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1. Hollow vessel, unlidded, of decorative character and various forms, with or without handles.

2. Representation of this for architectural ornament, often in gardens, in niches, on pedestals, etc., but distinct from an urn, commonly found in Neo-Classical designs. Vases were promoted as architectural ornaments by Enea Vico (1523–67) in a series of publications, collected in 1543, Matthias Darly (fl. 1741–80) in The Ornamental Architect (1770), d'Hancarville ( P. F. Hugues (1729–1805)) in Antiquités Étrusques, Grecques, et Romaines (1766–7), Piranesi in Vasi, Candelabri, Cippi, Sarcofagi (1778), Johann Heinrich Wilhelm Tischbein (1751–1829) in Collection of Engravings from Ancient Vases (1791–3), and many other authors.

3. Bell or core of the Corinthian capital.


Jervis (1984);
Lewis & and Darley (1986)

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vase, vessel of pottery, glass, metal, stone, wood, or synthetic material. The pottery vase was anciently employed as a container for water (a hydria), wine and other products (an amphora), or oil (a lekythus), or for mixing and serving wine and water (a crater). It had one or two handles, sometimes a lip or spout, and frequently a base or foot; sometimes it was pointed to thrust into the ground or was set into a frame holder for support. Large covered vases were used for general storage purposes. The cinerary (cremation) vase, or urn, has been common throughout historical times, a famous one being the Portland vase. Modern vases are widely used for flowers. Beautiful in form and embellished with incised patterns, modeled or painted figures or scenes, and sometimes inscriptions, the vase became a work of art in early times. Greek painted vases are in form and color among the most exquisite examples of ancient art. Vases or their fragments discovered in burial chambers and through excavations in various countries serve as records of the manners, customs, and history of their peoples. Buddhist and Christian altar objects include the vase, usually of silver or gold with chased or modeled designs of exquisite workmanship. Bronze and brass are much employed for vases in Asia, as well as porcelain, carved jade, and crystal in China and enamelware in the Satsuma and Kutani vases of Japan. The vase of cloisonné is also much in evidence in East Asia. The Persian pottery type is famous for its blue-green color, French Sèvres for miniature medallions, English Wedgwood for cameo reliefs, and American Rookwood for rich tones and underglaze painting.

See J. H. Oakley, The Greek Vase (2013).

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vase / vās; vāz; väz/ • n. a decorative container, typically made of glass or china and used as an ornament or for displaying cut flowers. DERIVATIVES: vase·ful / -ˌfoŏl/ n. (pl. -fuls) .

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vaseaides-mémoires, Lamaze, Lars, Mars, parse, Paz, Stars and Bars, vase, vichyssoise

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vase ornamental vessel of circular section. XVII. — F. — L. vās, vāsum vessel, utensil. A comb. form vaso- is used in physiol. and path. terms relating to vascular parts XIX.