William Bolcom

William Bolcom (William Elden Bolcom), 1938-, American composer, b. Seattle, Wash. He attended the Univ. of Washington (B.A., 1958) and studied composition at Mills College and Stanford (D.M.A., 1964). Teaching at various colleges since 1965, he has been on the faculty of the Univ. of Michigan since 1973. Bolcom was involved in the 1960s revival of ragtime and has given many piano recitals of American popular songs, often accompanying his wife, the mezzo-soprano Joan Morris. As a composer, he has worked in a wide variety of genres—symphonic, e.g., Fantasia concertante (1985); chamber music, e.g., New Etudes for Piano (1977-86, Pulitzer); and oratorio, e.g., Songs of Innocence and of Experience (1982). He has also written several operas, e.g., McTeague (1992); A View from the Bridge (1999), adapted from the Arthur Miller play; and A Wedding (2004), adapted from a Robert Altman film. Bolcom's eclectic approach represents a broad cross-fertilization of idioms, and his work typically combines a number of musical styles.

Bolcom, William (Elden) (b Seattle, 1938). Amer. composer. Has worked as teacher (at Sch. of Mus. of Univ. of Michigan at Ann Arbor from 1973, becoming prof. 1983) and critic. Comps. admit wide range of influences, from serialism to collage. They include the opera McTeague (Chicago, 1992); 5 syms.; 10 str. qts.; Session 2, vn., va. (1966); Black Host, org., perc., tape (1967); 14 Piano Rags (1967–70); Dark Music, timp., vc. (1970); Open House, ten., chamber orch. (1975); pf. conc. (1976); pf. qt. (1976); vn. conc. (1983); Concertante, va., vc., orch. (1985); cl. conc. (1989); Fantasy Sonata, pf. (1989); Spring Concertino, ob., chamber orch. (1989); fl. conc. (1993). One of his highly praised works is the Songs of Innocence and Experience (48 Blake poems), for 9 solo vv., 2 ch., unacc. ch., children's ch., and orch. (1956–82, f.p. Stuttgart, 1984).