Graham Greene

Graham Greene (Henry Graham Greene), 1904-91, English novelist and playwright. Although most of his works combine elements of the detective story, the spy thriller, and the psychological drama, his novels are essentially parables of the damned. Greene's heroes realize their sins and achieve salvation only through great pain and soul-searching agony. A Roman Catholic convert, he was intensely concerned with the moral problems of humans in relation to God. Some of his 26 novels have been ranked as thrillers, and Greene himself called such works as Stamboul Train (1932; U.S. title, Orient Express ) and The Ministry of Fear (1943) "entertainments" to distinguish them from his more serious efforts. His major works, which include Brighton Rock (1938), The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951), mark him as a novelist of high distinction.

Greene was a superb journalist, a sometime British spy, and a world traveler. Many of his novels are set in locations with which he had personal experience, sites often of topical journalistic interest: The Quiet American (1955) a prescient account of early American involvement in Vietnam; Our Man in Havana (1958), set in Cuba; A Burnt-Out Case (1961), in the Belgian Congo just before its independence; The Comedians (1966), in François Duvalier's Haiti; and The Captain and the Enemy (1980), in Panama. His fine sense of comedy is displayed in the short-story collection May We Borrow Your Husband? (1967) and the novel Travels with My Aunt (1969). Greene also wrote several plays, including The Living Room (1953) and The Potting Shed (1957), both thinly disguised religious dramas, and The Complaisant Lover (1959), a witty and intelligent play about marriage and infidelity. He is also noted for his short stories, essays, travel books, film criticism, and film scripts, including the mystery melodrama The Third Man (1950).

Bibliography: See his autobiographies, A Sort of Life (1971) and Ways of Escape (1980), and his posthumously published A World of My Own: A Dream Diary (1995); S. Hazzard, Greene on Capri: A Memoir (2000); biographies by M. Shelden (1994) and N. Sherry (3 vol., 1989-2004); studies by H. J. Donaghy (1983), A. A. De Vitis (1986), and J. Meyers, ed. (1990).

Greene, Graham (1904–91). One of the most versatile, prolific, and popular writers of the mid‐20th cent., Greene was born at Berkhamsted (Herts.), where his father was headmaster of the public school, and educated at Balliol College, Oxford. He converted to catholicism at the time of his marriage in 1927. Greene published a book of verse, Babbling April, in 1925, and followed with a historical novel, The Man Within, in 1929. Next he produced a series of thrillers (‘entertainments’) starting with Stamboul Train (1932) and continuing to The Third Man (1950), made into a remarkable film. Increasingly Greene explored the world of catholic guilt in Brighton Rock (1938), The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951). His themes of ambiguity, betrayal, and seediness reflected and appealed to his own times.

Greene, Graham (1904–91). One of the most versatile, prolific, and popular writers of the mid-20th cent., Greene was born at Berkhamsted (Herts.), where his father was headmaster of the public school, and educated at Balliol College, Oxford. He converted to catholicism at the time of his marriage in 1927. Greene published a book of verse, Babbling April, in 1925, and followed with a historical novel, The Man Within, in 1929. Next he produced a series of thrillers (‘entertainments’) starting with Stamboul Train (1932) and continuing to The Third Man (1950), made into a remarkable film. Increasingly Greene explored the world of catholic guilt in Brighton Rock (1938), The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951). He also wrote verse, travel books, short stories, children's stories, and plays. His autobiography is A Sort of Life (1971) and Ways of Escape (1980). His themes of ambiguity, moral confusion, betrayal, and seediness reflected and appealed to his own times.

J. A. Cannon