Miles Davis

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Miles Davis

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Miles Davis 1926-91, American jazz musician, b. Alton, Ill. Rising to prominence with the birth of modern jazz in the mid-1940s, when he was a sideman in Charlie Parker 's bop quintet, Davis became a dominant force in jazz trumpet. He was influential in the development of "cool" jazz in 1949-50, led numerous outstanding small groups through the 1950s and 60s, and produced a successful blend of jazz and rock music in the 1970s and 80s. Davis's trumpet and flügelhorn styles were warmly lyrical and were marked by a brilliant use of mutes. He made many recordings, which reflect his stylistic changes; Kind of Blue (1959), a landmark of modal jazz, has been a best-seller since it was issued.

Bibliography: See Miles: The Autobiography (1989, with Q. Troupe); biographies by I. Carr (1982), J. Chambers (2 vol., 1983-85), B. McRae (1988), and J. Szwed (2002); Q. Troupe, Miles and Me (2000).

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Davis, Miles

The Oxford Companion to United States History | 2001 | | © The Oxford Companion to United States History 2001, originally published by Oxford University Press 2001. (Hide copyright information) Copyright

Davis, Miles (1926–1991), musician.Born in Alton, Illinois, a dentist's son, Miles Davis began playing the trumpet professionally in his teens. In 1944 he enrolled in a New York conservatory but gravitated to Harlem's jazz nightclubs. He soon was recording with Charlie Parker and working with big bands. Davis began leading groups, and in 1949 his nonet recorded the Birth of the Cool arrangements, helping to introduce the impressionistic “cool” jazz style. Slowed by heroin addiction, Davis resurfaced in 1955 with an acclaimed quintet (including John Coltrane). It recorded Milestones, Kind of Blue, and other albums, roaming from a classic bebop style to modal explorations. Davis also created Porgy and Bess and Sketches of Spain (1958–1960) with arranger Gil Evans. These albums were among the most influential in jazz history. Into the 1960s, Davis made numerous appearances and created albums and film scores. In 1968 he controversially incorporated electronic instruments and soul motifs in In a Silent Way and Bitches Brew. His jazz‐rock “fusion” experiments continued until 1975, when illnesses forced a retirement. In the 1980s Davis returned, blending contemporary pop trends into his performances.

Davis's tight, dynamic range; hard‐edged lyricism; and astringent trumpet timbre created one of jazz's most distinctive voices. His uncompromising “cool” persona, fired by racial pride and mistrust of the music business and the mass audience, made him a rebellious role model for African American men for four decades. Above all, Davis was the most restless and influential stylistic innovator in jazz's first century.

Bibliography

Jack Chambers , Milestones: The Music and Times of Miles Davis, 2 vols., 1983, 1985.
Miles Davis and and Quincy Troupe , Miles: The Autobiography, 1989.

Burton W. Peretti

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Paul S. Boyer. "Davis, Miles." The Oxford Companion to United States History. Oxford University Press. 2001. Encyclopedia.com. 15 Nov. 2009 <http://www.encyclopedia.com>.

Paul S. Boyer. "Davis, Miles." The Oxford Companion to United States History. Oxford University Press. 2001. Encyclopedia.com. (November 15, 2009). http://www.encyclopedia.com/doc/1O119-DavisMiles.html

Paul S. Boyer. "Davis, Miles." The Oxford Companion to United States History. Oxford University Press. 2001. Retrieved November 15, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O119-DavisMiles.html

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