Baker, Barbara 1952-

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BAKER, Barbara 1952-

PERSONAL: Born September 9, 1952, in London, England; daughter of Eric (a lawyer and accountant) and Shiela (an artist; maiden name, Myer) Conrad; married Robin Baker (a banker), October 8, 1994.Education: University College of Wales, Aberystwyth, honors degree. Hobbies and other interests: Photography, gardening, theater, cinema, antiques, travel.


ADDRESSES: Home—8 Lower Mall, London W6 9DJ, England. E-mail—[email protected].


CAREER: River Wye Booksellers, owner of antiquarian bookshop, 1977-79; stage manager for various theaters and opera houses in England, 1979-83; Central Casting Ltd., London, England, casting agent, 1983-92; Waterstones Bookshop, London, bookseller, 1993-94; Oxford University Press, Hong Kong, editor, 1995-98; Hong Kong Philharmonic Orchestra, Hong Kong, editor, 1998-2000; self-employed writer and publisher, London, 2000—.


MEMBER: British Society of Authors.


WRITINGS:

Shanghai: Electric and Lurid City, Oxford University Press (New York, NY), 1998.

(With Madeleine Slavick) Round: Poems and Photographs of Asia, Asia 2000 (Hong Kong), 1998.

Chinese Ink, Western Pen: Stories of China, Oxford University Press (New York, NY), 2000.

Let the Credits Roll: Interviews with Film Crew, McFarland and Co. (Jefferson, NC), 2003, new edition, Aston House Press, 2005.

Why We Garden: Stories of a British Obsession, Aston House Press, 2004.


Work represented in anthologies. Contributor of poetry to magazines, including Country Life and Critical Quarterly.


WORK IN PROGRESS: A book of interviews with writers of different genres about their methods.


SIDELIGHTS: Barbara Baker told CA: "I started writing poetry at school. Although printed in school journals, when I left, I was desperate to be published in a commercial magazine. I wrote to Craig Raine, whom I admired, enclosing some work and asking if he felt it was worthwhile continuing. He wrote a charming, encouraging reply and so I persevered, and when I got a poem published in Country Life in 1983 I was totally thrilled. But, strangely, I felt I had achieved my aim and did not have to write anymore!

"It was only several years later, when I took a course in creative writing at the City Lit in London, that my urge to write was rekindled and I got some more poems published in magazines. My themes were varied, but what I enjoyed was trying to express something familiar in a new way. When I moved to Hong Kong I started my own writing group, which was very helpful in honing my critical abilities. I was never prolific, but I got immense satisfaction whenever I felt I had achieved a well-crafted poem. I decided to write a book of poems and photos with a friend, The book won an award at the Bumbershoot Festival Book Fair in Seattle, and I gave readings, was on the Cable News Network, and was included in anthologies. As time went on, however, I became dissatisfied with my poetry.

"I had been working as an editor for Oxford University Press, and they commissioned me to compile an anthology about Shanghai. I enjoyed the research and writing the introductions to the passages I chose and went on to select and edit a second book. This time I decided the subject: western fiction set in China. Next, I got a job as editor with the Hong Kong Philharmonic and discovered that I liked interviewing artists for the Philharmonic's magazine. It was this that led to my current work. I now find prose in many respects easier than poetry and can write it daily. I can still combine it with photography, which I enjoy; meet interesting people; and choose subjects which intrigue and which are part of my life. Being somewhat disillusioned with publishers, I have now set up my own publishing company, Aston House Press.

"Writing books of interviews is becoming a personal genre. Because I had once worked casting film extras, I knew that there was a hoard of fascinating people working in the film industry, and I wrote a book of interviews with film crew. By then I had moved to London and had my own garden for the first time. I became completely obsessed with gardening and presumed there were other like-minded people—another subject for a book."


BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Classic Images, January, 2004, review of Let the Credits Roll: Interviews with Film Crew, p. 30.

Film and History, Vol. 34, n. 2, Tom Stemple, review of Let the Credits Roll, p. 95.

Film Review, March, 2004, review of Let the CreditsRoll.

Oxford Times, November 19, 2004, Dilly Halpin, review of Why We Garden: Stories of a British Obsession, p. 22.

Sunday Times (London, England), November 11, 2004, Caroline Donald, review of Why We Garden, p. 44.

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