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Washington Irving

Washington Irving

Considered the first professional man of letters in the United States, Washington Irving (1783-1859) was influential in the development of the short story form and helped to gain international respect for fledgling American literature.

Following the tradition of the eighteenth-century essay exemplified by the elegant, lightly humorous prose of Joseph Addison and Oliver Goldsmith, Irving created endearing and often satiric short stories and sketches. In his most-acclaimed work, The Sketch Book of Geoffrey Crayon, Gent. (1819-20), he wove elements of myth and folklore into narratives, such as "Rip Van Winkle" and "The Legend of Sleepy Hollow, " that achieved almost immediate classic status. Although Irving was also renowned in his lifetime for his extensive work in history and biography, it was through his short stories that he most strongly influenced American writing in subsequent generations and introduced a number of now-familiar images and archetypes into the body of the national literature.

Irving was born and raised in New York City, the youngest of eleven children of a prosperous merchant family. A dreamy and ineffectual student, he apprenticed himself in a law office rather than follow his elder brothers to nearby Columbia College. In his free time, he read avidly and wandered when he could in the misty, rolling Hudson River Valley, an area steeped in local folklore and legend that would serve as an inspiration for his later writings.

As a nineteen-year-old, Irving began contributing satirical letters under the pseudonym Jonathan Oldstyle to a newspaper owned by his brother Peter. His first book, Salmagundi; or, The Whim-Whams and Opinions of Launcelot Langstaff, Esq., and Others (1807-08), was a collaboration with another brother, William, and their friend James Kirke Paulding. This highly popular collection of short pieces poked fun at the political, social, and cultural life of the city. Irving enjoyed a second success in 1809 with A History of New York, from the Beginning of the World to the End of the Dutch Dynasty, a comical, deliberately inaccurate account of New York's Dutch colonization narrated by the fictitious Diedrich Knickerbocker, a fusty, colorful Dutch-American. His carefree social life and literary successes were shadowed at this time, however, by the death of his fiancee, Matilda Hoffmann, and for the next several years he floundered, wavering between a legal, mercantile, and editorial career. In 1815 he moved to England to work in the failing Liverpool branch of the family import-export business. Within three years the company was bankrupt, and, finding himself at age thirty-five without means of support, Irving decided that he would earn his living by writing. He began recording the impressions, thoughts, and descriptions which, polished and repolished in his meticulous manner, became the pieces that make up The Sketch Book. The volume was brought out under the pseudonym of Geoffrey Crayon, who was purportedly a good-natured American roaming Britain on his first trip abroad.

The Sketch Book comprises some thirty parts: about half English sketches, four general travel reminiscences, six literary essays, two descriptions of the American Indian, three essentially unclassifiable pieces, and three short stories: "Rip Van Winkle," "The Legend of Sleepy Hollow,"and "The Spectre Bridegroom." Although only the last-named tale is set in Germany, all three stories draw upon the legends of that country. The book was published almost concurrently in the United States and England in order to escape the piracy to which literary works were vulnerable before international copyright laws, a shrewd move that many subsequent authors copied. The miscellaneous nature of The Sketch Book was an innovation that appealed to a broad range of readers; the work received a great deal of attention and sold briskly, and Irving found himself America's first international literary celebrity. In addition, the book's considerable profits allowed Irving to devote himself full-time to writing.

Remaining abroad for more than a decade after the appearance of The Sketch Book, Irving wrote steadily, capitalizing on his international success with two subsequent collections of tales and sketches that also appeared under the name Geoffrey Crayon. Bracebridge Hall; or, the Humorists: A Medley (1822) centers loosely around a fictitious English clan that Irving had introduced in several of the Sketch Book pieces. Bracebridge Hall further describes their manners, customs, and habits, and interjects several unrelated short stories, including "The Student from Salamanca" and "The Stout Gentleman." Tales of a Traveller (1824) consists entirely of short stories arranged in four categories: European stories, tales of London literary life, accounts of Italian bandits, and narrations by Irving's alter-ego, Diedrich Knickerbocker. The most enduring of these, according to many critics, are "The German Student," which some consider a significant early example of supernatural fiction, and "The Devil and Tom Walker," a Yankee tale that like "Rip Van Winkle" draws upon myth and legend for characters and incident. After 1824 Irving increasingly turned his attention from fiction and descriptive writing toward history and biography. He lived for several years in Spain, serving as a diplomatic attache to the American legation while writing a life of Christopher Columbus and a history of Granada. During this period he also began gathering material for The Alhambra (1832), a vibrantly romantic collection of sketches and tales centered around the Moorish palace in Granada.

Irving served as secretary to the American embassy in London from 1829 until 1832, when he returned to the United States. After receiving warm accolades from the literary and academic communities, he set out on a tour of the rugged western part of the country, which took him as far as Oklahoma. The expedition resulted in three books about the region, notably A Tour on the Prairies (1835), which provided easterners with their first description of life out west by a well-known author. Irving eventually settled near Tarrytown, New York, at a small estate on the Hudson River, which he named Sunnyside. Apart from four years in Madrid and Barcelona, which he spent as President John Tyler's minister to Spain, Irving lived there the rest of his life. Among the notable works of his later years is an extensive biography of George Washington, which Irving worked on determinedly, despite ill health, from the early 1850s until a few months before his death in 1859.

The Sketch Book prompted the first widespread critical response to Irving's writings. Reviewers in the United States were generally delighted with the work of their native son, and even English critics, normally hostile in that era to American authors, accorded the book generally favorable— if somewhat condescending—notice. Among the pieces singled out for praise in the early reviews were most frequently the three short stories, particularly "Rip Van Winkle." Critics found Irving's style pleasingly elegant, fine, and humorous, although some, including Richard Henry Dana, perceived a lack of intellectual content beneath the decorative surface. Dana also observed that in adopting the authorial persona of Geoffrey Crayon—with his prose style modeled after the eighteenth-century essayists—Irving lost the robustness, high color, and comic vigor of his previous incarnations as Jonathan Oldstyle, Launcelot Langstaff, and Diedrich Knickerbocker, an observation that was echoed by later critics. Subsequent "Crayon" works, such as Bracebridge Hall, Tales of a Traveller, and The Alhambra, while generally valued for their prose style, tended to prompt such complaints as that by the Irish author Maria Edgeworth that "the workmanship surpasses the work."

Beginning in the 1950s, however, critics began to explore technical and thematic innovations in Irving's short stories. These include the integration of folklore, myth, and fable into narrative fiction; setting and landscape as a reflection of theme and mood; the expression of the supernatural and use of Gothic elements in some stories; and the tension between imagination and creativity versus materialism and productivity in nineteenth-century America. Many critics read Rip's twenty-year sleep as a rejection of the capitalistic values of his society—ferociously personified by the shrewish Dame Van Winkle—and an embracing of the world of the imagination. Ichabod Crane, too, has been viewed by such critics as Robert Bone as representing the outcast artist-intellectual in American society, although he has been considered, conversely, as a caricature of the acquisitive, scheming Yankee Puritan, a type that Irving lampooned regularly in his early satirical writings.

Today, many critics concur with Fred Lewis Pattee's assertion that the "American short story began in 1819 with Washington Irving." Commentators agree, moreover, that in "Rip Van Winkle" and "The Legend of Sleepy Hollow," Irving established an artistic standard and model for subsequent generations of American short story writers. As George Snell wrote: "It is quite possible to say that Irving unconsciously shaped a principal current in American fiction, whatever may be the relative unimportance of his own work." In their continuing attention to the best of Irving's short fiction, critics affirm that while much of Irving's significance belongs properly to literary history, such stories as "Rip Van Winkle" and "The Legend of Sleepy Hollow" belong to literary art.

Further Reading

Bleiler, E. F., editor, Supernatural Fiction Writers: Fantasy and Horror 2: A. E. Coppard to Roger Zelazny, Scribners, 1985, pp. 685-91.

Bowden, Mary Weatherspoon, Washington Irving, Twayne, 1981.

Concise Dictionary of American Literary Biography: Colonization to the American Renaissance, 1640-1865, Gale, 1988.

Dictionary of Literary Biography, Gale, Volume 3: Antebellum Writers in New York and the South, 1979, Volume 11: American Humorists, 1800-1950, 1982, Volume 30: American Historians, 1607-1865, 1984, Volume 59: American Literary Critics and Scholars, 1800-1850, 1987, Volume 73: American Magazine Journalists 1741-1850, 1988, Volume 74: American Short-Story Writers before 1880, 1988.

Harbert, Earl N., and Robert A. Rees, editor, Fifteen American Authors before 1900: Bibliographic Essays on Research and Criticism, University of Wisconsin Press, 1984.

Hedges, William L., Washington Irving: An American Study, 1802-1832, Johns Hopkins Press, 1965.

Leary, Lewis, Washington Irving, University of Minnesota Press, 1963. □

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Irving, Washington

Washington Irving

Born: April 3, 1783
New York, New York
Died: November 28, 1859
Irvington, New York

American author

Considered the first professional distinguished writer in the United States with short stories like "Rip Van Winkle" and "The Legend of Sleepy Hollow," Washington Irving was influential in the development of the short story form and helped to gain international respect for American literature.

Childhood

Washington Irving was born and raised in New York City, the youngest of eleven children of a prosperous merchant family. Named after President George Washington (17321799), Irving was fascinated by the upper class of New York City and would often sneak out of family prayer meetings to attend the local theatre.

A dreamy and uninspired student, Irving apprenticed (worked to gain experience in a trade) himself in a law office rather than follow his elder brothers to nearby Columbia College. In his free time, he read avidly and wandered when he could around the misty, rolling Hudson River Valley. This area just north of New York City was steeped in local folklore and legend and served as an inspiration for his later writings.

Begins writing career

As a nineteen-year-old, Irving began contributing letters under the pseudonym (assumed name) Jonathan Oldstyle to a news-paper owned by his brother Peter. His first book, Salmagundi (180708), was a collaboration with another brother, William, and their friend James Kirke Paulding. This highly popular collection of short pieces poked fun at the political, social, and cultural life of the city.

Irving enjoyed a second success in 1809 with A History of New York, from the Beginning of the World to the End of the Dutch Dynasty, a comical and purposefully inaccurate account of New York's Dutch colonization (settlement by a foreign nation) narrated by another pseudonym Diedrich Knickerbocker, a Dutch American.

Irving's carefree social life and literary successes were shadowed at this time, however, by the death of his fiancée, Matilda Hoffmann. For the next several years he floundered, wavering between a legal and writing career.

Life in England

In 1815 Irving moved to England to work in the failing Liverpool branch of the family import-export business. Within three years the company was bankrupt, and, finding himself at age thirty-five without means of support, Irving decided that he would earn his living by writing. He began recording the impressions, thoughts, and descriptions, which he reworked several times. These became the pieces that make up The Sketch Book. The volume was introduced under the pseudonym of Geoffrey Crayon.

The Sketch Book comprises some thirty parts: about half English sketches, four general travel pieces, six literary essays, two descriptions of the American Indian, three essentially unclassifiable pieces, and three short stories: "Rip Van Winkle," "The Legend of Sleepy Hollow," and "The Spectre Bridegroom." The varied material in The Sketch Book appealed to a broad range of readers; the work received a great deal of attention and sold quickly. Irving found himself America's first international literary celebrity. In addition, the book's considerable profits allowed Irving to devote himself full time to writing.

Remaining in Europe for more than a decade after the appearance of The Sketch Book, Irving wrote steadily, and soon published Bracebridge Hall; or, the Humorists: A Medley (1822), which centers loosely around a fictitious English clan that Irving had introduced in The Sketch Book.

After 1824 Irving increasingly turned his attention from fiction and descriptive writing toward history and biography. He lived for several years in Spain, serving as a diplomatic attaché (a person who works for their government in a foreign country) to the American embassy in Spain while writing a life of Christopher Columbus (14511506) and a history of Granada, Spain. Irving served as secretary to the American embassy in London from 1829 until 1832, when he returned to the United States.

An American celebrity

After receiving warm praise from the literary and academic communities, Irving set out on a tour of the rugged western part of the country, which took him as far as Oklahoma. The expedition resulted in three books about the region, notably A Tour on the Prairies (1835), which provided easterners with their first description of life out west by a well-known author. Irving eventually settled near Tarrytown, New York, at a small estate on the Hudson River, which he named Sunnyside.

Among the notable works of Irving's later years is an extensive biography of George Washington (17321799), which he worked on determinedly, despite ill health, from the early 1850s until a few months before his death in 1859. As America's first literary star with stories like "Rip Van Winkle" and "The Legend of Sleepy Hollow," Irving established an artistic standard and model for later generations of American short story writers.

For More Information

Bowden, Mary Weatherspoon. Washington Irving. New York: Twayne, 1981.

Curtis, George William. Washington Irving: A Sketch. New York: The Grolier Club, 1891. Reprint, Philadelphia: R. West, 1978.

Irving, Pierre M. The Life and Letters of Washington Irving. New York: Putnam, 186264. Reprint, New York: AMS Press, 1973.

Leary, Lewis. Washington Irving. Minneapolis: University of Minnesota Press, 1963.

Williams, Stanley T. The Life of Washington Irving. New York: Oxford University Press, 1935. Reprint, New York: Octagon Books, 1971.

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Irving, Washington

Washington Irving, 1783–1859, American author and diplomat, b. New York City. Irving was one of the first Americans to be recognized abroad as a man of letters, and he was a literary idol at home.

Early Life and Work

While he studied law, Irving amused himself by writing for periodicals such essays on New York society and the theater as the Letters of Jonathan Oldstyle, Gent. (1802–3). From 1804 to 1806 his older brothers financed his tour of France and Italy. On his return he joined William Irving and J. K. Paulding in publishing Salmagundi; or, The Whim-Whams and Opinions of Launcelot Langstaff & Others (1807–8), a series of humorous and satirical essays. Under the pseudonym Diedrich Knickerbocker, he published A History of New York (1809), a satire that has been called the first great book of comic literature written by an American. Purporting to be a scholarly account of the Dutch occupation of the New World, the book is a burlesque of history books as well as a satire of politics in his own time.

Later Life and Mature Work

Irving went to England in 1815 to run the Liverpool branch of the family hardware business, but could not save it when the whole firm failed. Thereupon, with the encouragement of Walter Scott, Irving turned definitely to literature. The stories (including "Rip Van Winkle" and "The Legend of Sleepy Hollow" ), collected in The Sketch Book of Geoffrey Crayon, Gent. (London, 1820), appeared serially in New York in 1819–20; their enthusiastic reception made Irving the best-known figure in American literature both at home and abroad. Bracebridge Hall (1822), the next volume of essays, although inferior to the previous book, was well received. However, his Tales of a Traveller (1824), written after visits to Germany and France, was a failure.

Irving became a diplomatic attaché at the American embassy in Madrid in 1826. There he produced his biography of Columbus (1828), largely based on the work of the Spanish historian Navarrete; The Conquest of Granada (1829), a romantic narrative; and the soft, casually charming Spanish sketches of The Alhambra (1832). After a short period at the American legation in London, he returned to New York. In search of colorful material, he made a journey to the frontier and wrote about the American West in A Tour of the Prairies (1835). From records furnished by John Jacob Astor, he wrote Astoria (1836), with Pierre Irving, and The Adventures of Captain Bonneville, U.S.A. (1837).

Irving subsequently established himself at his estate, Sunnyside, near Tarrytown, N.Y., until he was sent to Madrid as American minister to Spain (1842–46). Once more at Sunnyside, he wrote a biography of Goldsmith (1849) and the miscellaneous sketches called Wolfert's Roost (1855) and labored at his biography of George Washington (5 vol., 1855–59), which he completed just before his death.

Irving was master of a graceful and unobtrusively sophisticated prose style. A gentle but effective satirist, he was the creator of a few widely loved essays and tales that have made his name endure.

Bibliography

Irving's journals were edited by W. P. Trent and G. S. Hellman (3 vol., 1919, repr. 1970); The Western Journals (1944) by J. F. McDermott. See also his life and letters by P. M. Irving (4 vol., 1864; repr. 1967); biographies by S. T. Williams (2 vol., 1935; repr. 1971), C. D. Warner (1981), and A. Burstein (2007); studies by W. L. Hedges (1965, repr. 1980) and J. Rubin-Dorsky (1988).

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Irving, Washington (1783-1859)

Washington Irving (1783-1859)

Source

Author, historian, and diplomat

Diedrich Knickerbocker. Born into a successful New York City family, Washington Irving trained as a lawyer and went into partnership with one of his brothers. After publishing twenty numbers of the miscellany Salmagundi with his brother William and friend James K. Paulding in 1807 and 1808, Irving first gained fame as a writer through his satiric A History of New-York (1809), published under the fictitious name Diedrich Knickerbocker. In spite of the pseudonym, A History of New-York made him well known in New York. He was named the editor of the Analectic magazine in 1814 and resigned a year later to become aide-de-camp to the governor of New York in the closing stages of the War of 1812. In 1815 he traveled to Liverpool to look in on his familys interests there and did not return to the United States until 1832.

Travels. While living in England, Irving worked as an agent for an American publisher, wrote for several English and Scottish journals, and was befriended by Sir Walter Scott. Irving decided to stay and produce articles from time to time that will be sufficient for my present support, and form a stock of copyright property, that may be a little capital for me hereafter. The Sketch-Book of Geoffrey Crayon, one of Irvings best-known and most popular works, was his first full-fledged production of copyright property. Appearing first in the United States in 1819, The Sketch-Book of Geoffrey Crayon was successful enough to be followed by an English edition and then a second collection of essays, Bracebridge Hall (1822). Irving then went to France, where he wrote Tales of a Traveller (1824). The essay form suited Irving well, allowing him to publish his impressions of American and European customs without the restrictions of a novels controlling narrative line. The Sketch-Book of Geoffrey Crayon also contained several stories of Irvings native New York State which have become integral parts of American folk culture: The Spectre Bridegroom, Rip Van Winkle, and The Legend of Sleepy Hollow.

Later Years. In 1826 Irving went to Spain and involved himself in the study of Spanish literature and history. He established himself as a historian by producing two serious works, The Life and Voyages of Christopher Columbus (1828) and Voyages of the Companions of Columbus (1831), as well as a satiric history, The Conquest of Granada (1829), under the pseudonym Fray Antonio Agapida. Finally he returned to lighter essays with The Alhambra (1832), a work that deeply inspired poet Henry Wadsworth Longfellow. He returned to London to serve as secretary to the U.S. legation in 1829 and finally returned home as an established literary figure. He continued to write American history, and he returned to Spain to serve as ambassador from 1842 to 1846. He completed his Life of George Washington (18551859), conceived in 1825, shortly before his death in 1859.

Source

Mary Weatherspoon Bowden, Washington Irving (Boston: Twayne, 1981).

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Irving, Washington

Irving, Washington (1783–1859) US essayist and short-story writer. He wrote the burlesque History of New York (1809) under the pseudonym Dietrich Knickerbocker. He is most famous for the stories Rip Van Winkle and The Legend of Sleepy Hollow, which were written during his 17 years in Europe. He returned to the USA in 1832, where his continuing literary output included Astoria (1836).

http://www.online-literature.com/irving/

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