William Cullen Bryant

William Cullen Bryant brī´ent , 1794-1878, American poet and newspaper editor, b. Cummington, Mass. The son of a learned and highly respected physician, Bryant was exposed to English poetry in his father's vast library. As a boy he became devoted to the New England countryside and was a keen observer of nature. In his early poems such as "Thanatopsis," "To a Waterfowl," "Inscription for the Entrance to a Wood," and "The Yellow Violet," all written before he was 21, he celebrated the majesty of nature in a style that was influenced by the English romantics but also reflected a personal simplicity and dignity. Admitted to the bar in 1815 after a year at Williams and private study, Bryant practiced law in Great Barrington, Mass., until 1825, when he went to New York City. By that time he was already known as a poet and critic. He became associate editor of the New York Evening Post in 1826, and from 1829 to his death he was part owner and editor in chief. An industrious and forthright editor of a highly literate paper, he was a defender of human rights and an advocate of free trade, abolition of slavery, and other reforms. He also holds an important place in literature as the earliest American theorist of poetry. In his Lectures on Poetry (delivered 1825; published 1884) and other critical essays he stressed the values of simplicity, original imagination, and morality. During his later career Bryant traveled widely, made many public speeches, and continued to write a few poems (e.g., "The Death of the Flowers," "To the Fringed Gentian," and "The Battle-Field" ). His blank verse translation of the Iliad appeared in 1870, that of the Odyssey in 1872.

Bibliography: See biographies by P. Godwin (2 vol., 1883; repr. 1967), J. Bigelow (1890, repr. 1970), H. H. Peckham (1950, repr. 1971), and C. H. Brown (1971).

Bryant, William Cullen (1794–1878) US poet and editor. His debut volume, Poems (1821), contained some of his most famous verse, including “Thanatopsis” and “To a Waterfowl”. In 1826 he joined the New York Evening Post, soon rising to editor (1829) and part-owner. Under his editorship, the Post emerged as a powerful liberal voice. Later volumes include The Fountain (1842) and Thirty Poems (1864).