Bella, Regina 1963—
Regina Bella 1963—
Singer Regina Belle has dazzled critics and fans alike since her debut album, All By Myself, was released in 1987. Acclaimed as one of the most exciting new singers to emerge on the rhythm and blues scene, the New Jersey songstress boasts a style that recalls some of the most successful black pop female singers in the industry, yet is nonetheless distinctive. Jim Miller in Netustueek heralded Belle’s entry onto the music scene in 1987: “Move over, Anita Baker—and make way for Regina Belle, who may be the most electrifying new soul singer since Baker herself…. Imagine a singer who simultaneously recalls Aretha Franklin, Sade and Anita Baker, and you’ll get a fair idea of Belle’s singular style.”
Belle’s wide vocal range has particularly impressed reviewers. “She has a strong, expressive voice and she’s versatile, dealing well with sultry ballads (’Baby Come to Me’) or sassy jump-ups (’When Will You Be Mine’),” wrote David Hiltbrand in People of Stay With Me, Belle’s follow-up to All By Myself. Steve Bloom commented in Rolling Stone that Belle’s “full-throated, pop-gospel vocal style brings to mind Anita Baker, Parti LaBelle, and Stephanie Mills.” A number of critics have similarly compared Belle’s vocals to those of soul-jazz phenomenon Baker. Hiltbrand noted that, like Baker, Belle “displays a voice of tantalizing quality…. She can sound both promisingly intimate and world-weary without sacrificing vibrancy.”
Belle has remarked, however, that comparisons to Baker are off-target. She told Bloom: “Because Anita Baker is prominent right now, Regina Belle sounds like Anita Baker…. I’ve been singing since I was three years old. By the time [Baker’s 1986 album] Rapture came out, my style was already developed. People say I got certain inflections from Anita, but I got them from Phyllis Hyman. That was my girl.” In addition to Hyman, Belle lists other musical influences as Billie Holiday, Donny Hathaway, and Nancy Wilson; she refers to the latter as her “show business mother.” Belle met famous song stylist Wilson at a music convention in Los Angeles. “When I met her she told me that Billie Holiday did it for Dinah [Washington], Dinah did it for her and she has to do it for me,” Belle was quoted as saying in Jet.
Belle’s musical roots are in gospel, which she grew up singing in church with her family. She told an Ebony
Born in 1963; native of Englewood, NJ; daughter of Eugene and Lois Belle; formerly married to Horace A. Young III; children: Tiy Chreigna (daughter). Education: Attended Rutgers State University.
Singer and recording artist, 1987—.
Awards: Nomination for best rhythm and blues female singer, American Music Awards, 1991.
Addresses: Record company — Columbia Records, 51 West 52nd St., New York, NY 10019.
contributor that she was raised in a house where music was *’something… involuntary.” Her mother’s specialty was gospel, and she learned rhythm and blues from her father. “The music was the same, just the message was different,” she told Bloom. Belle sang during high school and on weekends attended classes at New York City’s Manhattan School of Music, where she studied opera and classical music. Belle did not study jazz until college, when she enrolled in the Jazz Ensemble at Rutgers University. Belle told Bloom that with jazz she learned “to listen for colors, as opposed to trying to sing just notes. For the longest time, I couldn’t figure out what that meant.”
Not sure that music would be her career, Belle majored in accounting and history at Rutgers. Her big break as a singer came when disc jockey Vaughn Harper heard her open a concert on the Rutgers campus. Impressed, Harper introduced Belle to the manager of the singing group The Manhattans, who were looking for a female backup singer. Shortly thereafter Belle was touring with the group; a recording contract from the group’s label, Columbia, soon followed.
Belle’s 1987 debut, All By Myself, was an instant success; Stay With Me, her 1989 effort, established Belle as a major singer on the rhythm and blues scene. Both albums generated a string of solo hits, including “Show Me the Way,” “Make It Like It Was,” and “When Will You Be Mine.” Belle has been primarily popular on the black charts, something she would like to see eventually change. “It’s insulting to me when somebody says, You’ re Number One on the black charts. ’ It suggests that nobody appreciates my music but black people,” she told Bloom. “I’d love to have a Number One pop single, but I’m not at the point where I have to. It doesn’t plague me.”
In addition to receiving acclaim as a recording artist, Belle is also considered an outstanding live performer who is not afraid to take chances musically. “Her gifted voice and stage presence make her a tough ’opening’ act,” noted Ebony. “She is said to hold her own on any given night, and on others make the ’headlined acts sweat for their star-status.” Peter Watrous of the New York Times reviewed a show-stealing opener by Belle in 1989, noting that “Ms. Belle, who has an extraordinary voice, dug deep into gospel and blues melodies, letting the grit of her voice show, often tearing apart the original impulse of a song.” The following year Watrous reviewed Belle as a headliner at New York’s Avery Fisher Hall, commenting that “though she’s not working as a jazz singer, she is an exceptional improviser.” Belle’s shows, Watrous continued, are “expansive and improvisatory, old-fashioned qualities that make her one of the most exciting pop singers working.”
All By Myself, Columbia, 1987.
Stay With Me, Columbia, 1989.
Ebony, June 1990.
Essence, May 1990.
Jet, May 14, 1990.
Newsweek, June 22, 1987.
New York Times, September 16, 1989; June 30, 1990.
People, June 22, 1987; October 2, 1989.
Rolling Stone, April 5, 1990.
—Michael E. Mueller
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