chinoiserie

chinoiserie , decorative work produced under the influence of Chinese art, applied particularly to the more fanciful and extravagant manifestations. Intimations of Eastern art reached Europe in the Middle Ages in the porcelains brought by returning travelers. Eastern trade was maintained during the intervening centuries, and the East India trading companies of the 17th and 18th cent. imported Chinese lacquers and porcelains. Dutch ceramics quickly showed the influence of Chinese blue-and-white porcelains. In the middle of the 18th cent. the enthusiasm for Chinese objects affected practically every decorative art applied to interiors, furniture, tapestries, and bibelots and supplied artisans with fanciful motifs of scenery, human figures, pagodas, intricate lattices, and exotic birds and flowers. In France the Louis XV style gave especial opportunities to chinoiserie, as it blended well with the established rococo . Whole rooms, such as those at Chantilly, were painted with compositions in chinoiserie, and Watteau and other artists brought consummate craftsmanship to the style. Thomas Chippendale, the chief exponent in England, produced a unique and decorative type of furniture. The craze early reached the American colonies. Chinese objects, particularly fine wallpapers, played an important role in the adornment of rooms, and especially in Philadelphia the style had a pronounced effect upon design.

Bibliography: See study by H. Honour (1961).

chinoiserie the imitation or evocation of Chinese motifs and techniques in Western art, furniture, and architecture, especially in the 18th century.

chinoiserie. The imitation or evocation of Chinese styles in Western art and architecture. The term is applied particularly to art of the 18th century, when pseudo-Chinese designs in a whimsical or fantastic vein were an aspect of the prevailing light-hearted Rococo style. By the middle of the 18th century the enthusiasm for things Chinese affected virtually all the decorative arts, and there was also a vogue for Chinese-style buildings in garden architecture. The taste for chinoiserie faded during the dominance of the Neoclassical style in the second half of the century, but there was something of a revival in the early 19th century.