demigod known simply as the "hero beside the salt-pans."

The Great Man as Hero.

Some of these heroes were historical figures who lived within the time-frame of mortal men. They were men who had once wielded power and used it to perform memorable deeds. If a person founded a colony in Italy or the Ukraine, for example, the colony he founded would honor him after his death as a Heros Ktistes, that is, the "founder hero." He would often be buried in the marketplace, where a shrine would be built for him, and sacrifices offered. Great gods were no longer born in historical times, but new heroes could always be created; all that was needed was a resolution passed by a city, clan, or religious group to give a deceased person heroic honors.

A GUIDEBOOK TO GREECE IN THE SECOND CENTURY C.E.

introduction: Pausanias traveled through south and central Greece in the second century c.e. and wrote an account of his travels. His work does not seem to have been widely read in his own time, but it did survive to give us a picture of Greece when it was a province of the Roman Empire. Depopulation was emptying the countryside and yet every square mile had holy springs, sacred precincts, shrines, temples—sometimes ruined—or tombs associated with the religion, mythology, and early history of Greece. This excerpt is from his description of Laconia (or Lacedaemon—both names were used), which was the territory of Sparta just as Attica was the territory of the city of Athens. Therapne, the place first mentioned in the excerpt, was where Menelaus and his wife Helen of Troy were supposedly buried.

The spring at Therapne called Messeis is something I myself have seen. Other Laconians have maintained the modern Polydeucia rather than the spring at Therapne is the ancient Messeis; the Polydeucia is on the right of the road to Therapne, both the spring itself and Polydeuces' sanctuary.

Not far from Therapne is what they call the Phoibaion with a shrine to the Dioscuri (Castor and Polydeuces) inside it; this is where the fully-grown boys sacrifice to the war-god. Not far away is a sanctuary of Poseidon called the "Earth-holder." If you go on beyond it towards Taygetos you come to a place called "Grinding-ground"; they say that Myles the son of Lelex who first invented the mill-stone ground with it in this grinding-ground. They have a shrine here to Taygetes' son, the divine hero Lacedaemon. From here if you cross the river Phellia and go to Amyclae straight towards the sea, you come to where the Laconian city of Pharis used to be, but if you turn off to the right from the river Phellia, your road will take you to Mount Taygetos. In the plain is the sacred enclosure of Messapean Zeus; they say it got this title from a man who was the god's priest. From here as you come away from Taygetos you come to a place where the city of Bryseai once stood. A temple of Dionysus still survives there with a statue in the open air; only women are allowed to see the statue inside the temple; and all the ceremonies of sacrifice are performed in secret by women.

source: Pausanias, Guide to Greece. Vol. 2. Trans. Peter Levi (Harmondsworth, England: Penguin Classics, 1971): 72–73.

The Logic of Pagan Worship.

Although the gods and heroes of the Greeks, and their cults may seem like a chaotic hodgepodge to the modern observer, there was an underlying logic to Greek worship. Gods and heroes were powerful supernatural beings whom men feared and supplicated to win their favor and avert evils, such as shipwreck, earthquake, or the drought that parched the crops. Gods had sacred places which they particularly liked, and if a worshipper wanted his prayer to be heard he would be wise to go to a place that was dear to the god whose favor he was seeking and there make his prayer or sacrifice. Gods did not always hear prayers, for they had their own lives to lead and had neither time nor inclination to listen to all the mortals beseeching their help. But if a suppliant went to a precinct sacred to a god, where there might be a temple housing his image, then the chances were good that the god would pay attention. Gods could not ignore their images, for the image captured a god's likeness, and with it, a share of the divine potency.

Divine Politics.

The worshipper also had to remember that gods and goddesses had special interests—like cabinet ministers who preside over government departments—and it was important to address the correct department. The goddess Hera took an interest in women in childbirth, Hephaestus was a patron of blacksmiths, and Poseidon controlled the sea and the terrifying earthquakes. Prayers and sacrifices were most effective when they were directed to the right god, for however much a god might favor a suppliant, he would hesitate to trespass upon another god's department.

Greek Theology.

The Greeks had no equivalent of the Bible, the Torah, or the Koran to give coherence to their religion. So far as they had any formal theology at all, they owed it to their poets, particularly the epic poets Homer and Hesiod, who produced the earliest surviving Greek literature. Almost everything that has been written about Homer is subject to controversy, including his very existence, but there can be no doubt that the Homeric poems shaped Greek conceptions of their gods and goddesses. In his Iliad, Homer presents them as a large extended family dwelling on Mount Olympus, the highest mountain in Greece, from which they viewed the world below like spectators at a football game. They were immortal: they could not die and did not grow old; they had no need to worry about disease, famine, or the other ills that beset mankind; they had ichor rather than blood in their veins; and their food was ambrosia. Beyond these distinctions, they lived lives similar to the lives of earth-bound humans. They had the same family disputes and felt the same passions. They were not, however, bound by the same social constraints as human beings; if a mortal man had dared to rape women with the same licentiousness as the gods, the brothers or male relatives of the victims would have hunted him down. Gods were powerful but not omnipotent; even Zeus, the most powerful of them all, could not change the decrees of Fate. Twelve members of the Olympian family were dominant. Homer knew of more than twelve gods on Mt. Olympus, but twelve great gods formed a sort of inner circle, and that number was never to increase. After Homer, twelve remained the canonical number. Later Greeks added Dionysus, the god of wine, and dropped Hestia, the goddess of the hearth, thus maintaining the number twelve.

THE PESSIMISM OF THE OLYMPIAN RELIGION

introduction:

[This text has been suppressed due to author restrictions]

source:

Hesiod's Generations of the Gods.

Hesiod's contribution was the myth of the creation of the world out of chaos, and the birth of the gods, which he described in his Theogony. The main components of the myth were borrowed from the Near East. As more and more clay tablets from the ancient Near East are deciphered, it has become increasingly clear that Greek religious ideas owe a great debt to the East. We know now that Hesiod's Theogony adapts a story that is found first among the Hurrians, a people in northern Mesopotamia, who passed it on to the Greeks via the Hittites in Asia Minor, and the Phoenicians in what is now Lebanon. Hesiod's tale relates that the great gods of Olympus were preceded by three earlier generations. First there was Chaos, and out of it, Ouranos (Heaven) and Gaia (Earth) were formed. Ouranos, who was male, covered Gaia, and from their union came the generation of the Titans. The rule of the Titans ended when Cronus, the youngest of the children of Ouranos and Gaia, attacked his father, castrated him, and thrust him up into the sky. Ouranos has been separated from Gaia by the atmosphere of the world above ever since. Cronus, fearing that his offspring would overthrow him in turn, swallowed the infants whom his wife Rhea bore. His children were immortal, and so did not die, but as long as they were imprisoned in Cronus' stomach, they could do their father no harm. Rhea grew angry at the fate of her children, however, and instead of giving Cronus her last child, Zeus, to devour, she handed him a stone wrapped in swaddling clothes, and Cronus swallowed it instead. Zeus was brought up secretly on Crete in a cave high on Mt. Ida. Once he was fully grown, he forced Cronus to regurgitate his brothers and sisters, and after terrible battles—first with the Titans and then with a race of Giants and other monsters—he established the rule of the Twelve Olympians. Yet just as the Titans were overthrown, the Twelve Olympians in their turn might suffer the same doom. The gods were always wary of rivals.

The Twelve Olympians.

The circle of the twelve great gods of Mt. Olympus consisted of Zeus, the king of the gods, his siblings—Hera, Poseidon, Hestia, and Demeter—and his children—Pallas Athena, Apollo and Artemis, Aphrodite, Ares, Hephaestus, and Hermes. Dionysus was added to the Twelve later, and Hestia dropped. One member of Zeus' family was not included: Hades, the dark lord of the Underworld. He was Zeus' brother, but he lived in a sunless realm, ruling over the weightless ghosts of the dead.

Zeus, the Sky-God.

Zeus, the king of the gods, was the god of the sky and the weather. He sent the rain that made the crops grow. Homer called him the "cloud-gatherer," for when the clouds gathered in the sky and lightning flashed the Greeks imagined that they were seeing a manifestation of Zeus' power. He was by far the strongest of the gods, stronger than all the others, who dared not revolt against his rule, much as they might grumble about it. His favorite creature was the eagle, the most lordly of birds, and his preferred weapon of war was the thunderbolt, which was his exclusive property. Other gods had their preferred weapons as well: Poseidon the trident, Apollo the bow and arrow, and Hephaestus fire, but none of these were as terrible as the thunderbolt. Zeus' enemies, the Titans and the Giants, were utterly overwhelmed by it when he hurled it against them, and mere mortals were powerless in the face of it. The lightning that flashed across the sky was Zeus revealing himself, and wherever it struck the earth, a sanctuary would be set up to "Zeus Descending," for there Zeus had touched the earth and left his mark.

The Promiscuous God.

Zeus had a wife, Hera, but he was not a faithful husband. He was a god of extraordinary sexual prowess, for he was a fertility god. It was he who made the earth fruitful and saw to it that the seasons came and went in due order. Greek mythology had many tales about his scandalous escapades. He seduced an extraordinary number of both goddesses and mortal women, and his seductions rarely involved mutual consent. One myth related that he saw Leda, the mother of Helen of Troy, taking a bath in a pool and transformed himself into a swan in order to rape her. Another myth relayed Zeus' seduction of Danaë, who had been imprisoned by her father in a bronze chamber after an oracle told him that a son born to his daughter would kill him. While the chamber had barred mortal men access to Danaë, Zeus worked around this barrier by transforming himself into a shower of gold that penetrated the bronze chamber, and thus he sired her son who did, eventually, kill her father, as the oracle foretold. Zeus was also the father of Heracles, the strongman of Greek legends, and the tale of how he impregnated Heracles' mother Alcmene is an example both of craftiness and a lack of conventional morality. Zeus disguised himself as Amphitryon and slept with his wife, Alcmene, while Amphitryon was away at war. Then, shortly afterwards, the real Amphitryon returned and slept with his wife, who was surprised at his ardor, for she believed that they had slept together only a short while before. From the coupling of Zeus and Alcmene, Heracles was born, while his twin, Iphitus, was fathered by Amphitryon.

Zeus, the Sire of Gods.

It is not surprising, therefore, that Zeus had a great many offspring, both mortal and immortal. He sired both Apollo and Artemis by the Titaness, Leto. He begot Hermes by Maia, one of the Pleiades, the seven daughters of the Titan Atlas, whom Zeus set as a constellation among the stars. He fathered Dionysus by a mortal woman, Semele, the daughter of Cadmus, king of Thebes. His sister Demeter bore him Persephone, the queen of the Underworld whom Hades took as his partner. Hera's children by him were Ares, the god of war, and, according to some accounts, Hera and Zeus were father and mother of Hephaestus, the god of smiths and craftsmen. Zeus deserved his title as father of gods and men. Even those gods who were not sired by him addressed him as "Father," and rose to their feet when he came into their presence.

The Justice of Zeus.

Zeus was a god of impartial judgment. He was the guardian of conventional morality among mankind even if he did not set an example of it himself. As time went on, he became connected with the principle of justice. Justice, wrote Hesiod, was a daughter of Zeus who reported all deceit and perfidy to him. Yet powerful though Zeus was, he never tried to overturn the decrees of Fate, for he knew that to challenge Fate would be unwise. Every mortal person had his moira (portion of life), marked off by boundaries which even Zeus did not transgress, for respect for limits was the basis of ethical behavior. The most distressing of these limits was death, which no mortal could evade. A myth described how a mortal named Sisyphus tried to cheat death and overstep his moira, and the judgment of Zeus was severe. In the Underworld Sisyphus was condemned forever to roll a heavy stone to the top of a steep hill, only to be overcome by exhaustion as he neared the top so that the stone rolled back down the hill and he had to start again.

Zeus, the Panhellenic God.

Zeus was a god whom all the Greeks revered. One of his epithets was Panhellenios, which means "god of all the Hellenes," for the Greeks in their own language called themselves "Hellenes." Zeus had no city that he favored above all others. His most famous festival was the Olympic Games that were held every four years at his greatest sanctuary, Olympia, situated in south-west Greece within boundaries of Elis, but in the countryside, away from the urban center of the state. It was a panhellenic festival. Athletes from all over the Greek world gathered there every four years to participate in the contests, and while the games were being held, there was a universal truce: states at war with each other ceased hostilities until the games were finished. All Greeks were welcome to compete, but non-Greeks were not eligible. A victor won only a wreath made of the wild olive for his prize, but the honor and glory that he received in his home city was enormous.

Hera the Mistress: Queen of the Gods.

Zeus' wife was Hera, whose name means "mistress." She was the queen of the gods, and she had two city-states she especially loved. One was Argos, south of Corinth, where she had a sanctuary so venerable that one of her most common titles was "Argive Hera." It was built, not in the urban center of Argos, but some distance away in the countryside. Her other favorite place was the island of Samos where a temple was built for her as early as 800 b.c.e. In fact, she seems to have been one of the first, if not the first, of the Greek deities to have temple buildings erected for her cult. At Olympia, for instance, before the great temple of Zeus was built, a temple was erected for her, and it was so ancient that the walls were made of mud brick and the columns were originally hewn out of wood with stone replacements as the wood columns rotted.

The Jealous Wife.

Hera was a goddess of weddings and a patron of married women. She looked after the recurrent cycle of pregnancy and birth—and often infant death—which Greek women experienced. Hera's own marriage with Zeus was no model of connubial bliss, for she saw through the deceptions and infidelities of her randy husband. She reacted with jealousy and anger, and since she could not curb Zeus, she pursued his paramours with unrelenting rage. When the Titaness, Leto, was in labor with Apollo and Artemis—both sired by Zeus—Hera prevented Eileithyia, goddess of childbirth, from going to assist Leto, and consequently Leto's labor lasted nine days. The other gods eventually took pity and offered Eileithyia a great bribe to attend the birth without Hera's knowledge. Her enmity for Heracles, the son of Zeus, was implacable. While he was still an infant, she sent two great serpents to destroy him, but he grabbed them with his fists and strangled them. Once Heracles became a man, Hera deranged his mind, and in a blind rage he killed his wife, Megara, and his children. Another target of Hera's jealousy was Io, a priestess at Hera's sanctuary at Argos who attracted Zeus' lustful eye. Hera persecuted her, first turning her into a heifer and then sending a gadfly that tormented her so much that she fled across the sea to Egypt. In Homer's Iliad, Hera plays the role of a quarrelsome partner of Zeus, railing against his infidelity. But she is always careful not to rouse him to violence, for Zeus had no compunction about wife-beating.

Hera's Children.

Hera had children of her own. One was the god of war, Ares, sired by Zeus. The blacksmith god Hephaestus was also Hera's son; one story related that, angered at Zeus' constant infidelities, she bore him miraculously without male sperm. Hera also had two daughters who were not included among the twelve Olympians: Hebe and Eileithyia. Hebe, whose name means "youth and health," was a goddess of healthful well-being. She served as cupbearer of the Olympian gods until Zeus fell in love with a handsome Trojan boy named Ganymede and snatched him up to Olympus where he usurped Hebe's place as cupbearer. After Heracles was admitted into the company of the gods, Hebe became his wife. Eileithyia, the divine midwife, was an ancient goddess who was worshipped in Minoan Crete, and when she was brought into the Olympian regime, she became Hera's daughter, which must have been a demotion. It demonstrates the disorganization of the Greek religion when Homer speaks of more than one daughter of Hera bearing the name Eileithyia, as if she was a sisterhood of midwives.

Poseidon, Ruler of the Sea.

Poseidon, the god of the sea and earthquake, was the brother of Zeus. Homer refers to a myth that was derived ultimately from an ancient Akkadian epic from Mesopotamia, titled the Atrahasis, that after the Olympian gods overthrew the rule of the Titans, the three brothers—Zeus, Poseidon, and Hades—drew lots to decide which portion of the universe each would rule. Hades won the Underworld, Zeus the clouds and the high clear sky, while Poseidon got the sea. The earth, however, was to be common to all three, and whenever Zeus became too autocratic and tried to extend his dominion beyond his proper boundaries, Poseidon complained, though he knew better than to revolt. He ruled the tempests, and sailors and fishermen feared him. If his anger was roused against an unlucky mariner, he was relentless, as the hero Odysseus discovered as he made his voyage home from Troy. Poseidon lived in an underwater palace with his wife, Amphitrite, the daughter of Ocean, and their children were the Tritons, sea monsters with fishtails that could make venturing on the sea dangerous. At the same time, he was the Earth Shaker, the Lord of the Earthquake who could smash rocks with a single blow of his trident. When earthquakes struck, the Greeks would invoke Poseidon and sing his paean, which was a hymn giving thanks for deliverance from evil. He had no city which he could call his own—though he did contest Athens with Athena and lost narrowly—but he did have one famous sanctuary at the Isthmus of Corinth, where every two years the Isthmian Games were held in his honor.

Pallas Athena, Patron of Athens.

Athena, or Pallas Athena, was the patron deity of Athens, so much so that when an Athenian referred simply to "the goddess," it was Athena whom he meant. The derivation of her second name, "Pallas," is uncertain, but mythology had at least two tales that explained it. One told that Pallas was a Giant, and in the battle between the gods and the Giants Athena killed and flayed him and covered her own body with his skin for protection. An alternative tale related that Pallas was a goddess who was Athena's playmate when they were both young. They were both skilled warriors, and once when they were sparring, Pallas was about to strike Athena when Zeus intervened and thrust his shield in front of her. Startled, Pallas was thrown off her guard, and Athena's next blow accidentally killed her. Athena mourned her death and took her name. This tale belongs to a common type of myth where one god slays another, sometimes by accident and then assumes his name, and these myths are generally interpreted to mean that the killer god has taken over his victim's cult and co-opted his worshippers. If this interpretation of Pallas' death is right, it may mean that Athena co-opted the cult of an earlier warrior goddess who did not belong to the charmed circle of the Olympians, and the name "Pallas Athena" reflects the merger.

A Goddess of Intelligence, Resourcefulness and Warfare.

Athena was the daughter of Zeus and Metis. The word metis means simply "wisdom" or "cunning," but in the myth of Athena's birth Metis is a female divinity. While Metis was pregnant, Zeus learned that her son was destined by fate to overthrow his father. Hoping to eliminate this threat, he swallowed Metis with her unborn child. Thus Zeus literally incorporated wisdom in his own body. One day he had a splitting headache, and called on Hephaestus to help. Hephaestus cured the migraine by taking an ax and splitting Zeus' head open. Out stepped the warrior goddess, Athena, in full armor. She was a goddess of battle, and Greek art always depicted her wearing a helmet. She delighted in the clamor of combat. When she favored a soldier, she stood beside him in the fight and gave him courage. In particular she loved a warrior who was not merely strong and brave, but intelligent and crafty as well. The hero Odysseus was a special favorite of hers, for on his long journey home after the destruction of Troy, he survived by his wits, whereas all his men perished. Her shield was called an aegis, and whenever she raised it in battle, it struck panic into her enemies. In art her aegis is shown sometimes as a shield, sometimes as a short cloak; whichever it was, it had in its center the head of a Gorgon, a fearsome monster-woman with snakes instead of hair fringing her head, and a face that was believed to turn those who looked on it into stone. The Gorgon's head was an apotropaic device, that is, a symbol supposed to ward off the evil eye.

A Goddess of Domestic Crafts.

Athena was a goddess of domestic crafts as well as warfare. She was a patron of the spinners and weavers of wool, and she was proud of her skill and jealous of rivals. There is a myth that tells how she punished a mortal woman named Arachne who boasted she could weave a better fabric than Athena. Athena challenged her to a contest, and when Arachne lost, Athena turned her into a spider and let her weave her webs to her heart's content. She was also a patron of carpenters and skilled workmen, and it was she who gave Greece the olive tree: not the wild olive but the domesticated olive which yields olive oil, one of the staples of the Greek diet.

The Virgin Guardian of Athens.

Athena was a virgin—in Greek, a parthenos—and in her city of Athens, her great temple which still overlooks the city is called the Parthenon, the Virgin's Temple. Athens was a city she loved, and she won it after a contest with Poseidon, who coveted it for himself. A mark can still be seen on the rock of the Acropolis, the Athenian citadel, which Poseidon supposedly made when he struck it with his trident and created a salt-water well as a gift to Athens. When Athena planted an olive tree beside the well as her gift, Poseidon challenged her to a fight, but Zeus intervened and set up a court to arbitrate the quarrel. By a majority of one, the court decided that Athena had given Athens the better gift, and Athens became her city. The Athenians continued to reverence the mark on their Acropolis that Poseidon made, however, and never built over it. Instead they left it open to the sky. When the temple known as the Erechtheion was erected and its north porch stretched out over the mark, they left a hole in the pavement of the porch so that the mark was left uncovered, and in the porch roof directly above it a small area was left unroofed. In fact, the mark was probably caused by lightning striking the earth.

Erechtheus and Athena.

Athena became the stepmother of the ancestral king of Athens, Erechtheus, who was one of the divinities worshipped in the Erechtheion. How Athena, a virgin goddess, became a stepmother was explained by an ancient myth. Hephaestus desired Athena and once tried to rape her. Athena easily fought him off, and all Hephaestus managed to do was to ejaculate semen on to her thigh. In disgust, Athena wiped it off with a piece of wool (Greek erion) and hurled it to the ground. When the semen fell on Mother Earth, she conceived and gave birth to Erechtheus. Athena pitied the infant and, taking him up, reared him in her temple. Homer refers to the story in his Iliad. Athens, he reports, was the realm of Erechtheus whom Athena settled in her temple, and there the Athenians worshipped him with sacrifices of bulls and goats.

Apollo, God of Pestilence.

Apollo, the "Far-Darter" was the master of the bow and arrow, and hence his epithet, the "Far-Darter," which means that the shafts from his bow travelled a great distance. Yet though he was an archer god, he was not a patron of hunters; his sister Artemis filled that role. Apollo's arrows were not for killing wild beasts; instead they brought disease. The first book of the Iliad presents a vivid picture of him striding down from Mt. Olympus to the Greek camp outside Troy, with the arrows in his quiver rattling as he walked. When he reached the Greek ships, he knelt on one knee, drew back his bowstring and aimed his shafts into the Greek camp. First the dogs and the beasts of burden died of the pestilence; then men perished, and the smoke rose from their funeral pyres day and night.

Holy Places.

Apollo's chief sanctuaries were at Delos and at Delphi. Delos is a small, waterless Greek island in the center of the archipelago in the Aegean Sea known as the Cyclades. Greek myth related that Delos alone dared offer a haven to Apollo's mother, Leto, who was driven from place to place by Hera's anger, and she gave birth to Apollo and his sister Artemis as she stood clutching a palm tree for support. Thus Delos became a holy island, sacred to both Apollo and Artemis. Delphi in central Greece, however, was the greatest center of Apollo's cult. Apollo's oracle there had a reputation for truth which was perhaps undeserved, for when questions were put to it, the replies were famous for their ambiguity. Yet it was thought that if one was clever enough to interpret the real meaning of an oracle, it would prove to be a truthful prophecy. It was no fault of Apollo if his responses were misunderstood. As time went on and the Greeks became more skeptical, belief in oracles faded, but Apollo's sanctuary at Delphi remained a sacred place, and it was filled with rich dedications made over the years by his worshippers.

The Pythian Games.

Delphi was also the site of the Pythian Games, which were held every four years, and were second only to the Olympian Games in prestige. They included music and poetry competitions as well as athletic contests, for Apollo was a patron of music and poetry as well as athletics. His favorite instrument was the lyre, a stringed instrument with a hollow shell or box to amplify the sound. First prize at the Pythian Games was a laurel wreath, and the laurel, for which the Greek word is daphne, had a close association with Apollo, which was explained by a myth. Daphne was the lovely young daughter of a river god, with whom Apollo fell in love. She fled from him, however, and just as he was about to catch her, she prayed for help and was turned into the tree that bears her name. Thus the laurel became a tree that Apollo particularly loved, for it was the maiden he desired and lost.

Apollo's Combat with the Dragon Pytho.

Apollo won Delphi for himself by fighting and killing the creature that occupied it before him. Before Apollo arrived, Delphi was a hallowed place belonging to a dragon known as Pytho. Apollo fought the dragon and slew it, leaving the carcass to rot (Greek python). Murder, however, was an evil deed that made the murderer unclean in the sight of gods and men. Spilling blood left Apollo polluted, and before he could return to the society of the gods, he had to be cleansed of the pollution. He was banished to northern Greece, to a valley near the foot of Mt. Olympus known as the Vale of Tempe, and there he had to undergo a ritual that purified him and allowed his return. To commemorate his combat with the dragon, there was a religious rite called the Strepteria that was held at Delphi every eight years. A youth was led to a hut called Pytho's palace, which was built near Apollo's temple. The hut was set on fire, and the youth departed, apparently for exile at Tempe, and then he made his return in a procession along a sacred pathway known as the Pythian Way. The youth impersonated Apollo, who was always shown in art as a well-proportioned, muscular young man wearing his hair unshorn, like a Greek youth who had not yet reached adulthood. As for the dragon Pytho, his sanctuary which Apollo made his own became the most important oracular shrine in Greece, and the title of the priestess who uttered the sacred oracles, the Pythia, recalled Pytho's name.

Artemis, Patroness of Wild Beasts.

Artemis, like her brother Apollo, was born on the island of Delos, and had a temple there which predated Apollo's. Artemis' temple was in the center of the sanctuary, whereas the Apollo temple was off to one side; the positioning of the temples has led students of religion to suspect that Artemis was an early, primitive deity on Delos whom Apollo joined only later, in spite of the myth which related that they were twins. Her cult seems to fit a primordial era, when people survived by killing the beasts of the forest, and were anxious not only that their hunts should be successful, but that the creatures they hunted should increase and multiply, and thus provide them with more prey. In Homer's Iliad, Artemis is called the "Mistress of the Animals," the overseer of wild beasts. She was a goddess of hunters and hunting who killed the animals and birds of the forests, mountainsides, and marshes—she was sometimes called "Artemis Limnatis" or "Artemis of the Marshes"—and at the same time, she was concerned for their welfare. The endless cycle whereby living creatures were born and killed, or killed in order to survive and reproduce, fell under her authority.

The Goddess of Girls Before Marriage.

Like Athena, Artemis was a virgin, but whereas Athena was asexual, Artemis' virginity was connected with the purity of young girls before they are married. Her followers were the nymphs, and the word "nymph" could refer equally to a divinity of a stream or spring, or a young girl approaching marriage. Everywhere in Greece it was the custom for girls of marriageable age to dance and sing in choruses at festivals in honor of Artemis, and this was one place where young men could become acquainted with unmarried girls. There was a darker side to Artemis, however. Girls who failed to remain pure for whatever reason encountered her wrath. The nymph Kallisto, whom Artemis loved, was raped by Zeus and bore him a son, Arcas. Artemis in her anger turned Kallisto into a bear, and her own son Arcas hunted her down and killed her. In addition to overseeing the purity of unmarried girls, Artemis also presided over the birthing pangs of women. She could be a ruthless midwife, unlike Eileithyia who looked after the actual delivery of the infant from the mother's womb. Eileithyia was a gentle nurse whereas Artemis' interest was the reproduction of the species, and she made decisions involving the life and death of pregnant mothers. In the Iliad, Hera rounds on Artemis at one point and exclaims angrily, "Zeus made you a lion against women, and lets you destroy women in their labor." It was Artemis who determined whether or not a woman would survive childbirth.

Aphrodite, Goddess of Sexual Desire.

Aphrodite, the goddess of love and beauty, was worshipped all over Greece, but her most famous temples were at Corinth in Greece and on the island of Cyprus, at Paphos and at Amathus. In Homer's Iliad, she was the daughter of Zeus and a deity named Dione, whose name means "the goddess Zeus," or "Mrs. Zeus," so to speak. At an ancient oracle of Zeus at Dodona in northwest Greece, Dione was still recognized as Zeus' wife in classical times, long after Hera had replaced her elsewhere in the Greek imagination. The Theogony of Hesiod relates another tale, however. It tells that when Cronus cut off the genitals of his father Heaven, he tossed them into the sea and where they fell, the water foamed and frothed, until Aphrodite arose from the foam (Greek aphros), stark naked. She then floated on a scallop shell to Cythera, a favorite island of hers, though later she was thought to prefer Paphos on Cyprus. She was a late arrival among the gods of Greece, and her origins were Eastern. Her counterparts in Mesopotamia were the goddess Innana in ancient Sumer, and in Babylon, Ishtar. The Canaanite goddess Astarte who was worshipped in ancient Syria was Aphrodite in a different guise. Like these Eastern goddesses, Aphrodite presided over sexual desire, and prostitution was practiced at her temples. At Corinth in Greece she had a famous temple that housed prostitutes. While most myths about the couplings of gods and humans invariably involve male gods raping women, Aphrodite was one of the few to reverse the pattern. Aphrodite in disguise seduced a handsome young Trojan named Anchises, and became pregnant with Aeneas, whom the Romans would regard as their founder.

The Myth of Aphrodite and Adonis.

Like her Eastern counterparts, Aphrodite was coupled in mythology with a handsome young lover, who died young and descended into the Underworld. The youthful lover in Aphrodite's case was Adonis, and the myth of Aphrodite and Adonis is an adaptation of the tale of Astarte and Tammuz that was popular in ancient Syria. Both Tammuz and Adonis were young men who were loved by goddesses, and they died in the flower of their youth. Adonis, the story goes, was killed by a boar while he was hunting, and descended to the realm of the Dead. When Aphrodite tried to retrieve him, she found that Persephone, the queen of the Underworld, admired his beauty too much to release him. Zeus settled the dispute by decreeing that Adonis should spend half the year with Aphrodite, and half with Persephone. Thus he was a fertility god, whose death and resurrection marked the changing seasons of the agricultural year. In the fall, when Adonis descended into the Underworld, the seed was put into the ground and died, and then when the spring sun brought warmth to the earth, it quickened to new life and produced the harvest for the coming year.

Hermes the Deceiver.

Hermes, the deceiver god, was the son of Zeus and Maia, the daughter of the Titan Atlas, and no sooner was he born than he showed his craftiness. On the first day of his life, he invented the lyre, stole cattle belonging to his brother Apollo, then lied when Apollo charged him with the theft, and it took the intervention of Zeus to reconcile the two. Hermes was not only a god of tricksters and thieves, but also the patron of merchants, for any purchaser of goods in Greece or Rome was wise to heed the caution, caveat emptor: "Let the buyer beware!"

The Divine Courier.

Hermes' chief function in the pantheon of Homeric gods was as the divine courier who carried the messages of Zeus, and he often appears in art dressed like a traveler, wearing a broad-brimmed hat and stout sandals sometimes equipped with wings, and in his hand he carries a herald's staff. This staff was a rod of olivewood twined with two serpents, and it symbolized the sanctity of a herald, for it was a sacrilege to kill a herald. Hermes was also the god who guided the ghosts of the dead to the Underworld, and when this was his mission, he bore a magic wand that is not to be confused with the herald's staff. With it he herded the insubstantial shades to the River Styx where Charon ferried them across. Thus one of his epithets was Psychopompos, marshal of the souls of the dead.

The God of Boundaries.

Hermes was also a god of boundaries. In fact, guarding boundaries may have been his earliest function, for the word herma means a heap of stones piled up to mark a boundary. The heap of stones developed into a square pillar, and about 520 b.c.e. these stone pillars were introduced into Athens to mark midway points between the Athenian agora, or marketplace, and the many villages of Attica. As time went on, they came into general usage to mark off neighborhoods. The herm was an oblong shaft about five feet high, with the image of a bearded head on top, projections at the shoulders like two-by-fours, and a phallus half-way down the shaft. Herms were sacred. Anyone who mutilated them committed a sacrilege, and could be tried for it in a court of law. Hermes had one son, Pan, the god of the woods who was half-man, half-goat. Both Hermes and Pan were connected with Arcadia, the wild mountainous area in the central Peloponnesos, and the identity of Pan's mother was lost in the mists of time, if it was ever known.

Demeter, Goddess of the Ripe Grain.

Demeter, the sister of Zeus, was the personification of the ripened grain that was reaped at harvest time. The ancient Greeks themselves interpreted her name to mean "Mother Earth," but though the last two syllables of her name, meter, do mean "mother," modern linguists point out that the first syllable cannot mean "earth." Yet her connection with the grain harvest is clear. Mythology assigned her a son, Plutos, whose name means wealth, and the wealth of Plutos was the grain stored in the granaries.

Demeter and Kore

Demeter was intimately connected with a goddess who was known simply as Kore, which is the Greek word for "girl," and the relationship between Demeter and "the girl" is so close that they were sometimes known simply as the "Two Goddesses." Kore did have a proper name, however. She was Persephone, daughter of Demeter and Zeus, and the wife of Hades, the king of the Underworld. According to the myth, Persephone was playing one day with other young girls of her age in a meadow near Enna in Sicily; when she stooped to pluck a flower, the earth opened and Hades arose in his chariot, seized her, and carried her off to his realm of darkness. Demeter heard her daughter's cry but did not see what had happened. She set out to look for her, traveling over land and sea, lighting her way with torches. When she reached Eleusis, which is nowadays a suburb of Athens, she paused to rest, and while she was sitting sadly outside the palace at Eleusis, the daughters of the king told her jokes and succeeded in making her laugh. To reward them, she founded the Eleusinian Mysteries at Eleusis that the Athenians celebrated every year. Still mourning the loss of her child, she would not allow the crops to grow until she found her daughter, and the whole race of men would have perished of hunger except that Zeus intervened. It was decided that Kore would spend half the year in the world of the Dead as queen of the Underworld, and half the year in the world above. While she was in the Underworld, the land lay barren, and when she returned to the land of the living, the crops grew and ripened. The death and rebirth of Kore, or Persephone, as she was known in her personification as queen of the Dead, marked the change of seasons from the barrenness of winter to the spring with its new growth.

The Cult's Origins.

It has been often noted that the death and rebirth of Kore does not quite fit the cycle of Greek agriculture, for Greek farmers planted their grain in the autumn; it sprouted and grew over the winter except for a brief period when the temperature fell to the freezing point, and the harvest ripened in late May or June. The barren season was therefore not winter but the hot, dry summer. The cult of Demeter and Kore seems to point to an early period of Greek prehistory, before the Greeks migrated into present-day Greece and were still living in a more northerly latitude. Central Europe has a cycle of seasons which fits the story of Kore better, for there the winter is the barren season, and the summer the time when the fields yield their harvests.

The God Dionysus: the Outsider.

Dionysus stands apart from the other Olympian gods. He seems to be an outsider, and at one time, scholars believed that he was a non-Greek god who was a relatively recent immigrant to Greece. Evidence from the Linear B clay tablets of Mycenaean Greece does contain the name of Dionysus, however. The tablets on which his name appears come from Pylos, overlooking the Bay of Navarino in southwest Greece, and from Khania in western Crete, and they date from 1250–1200 b.c.e. They give no inkling as to what Dionysiac worship was like in the Bronze Age, except that the one from Khania mentions offerings of honey to Zeus and to Dionysus. There is no mention of wine, with which Dionysus was particularly associated in the historical period.

The God of Intoxication and Ecstasy.

Dionysus was a god of wine and inebriation, but he had other associations which set him apart from other gods. His worship included ecstasy and ritual madness. That aspect of his cult in particular marked him as the opposite of Apollo, who appears as the god of self-control and self-knowledge. Apollo's favorite musical instrument was the lyre or kithara, a stringed instrument which was the ancestor of the guitar. The instrument of choice for Dionysus was the aulos, which was a reed instrument, the ancestor of the oboe, and it had a dominant, vibrant timbre much like modern bagpipes that appealed to deep-seated human emotions. The skirl (a shrill sound) of the aulos accompanied the chorus in theatrical productions, which were within the province of Dionysus, and the masks which were worn by actors on the stage became symbols of the Dionysiac cult. In art, they became a standard Dionysiac motif. Yet he was primarily a god of wine, which was supposed to have been his invention. When Dionysus is depicted on Greek vases, wine is his constant companion. He is often shown holding a grapevine in one hand, and a cup or some other vessel for wine in the other. Art historians have noticed that while Dionysus is often shown receiving wine, or pouring a libation of sacrificial wine, he is never shown actually drinking the wine. That may be only artistic convention, however, since intoxication had a central role in the worship of Dionysus.

The Frenzy of Dionysiac Worship.

Intoxication was a means to a state of rapture in which Dionysus' votaries, or worshipers, surrendered themselves utterly to his power and merged their identity with his. His most common cult name was Bakchos, which is a Lydian word—the Lydians were neighbors of the Greeks in Asia Minor—and when his worship penetrated Italy, he was commonly known by his cult name. His female devotees were called Bakchai (in Latin, bacchantes) or alternatively, maenads or thyiades. The Romans identified Dionysus, whom they called Bacchus, with an Italian god of fertility and wine called Liber (the Liberated/Liberating One), who had a festival every March called the Liberalia. In Greek art Dionysus is often surrounded by a swarm of devotees who dance with utter abandon. What made his cult unique among the Olympians was the mass ecstasy and the frenzied exaltation that accompanied it. No other god threw aside the restraints of civilized society with such abandon.

A PARODY OF A MYTH

introduction: The satirical essayist Lucian of Samosata, now the village of Samsat in Syria, belongs to the second century c.e., the period which Edward Gibbon, in his classic history, The Decline and Fall of the Roman Empire, calls the happiest period in the history of mankind. It was also a period when people took a great interest in new religions, and the old stories about the gods which were told by Homer and Hesiod were no longer taken seriously. Lucian was a failed lawyer who turned to the composition of satirical essays. In his new career, he won fame and, to a small degree, fortune as an author. Much of his writing makes fun of philosophy and religion, and in this excerpt he spoofs the myth of the god Dionysus' birth. According to the myth, Zeus saved his unborn son, Dionysus, from the flames that consumed the infant's mother Semele, and kept him sewn into his thigh until he was ready for birth. In this satirical dialogue, the god Poseidon drops by Zeus' palace for a visit and is told by Hermes the gatekeeper that Zeus cannot see him. In trying to discern the reason why Zeus will not see him, Poseidon first guesses that Zeus is in the middle of a sexual liaison, perhaps with his wife Hera, or a young man named Ganymede. Hermes informs him that he is wrong on both counts; Zeus is, in fact, not feeling well after giving birth to his own son.

Hermes: He mustn't be disturbed, I tell you. You've chosen a very awkward moment—you simply can't see him just now.

Poseidon: Why, is he in bed with Hera?

Hermes: No, it's something quite different.

Poseidon: Oh, I see what you mean. He's got Ganymede in there.

Hermes: No, it's not that either. The fact is, he's feeling rather unwell.

Poseidon: Why, Hermes, what a terrible thing! What's the matter with him?

Hermes: Well, I hardly like to tell you.

Poseidon: Oh, come on. I'm your uncle—you can tell me.

Hermes: All right then—he's just had a baby.

Poseidon: Had a baby? Him? Whoever by? Do you mean to say he's been a hermaphrodite all these years without our realizing? But there wasn't any sign of pregnancy—his stomach looked quite normal.

Hermes: You're quite right. That wasn't where he had it.

Poseidon: Oh, I see. He produced it like Athena, out of his head. It's a very prolific organ.

Hermes: No, he's been carrying this child of Semele's in his thigh.

Poseidon: What a splendid chap he is! He can produce babies from every part of his anatomy! But who, exactly, is Semele?

Hermes: A girl from Thebes, one of Cadmus' daughters. Zeus had an affair with her and got her in the family way.

Poseidon: What? And then had the baby instead of her?

source: Lucian, "Zeus Is Indisposed," in Satirical Sketches. Trans. Paul Turner (Harmondsworth, England: Penguin, 1961): 51–52.

Birth and Upbringing.

Dionysus' mother was Semele, daughter of the founder-king of Thebes, Cadmus. Zeus loved her, and then, when she was six months pregnant, he was tricked by Hera into destroying her. Resentful as ever at Zeus' philandering, Hera visited Semele disguised as an old woman and persuaded the naive young girl to ask her lover to show himself to her in his heavenly regalia. So Semele prevailed upon Zeus to take an oath by the River Styx to grant her whatever she requested, and when he assented, she asked to see him garbed as the king of the gods. Zeus tried to dissuade her, but even gods dared not break oaths sworn by the Styx, and since Semele insisted, Zeus appeared before her carrying his thunderbolt. The lightning consumed her with its flame, but Zeus snatched the premature infant from Semele's womb, and Dionysus completed his gestation sewn up in Zeus' thigh until he was ready to be born again, which explains Dionysus' epithet, "Twice-born." Then Hermes carried him off to a faraway place called Nysa where maenads attended to him until he grew to manhood. Later mythographers elaborated this period of Dionysus' youth, telling a story of how he wandered as far east as India, but eventually returned to Greece, accompanied by a retinue of maenads and satyrs.

Dionysiac Rites.

Dionysus' rites were called orgia: "orgies." The term could be used for any secret rites or mysteries, but its most usual meaning is the rite of Dionysus. In a Dionysiac orgia, women abandoned their homes and roamed over the mountainsides, dancing, swinging about torches and thyrsoi, which were light sticks of reed with large pine cones fixed on top and wreathed in fresh ivy. In their madness they might seize an animal or even a child, tear it apart, and eat it. How much of this is myth and how much is based on actuality is hard to say. One of Dionysus' epithets was omophagos, an adjective meaning "eating raw flesh," and in vase paintings Dionysus and his maenads are shown tearing apart animals with their bare hands and eating them raw. The last play written by the tragic poet Euripides, the Bacchae describes a characteristic Dionysiac experience in the words of a herdsman, who witnessed it. He and other herdsmen were pasturing their cattle on the mountain slopes and saw three groups of maenads, who had been dancing together, now sleeping quietly on the ground. On hearing the herd of cattle, they awoke, let down their hair, and wreathed their head with ivy and oak leaves. Then they began a wild dance and fell upon the cattle, tearing them limb from limb, and having had their fill of that, they swooped downhill on two villages which they plundered, snatching children from their houses. The villagers resisted, but the maenads hurled their thyrsoi at them and resistance was useless. They then returned to where they had started their wild rampage, their passion spent.

The Orgia in Greece.

The rites described in the Bacchae were based on reality, for every two years a number of Greek cities held orgia. Athens was an exception, but maenads from Athens went to Delphi to celebrate the orgies there. They took place in mid-winter when it was believed that Apollo left Delphi, and for three months the shrine belonged to Dionysus. Thebes, between Athens and Delphi, was the center of maenadism from which professional maenads were exported to other cities to organize the biennial orgies. Athens did not celebrate Dionysiac orgies, but she had five festivals that were dedicated chiefly to him. In two of these—the Lenaean festival in January and the City Dionysia in March—tragedies and comedies were presented. Another festival, the three-day long Anthesteria, was a time for merrymaking. The new wine was broached on the first day; the second was a day of competitive drinking, and on the third, the spirits of the dead were free to return above ground and wander among the living, for Dionysus was also connected to death and the afterlife. At the end of the day, the shades were dismissed with the ritual cry, "Get out, ghosts, the Anthesteria is over!"

Welcome and Resistance.

The spread of Dionysus' worship into Greece met resistance: Homer in the Iliad recalls that the herdsman Lycurgus drove the maenads pell-mell down the slope of Mt. Nysa with his ox goad, and as punishment, Zeus struck him blind. King Pentheus of Thebes, where Dionysus was born, tried to suppress his worship when Dionysus returned there, but could not prevent the Theban women from swarming off into the mountains and surrendering to mass ecstasy. There are various other myths of resistance to the coming of Dionysus as well, and this has led scholars to think that he was a late immigrant to Greece. Many ancient Greeks speculated that Dionysus came from Thrace in northern Greece, and it is true that Macedonian and Thracian women were particularly devoted to his orgia. The alternative view was that Dionysus came from Phrygia in Asia Minor. The two views are not necessarily incompatible, for the Thracians and the Phrygians were related. There was also the suspicion, even before Dionysus' name appeared on Linear B tablets, that he might have a Cretan origin. His wife was Ariadne, the daughter of King Minos, who fled from Crete with Theseus after she helped him escape the Minotaur, and then was abandoned by him on the island of Naxos, where Dionysus came and rescued her. It is generally thought that Ariadne was a Minoan goddess, and now that there is evidence that Dionysus was known on Bronze Age Crete, there may be some significance to the union of the two. By Ariadne Dionysus had a son, Oenopion, who is sometimes shown as his attendant, pouring wine for him.

The Romans Encounter Bacchus.

In 186 b.c.e. news came to the Roman senate that the rites of Dionysus, the Bacchanalia (so called after Dionysus' cult name), were being celebrated in Italy. It was reported that devotees of the rites met at night and took part in a ritual that included not only hard drinking but all kinds of sexual depravity. It was the social and political aspect of the Bacchanalia that disturbed the senate. They appeared to be a breeding ground for conspiracy. The senate issued a decree offering a reward for the arrest of any member of the Bacchus cult or even for the denunciation of anyone. It was reported that over 7,000 men and women were involved. Similar decrees went out to the Italian towns ordering the suppression of the cult. Bacchic sanctuaries were destroyed, and Bacchic ceremonies were outlawed in Rome and Italy. The Roman authorities were generally tolerant of foreign religions, but this is an instance of how fiercely they could react if they discerned a threat to the social order.

Hephaestus, the Blacksmith God.

Hephaestus, the god of metal workers and craftsmen, was the son of Hera, but two stories provide two versions regarding the identity of his father. According to one, he was Zeus. According to the other, Hera, who was enraged at Zeus' infidelities, gave birth to Hephaestus by herself, without being inseminated by a male. He had a non-Greek name, and his favorite island was Lemnos; both facts arouse scholarly curiosity, for on Lemnos there was a non-Greek people living as late as the sixth century b.c.e. He was deformed, with an immensely powerful torso and arms, and crippled legs, and it has been often pointed out that in early communities a lame man would turn to a specialized trade such as metal working, for his deformity barred him from the occupations of physically fit men, such as farming and fighting as a warrior. Hera wasted no motherly love on him, and a myth told how he took his revenge: he made her a splendid throne, which trapped her when she sat on it and held her until Dionysus reconciled him with his mother. A story that accounted for his deformity described how Zeus threw him out of Olympus when he tried to stop Zeus from beating his mother. He landed on the island of Lemnos and would have died, except that the Sintians who inhabited the island nursed him back to life. Another story related that Hera was so disgusted at his appearance that she threw him out of Olympus. Homer in the Iliad treats Hephaestus almost as a comic figure with his crippled legs and heavily-muscled torso, a powerful man hobbling about like a child learning to walk. The Greeks admired the well-proportioned masculine figure of the athlete or the warrior, and the ungainly physique assigned to Hephaestus by their mythology shows how little the Greeks esteemed their craftsmen. He did have a temple in Athens which he shared with Athena, and it still stands largely intact in the old blacksmiths' quarter overlooking the marketplace of the ancient city. It was built in the middle of the fifth century b.c.e., and it is the best preserved of all the ancient temples in Greece. Athena, like Hephaestus, was a patron of craftsmen. Except in Athens, there is little evidence for his worship. Yet the products of his smithy were universally admired as marvelous examples of the metal worker's craft. His inventions even included robots. He was also famously ugly, and there was more than a touch of mockery to the fact that his wife was Aphrodite. The goddess of love and beauty was paired with the only ugly Olympian.

Ares, the Hateful God of War.

Ares, the son of Hera and Zeus, was the personification of battle. He was conceived as a warrior in full armor, and his attendants who harnessed his horses to his war chariot were named Phobos and Deimos, meaning "Fear" and "Terror." He represented war as a destructive force that spreads fire and rapine. He was an unpopular god; in Homer's Iliad, Zeus calls him the most hated of all the Olympians, and, for all his love of battle, he was not a markedly successful warrior. For instance, in the Trojan War where Ares championed the Trojans and Athena the Greeks, the two divinities once met in battle. Ares threw his spear at Athena who parried it, and then Athena hurled a stone at Ares and laid him low. That was a typical example of the prowess of Ares. He represented everything that was odious in war, but the glory of victory did not belong to him. Victory, for which the Greek word was niké was reserved for Athena. On the south-west bastion of the Athenian Acropolis there still stands a small, exquisite temple dedicated to Athena Niké: Athena who brings victory. Ares did have one admirer; Aphrodite much preferred him to her crippled husband, Hephaestus.

The Goddess of the Hearth.

Hestia, who is found in early lists of the Twelve Olympians instead of Dionysus, was the goddess of the hearth. Every private house had a hearth, and so did the prytaneion, or town hall, of every city-state. The hearth was a sacred place, and any suppliant who sat there could claim the protection of his host. If the host rejected the suppliant on his hearth, he would offend Hestia's brother, Zeus. The sacred fire of Hestia continually burned in the prytaneion of every city, representing the vital essence of the community. Whenever a band of colonists set out to found a new city, they took with them a firebrand from Hestia's altar in their mother city, and with its flame, lit the fire of Hestia in the newly founded colony. She had no love affairs. She remained a virgin, and she was the mildest and most loved of all the Olympians.

Constituents of Panhellenism.

The Olympian deities owed their preeminence to the Greek poets, and it was reinforced by the great panhellenic festivals, such as the Olympian Games which were open to all Greeks but not to foreigners. The Greeks had no political unity, but the worship of the Olympians gave them a common denominator. The Greek city-states fought innumerable wars; yet when the Olympic Games were held in honor of Zeus, there was a truce that all Greeks observed. Wars ceased until the Games were finished. Apollo's oracle at Delphi served a similar function, particularly after 590 b.c.e., when Delphi became a small independent state with the care of Apollo's cult its sole reason for existence. The oracle received visitors from all over the Greek world and answered their queries with cryptic utterances believed to be inspired by Apollo. Foreigners could consult Delphi as well, but it was as a holy place for all Greece that Delphi rose to preeminence.

sources

E. R. Dodds, The Greeks and the Irrational (Berkeley: University of California Press, 1971).

W. K. C. Guthrie, The Greeks and Their Gods (London, England: Methuen, 1950).

Albert Henrichs, "Dionysus," in The Oxford Classical Dictionary. 3rd ed. Ed. Simon Hornblower and Antony Spawforth (Oxford, England: Oxford University Press, 1999): 479–482.

Karl Kerényi, Zeus and Hera; Archetypal Image of Father, Husband and Wife. Trans. Christopher Holme (Princeton, N.J.: Princeton University Press, 1975).

Harold Newman and Jon O. Newman, A Genealogical Chart of Greek Mythology (Chapel Hill: University of North Carolina Press, 2003).

Walter F. Otto, Dionysus, Myth and Cult. Trans. Robert B. Palmer (Bloomington: Indiana University Press, 1965).

Jon Solomon, ed., Apollo, Origins and Influence (Tucson: University of Arizona Press, 1994).

Edward Tripp, Collins Dictionary of Classical Mythology (Glasgow: Harper Collins, 2002).