Cowper, William (1731–1800), was educated at a private school (where he was bullied) and at Westminster. He was subject to periods of depression and he attempted suicide. His melancholia took a religious form; he felt himself cast out of God's mercy, and wrote later in his
Memoir (
c.1767, pub. 1816), ‘conviction of sin and expectation of instant judgement never left me.’ In 1765 he became a boarder (in his own words, ‘a sort of adopted son’) in the home of the Revd Morley Unwin at Huntingdon, and on Morley's death moved with Mary, his widow, to Olney and came under the influence of J.
Newton, with whom he wrote
Olney Hymns (1779); his contributions include ‘God moves in a mysterious way’ and ‘Oh, for a closer walk with God’. He became engaged to Mrs Unwin, but suffered another bout of depression and made another suicide attempt; he spent a year with the Newtons before returning to Mrs Unwin's home. During a calmer period he wrote, at Mrs Unwin's suggestion, his satires (‘Table Talk’, ‘The Progress of Error’, ‘Truth’, ‘Expostulation’, ‘Hope’, ‘Charity’, ‘Conversation’, and ‘Retirement’) published in 1782 with several shorter poems (including ‘Verses supposed to be written by Alexander Selkirk’; see
Selkirk, A.); in the same year he wrote
John Gilpin and in 1783–4 his best-known long poem
The Task (1785), both subjects suggested by his new friend and neighbour Lady Austen. The volume in which these appeared also contained ‘Tirocinium’, a vigorous attack on public schools. In 1786 he moved with Mrs Unwin to Weston Underwood, where he wrote various poems published after his death, including the unfinished ‘Yardley-Oak’ (admired by
Wordsworth), the verses ‘On the Loss of the Royal George’ (‘Toll for the brave…’), ‘To Mary’, and ‘The Poplar-Field’. Mrs Unwin died in 1796, leaving Cowper in severe depression from which he never fully recovered.
He wrote ‘
The Castaway’ shortly before his death; like many of his poems it deals with man's isolation and helplessness. Storms and shipwrecks recur in his work as images of the mysterious ways of God. Yet his poems and his much-admired letters (published posthumously) have been highly valued for their intimate portrait of tranquillity and for their playful and delicate wit. His sympathetic feelings for nature presage
Romanticism and his use of blank verse links that of James
Thomson with that of
Wordsworth. He was a champion of the oppressed and wrote verses on
Wilberforce and the slave trade.