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Book

Background

A book can be broadly defined as a written document of at least 49 text pages that communicates thoughts, ideas, or information. Throughout the ages, books have changed dramatically, assuming a number of different forms. To a great extent, the evolution of the book has followed the expansion of communication forms and methods and the ever-increasing demand for information.

The first known forms of written documentation were the clay tablet of Mesopotamia and the papyrus roll of Egypt. Examples of both date back as early as 3000 b.c. Independent of these developments were Chinese books, made of wood or bamboo strips bound together with cords. These books dated back to 1300 b.c.

Modern book production came about as a result of the invention of printing press. Although the invention of printing most likely occurred earlier in China as well, the introduction of movable type and the printing press to Europe is credited to Johann Gutenberg of Germany. Gutenberg, in collaboration with his partners Johann Fust and Peter Schoffer, printed a Latin Bible using a hand printing press with movable lead type by about 1456. Each individual letter of early hand-set type was designed in a style closely resembling script or handlettering. Thus, the first books printed in Europe appeared much like books produced by scribes. Books printed in the fifteenth century are now called incunabula, a word derived from the Latin word for cradle. In 1640, Stephen Day printed the first book in North America, in Cambridge, Massachusetts.

Because the printing press and moveable type mechanized the book production process, books became available in greater numbers. By the nineteenth century, however, the demand for books could not be met quickly enough by the process of hand printing. Printers developed larger presses to accommodate larger sheets of paper and/or the newly invented continuous rolls of paper. These improvements allowed printers to produce books at a much faster rate. During the decades of the mid-1800s, further progress was made, including the invention of the papermaking machine (1820s), binding machinery (1860), and the cylinder press (1840s); later, the linotype (invented in 1884), cast type by line rather than by individual letter.

Book production in America and throughout the industrialized world has flourished and expanded during the twentieth century. Important advances in printing, such as the introduction of the offset printing press and computerized typesetting, have made mass production more economical. The development of the paperback book, which was introduced in the 1940s to provide a less expensive alternative to the traditional hardback book, has also made books more accessible to the public. While the invention of other forms of media, such as radio and television, has had an adverse impact on reading in general, books remain the primary source of knowledge throughout most of the world.

Raw Materials

Books are made from a variety of different coated and uncoated paper stocks that differ in weight and size. In addition, different color inks may be used. Also, while front and back covers are generally made from a heavier stock of paper, they will vary in terms of weight. For example, hardback books have a durable cardboard stock cover while paperback books are made from a thinner paper stock. Usually, cover stocks are coated with different colors or designs.

Since the nineteenth century, book production has entailed the use of sophisticated machinery, including typesetting machines, a web or sheet-fed printing press, and book binding machines.

Design

The process of designing a book is ongoing throughout the stages of production. Initially, the author, in conjunction with an editor and book agent, will consider elements of design that pertain to the scope and purpose of the book, the desired approach to the subject matter, whether illustrations should be used, and other issues such as chapter headings and their placement. In determining those elements, the intended audience for the manuscript will be considered, along with accepted editorial standards. Other design considerations include whether a book should have a preface, a foreword, a glossary to define specific terms, an index to reference key words and concepts, and an appendix of supplementary material.

Once the book manuscript is written, editors and authors must refine the manuscript to attain a final edited version prior to production. In most cases, this involves a process of reviewing, editing, proofreading, revising and final approval. After such manuscript design factors are completed, editors and art directors will determine the following features:

  • page size and style
  • typeface size and style
  • the type and weight of paper for the text and cover
  • use of color
  • presentation of visuals/illustrations in the text, if needed
  • cover art/illustrations

Since the days of Johannes Gutenberg and well into the twentieth century, printers have considered themselves a special lot. They needed to be literate to set type by hand, and they needed physical strength and endurance to operate a hand press. Because their work put them into contact with intellectuals, politicians, and community leaders, they often had social contacts beyond those commonly available to workers. Because they had constant access to ideas and information, they were generally considered to be learned individuals. Sometimes called the intellectuals of the working class, printers were distinguished by the fact that their work was a unique combination of mental and manual labor.

Like most skilled tradesmen, nineteenth-century printers developed a special language for their work. There were, of course, technical terms naming processes or tools. But much of the language, drawing on Anglo-European traditions, dealt with social relationships. Knowledge of this language was part of the training of an apprentice and separated the "fraternity" from the uninitiated. The youngest apprentice was called a "devil," reflecting his low status, responsibility for menial work, and propensity for getting dirty. Workers "jeffed," or used type as dice, to see who got certain work, who paid for drinks, or who laid off a night so that a "sub" (substitute) could get some work. The workers in an office would unofficially organize themselves into a "chapel" and elect a "chairman" or "father." These traditions eventually evolved into the union shop and union steward.

William S. Pretzer

The Manufacturing
Process

After the book is written and appropriate design elements are agreed upon, book production can begin. The first stage is type-setting, in which the actual text is converted into the appropriate typeface style (known as font) and size (known as point size). After the typeset version of the book has been reviewed and any necessary changes made, it is ready for printing and binding, in which the actual pages are printed and bound together with the cover, resulting in a finished book. The typesetting and printing"printing" consists of filming and all subsequent stepsare typically done not by the publisher but by specialized vendors.

Typesetting

  • 1 First, the manuscript is converted into the desired font and point size. If the manuscript has not been completed on a computer, it must be typed into a computer by the type-setter. If it is already in electronic form, however, the typesetter simply has to make programming changes to convert the manuscript into the proper style. The result is generally (but not always; see step #3 below) a galley of the text. A galley form of manuscript consists of long pages of text in a single column. The galley includes the proper typeface, but the proper pagination still must be worked out.
  • 2 Galleys are then proofread and edited for errors by the publisher. This stage is particularly important if the manuscript has been typeset (typed) from a hard copy of the text. If the manuscript was typeset from a computer disk, most of the errors should have already been corrected during a review of the manuscript. The single-column format of galleys facilitates the proofreading.

Pages and mechanical

  • 3 After galleys are thoroughly proofed and edited, pages (or lasers) are produced. An exact layout of typeset pages but usually printed on standard typing paper, pages are also reviewed for accuracy by the publisher. Some books skip the galley stage and proceed directly to pages. Once any necessary changes have been made, the typesetter then produces a mechanical of the typeset pages. Also called camera copy, the mechanical is printed on high-quality paper that is suitable for filming, the first stage in the printing process. The work of the typesetting vendorif different from the publisheris now done.

Filming

  • 4 The typeset mechanical now goes to the printing and binding vendor. First, each text page, including line drawings, is photographed (or shot) using a large camera to produce page negatives. These negatives are the opposite of what will actually print. In other words, the text and photos will appear backward in negative form. Negatives are then checked to make sure there are no blemishes present. While printed words and line drawings are all one shade of black, photographs have many shades from palest gray to deepest black and must be filmed using a special process to maintain these shades. The process converts the shades into black and white dotsvery light areas have many dots, while darker areas have fewer dots. The converted photographs are known as halftones. If the book will have more than one color of ink, a separate negative for each color is made. For color photos, for instance, four negatives are generally used: cyan, magenta, yellow, and black. For this reason, books with color will have negative overlays (one negative overlay for each color). Because of the added overlays, a book printed in more than one color involves additional preparation and cost.

Stripping

  • 5 The negatives are then taped or "stripped" into their proper place onto a large sheet called a goldenrod or a flat. Each flat holds 32 or 64 pages, and enough flats are used to equal the number of pages in the book. Strippers examine each finished flat on a lineup table to ensure that text and illustrations are properly lined up and in sequence. (The book pages are not lined up in consecutive order on the flat, and in fact some of the pages are placed upside down. Such placing is necessary because the finished paper version of each flat will be folded several times; once the flat is folded, the 32 or 64 pages will be in the proper order. This placement method is known as imposition.) To make this examination process easier, the lineup tables are equipped with a fluorescent light that shines up through the negatives, so it is easier for the stripper to read and align the text.

Blueprints

  • 6 To make sure the book is progressing properly, a proof of each flat is made by shining ultraviolet light through the negatives to expose their images onto a special light-sensitive paper. The resulting pages are called blueprints (or silverprints, bluelines, or dyluxes) because the paper and ink are blue or silver in appearance. The blueprints are then checked carefully by the publisher. If an editor or art director finds an error on a blueprint or decides to make a change, the page in question has to be rephotographed. The new negative will then be stripped onto the flat.

Plate making

  • 7 After final approval, each flat is photographed, with the negatives being exposed onto (or "burned" onto) a thin sheet of aluminum called a plate. The sections of the plates that contain text and illustrations are then treated with a chemical that attracts ink, thereby ensuring that the text and illustrations will print when on press.

Printing

  • 8 The plates are then sent to press. If printing in only one color, each plate will require only one pass through the press. If printing more than one color, an additional pass will be required for each color. For example, if two colors are used, the paper is fed through the press twice.
  • There are three main printing processes used in book production: offset lithography, letter-press, and gravure. The process used depends less on quality differences than on economic factors such as availability of machines, number of books being printed (the print run), and the speed of delivery. Presses are either sheet-fed (single sheets of paper are fed through) or web-fed (huge rolls of paper are unwound and run through).

Binding

  • 9 After the sheets are printed and dry, they are delivered to the bindery. While many large printing companies have their own binderies, other smaller printers must send the printed sheets to a outside bindery. At the bindery, the flats are folded and collated into book signatures properly folded 32- or 64-page sectionsthat are then bound in proper sequence. All of these functions are automated.
  • 10 Book binding also involves sewing the signatures together, gluing the spine, and inserting lining and trimming the edges. The amount and type of binding depends on the type of book (paperback or hardback) and its size. In the final step, the book is "cased in," or enclosed in a cover.

Quality Control

To help ensure that a quality product is produced, print shops conduct a number of periodic checks. In addition to checking blueprints for accuracy, printers will pull a press proof, or sample, before the print run is begun. If certain areas of the proof are too light or too dark, adjustments to the press may be required.

After the book signatures are sewn together, the print shop will spot-check them to make sure they have been folded and sewn correctly. They will also check to see if the book covers are properly bound to prevent the books from deteriorating with use.

Some of the instruments used to control quality include densitometers and colorimeters, both of which are used to evaluate color printing processes; paper hygroscopes, which measure the moisture balance of paper against the relative humidity of printing rooms; and inkometers, which measure the quality of the ink to be used in printing.

The Future

Book production has remained much the same since the early twentieth century, except for changes in typesetting. While dedicated typesetting machines (linotype or monotype) have been standard equipment in print shops and typesetting businesses since 1900, desktop publishing on microcomputers has become a cost-effective alternative. With the proper typesetting software and a laser printer, users can generate text, insert graphics, and create layouts and page designs that are as sophisticated and detailed as those produced by traditional typesetting machines. As a result, authors, publishers, print shops, and virtually any other business have been able to set type and perform page layout and design on microcomputers. Furthermore, depending on the resolution and quality of the laser printer, users can create type that a printer can use to shoot a negative. Such type is referred to as camera-ready.

In addition, desktop publishing accessories such as scanners and graphics software allow users to insert still more computer graphics and scan in photographs, hardcopy graphics, and text into their desktop system.

For book production, many authors, publishers, and design shops now have their own desktop publishing equipment, allowing them to give printers camera-ready copy. If they do not have laser printers with sufficient print-quality resolution, they can simply give the printer the book in disk form and have the printer run the type out on a laser printer with high resolution. Either way, desktop publishing gives the user more design control and cuts down on production costs.

Because desktop publishing is relatively new, changes and enhancements continue to make the systems more user-friendly. As more people gain access to such systems, book publication and publishing in general will see more widespread use of desktop publishing in the future.

Where To Learn More

Books

Foot, Miriam. Studies in the History of Bookbinding. Ashgate Publishing Co., 1992.

Harrison, Thomas. The Bookbinding Craft & Industry. Garland Publishing, Inc., 1990.

Hollick, Richard. Book Manufacturing. Cambridge University Press, 1986.

Lyman, Ralph. Binding & Finishing. Graphic Arts Technical Foundation, 1993.

Matthews, Brander. Bookbinding Old & New. Garland Publishing, Inc., 1990.

McMurtrie, Douglas C. The Book: Story of Printing & Bookmaking. Dorset Press, 1990.

Pocket Pal: A Graphic Arts Production Handbook. International Paper, 14th ed., 1989.

Poynter, Dan. Book Production: Composition, Layout, Editing & Design Getting It Ready for Printing, 3rd ed. Para Publishing, 1992.

Periodicals

Angstadt, Richard. "Why Typesetting Isn't as Good as It Should Be: An Experienced Typesetter Laments the Communications Problems in a Changing Industry," Publishers Weekly. September 7, 1990, p. 60.

Monkerud, Don. "Plate Full of Promises: Direct-to-Plate Technology Offers Faster and Cheaper Short-Run Color Printing," Publish. January, 1993, p. 48.

Greg Ling

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book

book: The word book has come to have many meanings, e.g., any collection of sheets of paper, wood, or other material sewn or bound together; a division of a written work (books of the Bible, books of Caesar's Gallic War); and statements of financial accounting (bookkeeping). The primary meaning today is, however, a written work either in manuscript or in printed or electronic form that is of substantial length.

Early Books

Early in the history of bookmaking the printed book was distinguished in size by the number of times the original large sheet of paper on which the type was printed had been folded, i.e., folio, quarto, octavo, and duodecimo. With the advent of machine-made paper, these sizes were standardized. The standard octavo, according to the American Library Association, is between 20 cm and 25 cm in height.

Books apparently did not come into existence until long after writing, e.g., inscription, was widespread. Fragmentary early papyri represent literature in ancient Egypt and may possibly be considered as books, although it is customary to speak of the Book of the Dead as the first of the Egyptian papyrus books. The cuneiform tablets gathered into the great Assyrian library of Assurbanipal represented an enormous collection of works, but the book as we know it may be said to be derived from the Egyptian writings on papyrus.

The vast literature of the Greeks, collected in the greatest library of the ancient world, in Alexandria, was generally written on large sheets of papyrus, which were glued together and rolled up. The rolls varied greatly in size; many were about 1 ft (30 cm) wide and about 30 ft (9 m) long when unrolled. In the Hellenistic era large works were divided into tomes [Gr.,=cutting] that were stored together in cylinders and labeled.

The method of having the leaves held together in quires (24 or 25 sheets) in the fashion of the modern book seems not to have originated until about the 2d cent. AD From at least the early part of the 2d cent. BC the more permanent vellum (a type of fine parchment first used in the Middle East) was also used for writing books, and this grew to be very popular in the Middle Ages when books were copied by monks in the scriptoria of monasteries. In the scriptoria the art of illumination flourished, making artistic masterpieces of many medieval liturgical volumes.

Book Printing

The production of books in great quantity had to await the mechanical processes of printing from movable type. Printing was invented in China, where the first book printed by means of woodblocks is thought to date from the 9th cent. Korea developed movable metal type during the 13th cent. In the West movable metal type was developed by Johann Gutenberg of Mainz, and to a very large extent the history of the book is henceforth the history of printing.

Book production developed very rapidly, the craft becoming enormously sophisticated by the 16th cent. Italian printers set the standards of format and quality retained in Europe until the 19th cent. Great printing houses also arose in France and the Netherlands and, after a general decline in the 17th cent., in England and the United States. The 19th cent. witnessed machine replacement of all the old manual processes. By the end of the century printing quality had been so debased that a revolution, led by William Morris during the arts and crafts movement in England, was necessary to restore the concept of beauty to bookmaking.

Modern Book Production

In recent years computer technology has revolutionized book production and the printing and distribution of comparatively inexpensive softcover books, or paperbacks, has expanded. Since the late 20th cent. the standing of the book as an information source has been challenged by other media including television, computers, and on-line databases. Also, the very definition of a book as a collection of printed sheets of paper is being challenged as books recorded in various audio formats have become increasingly common, and some works are being produced as audiobooks, appearing in audio form without ever being published in print. In addition, electronic book readers—small computers designed to display pages of digital books (e-books) on their screens as well as software that functions similarly on less specialized electronic devices—have been introduced.

Related Entries

See also book clubs; book collecting; book publishing; incunabula; library; manuscript; type; typography; writing.

Bibliography

For a brief and excellent bibliography, see H. Lehmann-Haupt, One Hundred Books about Bookmaking (1949). See also F. G. Kenyon, Books and Readers in Ancient Greece and Rome (2d ed. 1951); E. Chiera, They Wrote on Clay (1958); F. L. Schick, The Paperbound Book in America (1959); H. D. Vervliet, ed., The Book through Five Thousand Years (1972); W. Morris, The Ideal Book (reprints of essays and lectures on the book arts, ed. by W. S. Petersen, 1982); N. Howard, The Book (2005); A. Pettegree, The Book in the Renaissance (2010); M. Lyons, Books: A Living History (2011).

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book

book / boŏk/ • n. 1. a written or printed work consisting of pages glued or sewn together along one side and bound in covers: a book of selected poems. ∎  a literary composition that is published or intended for publication as such a work: the book is set in the 1940s. ∎  (the books) used to refer to studying: he is so deep in his books he would forget to eat. ∎  a main division of a classic literary work, an epic, or the Bible: the Book of Genesis. ∎  (the book) the local telephone directory: is your name in the book? ∎  (the Book) the Bible. ∎ inf. a magazine. ∎ fig. an imaginary record or list (often used to emphasize the thoroughness or comprehensiveness of someone’s actions or experiences): she felt every emotion in the book of love. 2. a bound set of blank sheets for writing or keeping records in: an accounts book. ∎  (books) a set of records or accounts: he can balance the books. ∎  a bookmaker's record of bets accepted and money paid out. 3. a set of tickets, stamps, matches, checks, samples of cloth, etc., bound together: a pattern book. ∎  (the book) the first six tricks taken by the declarer in a hand of bridge. • v. [tr.] 1. reserve (accommodations, a place, etc.); buy (a ticket) in advance: I have booked a table at the Swan. ∎  reserve accommodations for (someone): his secretary had booked him into the Howard Hotel. ∎  engage (a performer or guest) for an occasion or event. ∎  (be booked (up) ) have all appointments or places reserved; be full. 2. make an official record of the name and other personal details of (a criminal suspect or offender): the cop booked me and took me down to the station. PHRASES: by the book strictly according to the rules: a cop who doesn't exactly play it by the book. close the book on lay aside; expend no further energy on: Congress closed the book on wool subsidies. in my book in my opinion: that counts as a lie in my book. make book take bets on the outcome of an event: fig. I wouldn't make book on it. one for the books an extraordinary feat or event. throw the book at inf. charge or punish (someone) as severely as possible. wrote the book be the leader in the field: John wrote the book on goatpacking.DERIVATIVES: book·a·ble adj.

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book

book a book is the emblem of St Anne, St Augustine, St Bernard, and other saints.

Recorded from Old English (in form bōc, originally meaning also ‘a document or charter’), the word is of Germanic origin, and is probably related to beech (on which runes were carved).


Book of Common Prayer the official service book of the Church of England, compiled by Thomas Cranmer and others, first issued in 1549, and largely unchanged since the revision of 1662.
book of hours a book of prayers appointed for particular canonical hours or times of day, used by Roman Catholics for private devotions and popular especially in the Middle Ages, when they were often richly illuminated.
Book of Kells an 8th-century illuminated manuscript of the Gospels, now kept in the library of Trinity College, Dublin, and produced either in the scriptorium of Iona or at Kells in County Meath, where the community moved after attack by Vikings in the early 9th century.
book of life the record of those achieving salvation; originally, with biblical reference, as in Revelation 20:12.
Book of the Dead a collection of ancient Egyptian religious and magical texts, selections from which were often written on or placed in tombs. The name (in full Tibetan Book of the Dead) is also given to a Tibetan Buddhist text recited during funerary rites, describing the passage from death to rebirth.
you can't tell a book by its cover outward appearance is not a guide to a person's real nature; saying recorded from the early 20th century.

See also a great book is a great evil, People of the Book at people, the oldest trick in the book, a turn-up for the book.

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book

book Primarily a bound volume of printed pages, it may also be a division within a book (as in the Bible) or a statement of accounts. The earliest books were Egyptian writings on papyrus, of which the Book of the Dead is often considered the first. Roman books were mostly in the form of rolls, although the Roman period also saw the emergence of the codex, the forerunner of the paged book. In the Middle Ages, vellum, a fine parchment made from animal skin, became the standard material for books, but by the 15th century they were often written on paper. Modern printed books date to c.1454, when Gutenberg conceived of using moveable type (developed earlier in China and Korea) in conjunction with early forms of the printing press. The first printed book was a German Latin Bible (1455).

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book

book A term used in connection with the organization of files in Algol 68. A file is regarded as one or more books, each book being composed of numbered pages; within a page data is organized into lines made of individual characters. It is important to distinguish “page” in this context from a page in memory management systems.

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Book

Book

collection of tablets, sheets of paper, or similar material strung or bound together.

Examples: book of beauty, 1595; of bitter passion, 1532; of gold leaf [separated by vellum leaves]; of knowledge, 1667; of love, 1592; of nature, 1830; of precepts, 1380; of scorn, 1847; of silk [bundle of skeins of raw silk].

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book

book OE. bōc, pl. bēċ, corr. to OS. bōk, OHG. buoh, pl. buoh (G. buch), ON. bók, pl. bœkr :- Gmc. *bōks, pl. *bōkiz (Cf. Goth. bōka, pl. bōkōs); usu. taken to be a deriv. of *bōkō BEECH.

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book

bookbetook, book, brook, Brooke, Chinook, chook, Coke, cook, Cooke, crook, forsook, Gluck, hook, look, mistook, nook, partook, rook, schnook, schtuck, Shilluk, shook, Tobruk, took, undercook, undertook •handbook •chapbook, scrapbook •cash book • passbook • sketchbook •chequebook • textbook •daybook, playbook •casebook • phrase book • dybbuk •pocketbook • copybook • storybook •guidebook • logbook • songbook •scorebook • hornbook • sourcebook •notebook • cookbook • yearbook •picture book • wordbook • workbook •caoutchouc • Windhoek • billhook •fishhook • skyhook • buttonhook •tenterhook • wet look • outlook •Inuk • inglenook • Sihanouk •Pembroke • Innsbruck • donnybrook •Uruk • Osnabrück • Beaverbrook •nainsook

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