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MacLaine, Shirley

MacLAINE, Shirley



Nationality: American. Born: Shirley MacLean Beaty in Richmond, Virginia, 24 April 1934; sister of the actor Warren Beatty. Education: Attended Washington School of Ballet; Washington and Lee High School, Arlington, Virginia, graduated 1952. Family: Married Steve Parker, 1954 (divorced 1977), daughter: Stephanie (known as the actress Sachi Parker). Career: In dancing chorus of Oklahoma, 1950, Me and Juliet, 1952, and understudy to Carol Haney in The Pajama Game, 1954; 1954–61—contract with Hal Wallis; 1955—film debut in The Trouble with Harry; 1971–72—in TV series Shirley's World; 1974—co-directed film The Other Half of the Sky; 1974—formed nightclub act for Las Vegas, and in 1976 toured with the act in Europe and Latin America. Awards: Best Actress, Berlin Festival, and Best Foreign Actress, British Academy, for Ask Any Girl, 1959; Best Actress, Venice Festival, and Best Foreign Actress, British Academy, for The Apartment, 1960; Best Actress, Berlin Festival, for Desperate Characters, 1971; Best Actress, Academy Award, and Best Actress, New York and Los Angeles Film Critics,


for Terms of Endearment, 1983. Agent: c/o MacLaine Enterprises, 25200 Old Malibu Road, Malibu, CA 90262, U.S.A.


Films as Actress:

1955

The Trouble with Harry (Hitchcock) (as Jennifer Rogers); Artists and Models (Tashlin) (as Bessie Sparrowbush)

1956

Around the World in Eighty Days (Anderson) (as Princess Aouda)

1958

Hot Spell (Daniel Mann) (as Virginia Duval); The Sheepman (George Marshall) (as Dell Payton); The Matchmaker (Anthony) (as Irene Molloy); Some Came Running (Minnelli) (as Ginny Moorehead)

1959

Ask Any Girl (Walters) (as Meg Wheeler); Career (Anthony) (as Sharon Kensington)

1960

Can-Can (Walter Lang) (as Simone Pistache); The Apartment (Wilder) (as Fran Kubelik); Ocean's Eleven (Milestone) (as tipsy girl)

1961

All in a Night's Work (Anthony) (as Katie Robbins); Two Loves (Walters) (as Anna Vorontosov); The Children's Hour (Wyler) (as Martha Dobie)

1962

My Geisha (Cardiff) (as Lucy Dell/Yoko Mori); Two for the Seesaw (Wise) (as Gittel Mosca)

1963

Irma La Douce (Wilder) (title role)

1964

What a Way to Go! (Thompson) (as Louisa); John Goldfarb, Please Come Home (Thompson) (as Jenny Ericson)

1965

The Yellow Rolls-Royce (Asquith) (as Mae Jenkins)

1966

Gambit (Neame) (as Nicole Chang)

1967

Woman Times Seven (De Sica) (as Paulette)

1968

The Bliss of Mrs. Blossom (McGrath) (title role)

1969

Sweet Charity (Fosse) (as Charity Hope Valentine)

1970

Two Mules for Sister Sara (Siegel) (title role)

1971

Desperate Characters (Gilroy) (as Sophie Brentwood)

1972

The Possession of Joel Delaney (Hussein) (as Norah Benson)

1977

The Turning Point (Ross) (as Deedee Rogers)

1979

Being There (Ashby) (as Eve Rand)

1980

A Change of Seasons (Richard Lang) (as Karen Evans); Loving Couples (Smight) (as Evelyn)

1983

Terms of Endearment (James L. Brooks) (as Aurora Greenway)

1984

Cannonball Run II (Needham) (as Veronica)

1988

Madame Sousatzka (Schlesinger) (title role)

1989

Steel Magnolias (Ross) (as Ouiser Boudreaux)

1990

Waiting for the Light (Monger) (as Zena); Postcards from the Edge (Nichols) (as Doris Mann)

1991

Defending Your Life (Albert Brooks) (as woman at past lives pavillion)

1993

Used People (Kidron) (as Pearl); Wrestling Ernest Hemingway (Haines) (as Helen)

1994

Guarding Tess (Wilson) (title role)

1995

West Side Waltz (for TV); The Celluloid Closet (Eptsein and Friedman—doc) (as interviewee)

1996

The Evening Star (as Aurora Greenway); Mrs. Winterbourne (Benjamin) (as Grace Winterbourne)

1997

A Smile Like Yours (Samples) (as Martha—uncredited)

1998

Looking for Lulu (Paris) (as Narrator)

1999

Get Bruce (Kuehn) (as herself); Joan of Arc (Duguay—for TV) (as Madame de Beaurevoir); Forever Hollywood (Arnold Glassman and Todd McCarthy) (as herself)



Film as Director:

1974

The Other Half of the Sky: A China Memoir (doc) (co-d, + pr, sc)

2000

Bruno (+ ro)



Film as Writer:

1987

Out on a Limb (Butler—for TV) (as herself +co-sc)

1999

Kingdom Come



Publications


By MacLAINE: books—

Don't Fall Off the Mountain, New York, 1970.

You Can Get There from Here, New York, 1975.

Out on a Limb, New York, 1983.

Dancing in the Light, New York, 1986.

It's All in the Playing, New York, 1987.

Going Within, New York, 1989.

Dance While You Can, New York, 1991.

My Lucky Stars: A Hollywood Memoir, New York, 1995.


By MacLAINE: articles—

"The Two Faces of Shirley," interview with R. Bean, in Films and Filming (London), February 1962.

Photoplay (London), April 1984.

Interview with L. Farrah, in Films and Filming (London), May 1988.

"Shirley MacLaine Lives," interview with Pat Dowell, in Washingtonian, October 1988.

Interview with Janet Fitch, in American Film (New York), November 1989.


On MacLAINE: books—

Erens, Patricia, The Films of Shirley MacLaine, South Brunswick, New Jersey, 1978.

Denis, Chiristopher, The Films of Shirley MacLaine, Secaucus, New Jersey, 1980.

Pickard, Roy, Shirley MacLaine, London, 1985.

Spada, James, Shirley and Warren, London, 1985.

Freedland, Michael, Shirley MacLaine, London, 1986.

Hanck, Frauke, Shirley MacLaine: Ihre Filme, ihr Leben, Munich, 1986.

On MacLAINE: articles—

Current Biography 1978, New York, 1978.

Dowell, Pat, "Collector's Choice: Woman of the Year: Coming to Terms with the Career of Shirley MacLaine," in American Film (Washington, D.C.), April 1984.

Séquences (Montreal), July 1984.

Haskell, Mollly, "Shirley MacLaine: Still Here," in Film Comment (New York), May-June 1995.

Major, W., "'Star' Bright," in Boxoffice (Chicago), November 1996.


* * *

Shirley MacLaine's career has continued to thrive since she won her Academy Award in 1983. Terms of Endearment brought MacLaine full recognition as a performer and it also gave the actress an image for the latter stages of her career. The films that follow Terms of Endearment tend to present her as a combative person who, like Aurora Greenway in Brooks's film, struggles to set and maintain the "terms of endearment" of her personal relationships. In such films as Madame Sousatzka and Postcards from the Edge MacLaine is demanding, irascible, and generally exasperating; yet, by the film's resolution, she acknowledges that the relationship in question is at base essential and loving. The films illustrate the actress's willingness to play a difficult person who is in danger of alienating both the film's other characters and the viewer. MacLaine seems to delight in testing how far she can go before she pulls back and lets the viewer see that her character is in fact sensitive and capable of tenderness.

MacLaine has been highly successful in combining her status as a major star with that of a character actress; and the films are a testament to MacLaine's ability to sustain a career at an age when most of her contemporaries are no longer professionally active. Of the more recent films, Madame Sousatzka is perhaps the most outstanding and it provides MacLaine with an acting challenge she fully meets—Madame Sousatzka, a formidable piano teacher, is, in addition to being intelligent and creative, in equal measure bombastic and contemplative, willful and pliable. And John Schlesinger, who surrounds the actress with a group of strong performers, handles the material with insight and assurance. Similarly, Postcards from the Edge, another fine film, allows MacLaine to inject a degree of delicacy into her conception of an overbearing but insecure aging actress. Mike Nichols's film takes a gentle approach to satirizing Hollywood and tempers the mother-daughter conflict between MacLaine and Meryl Streep with low-key humor and a strong sense of compassion for both of these resilient but highly fragile characters. In these two films MacLaine is given the opportunity to bring depth and dimension to her characterizations; on the other hand, she also appears in Steel Magnolias and Used People, both shrill and crude films, and the bland Guarding Tess.

Besides working regularly as an actor, MacLaine continues to pursue her career as a writer. Her dual identity as actor/author came together most spectacularly with a telefilm dramatization of her book Out on a Limb in which she deals with transcendentalism. Out on a Limb is, aesthetically, undistinguished. The narrative is soap operaish, the performances are merely adequate and the direction is flat. MacLaine, like the film itself, is highly self-conscious and strains to convince that the material is engrossing and deserving of the time and money spent on the project. Out on a Limb's primary significance is that it forcefully acknowledges MacLaine's ongoing desire to control her star image. The film is essentially concerned with verifying that MacLaine is a serious thinker, has a social conscience, and aspires to personal growth.

In the film version of Out on a Limb, MacLaine wonders if the public is going to take her beliefs seriously or think that she is making a fool of herself; by the time of Postcards from the Edge, she manages to make on film a joking reference to her transcendent experiences. Yet, Out on a Limb stands as an extraordinary attempt by an actor to fashion her image and MacLaine's ambitious effort deserves credit. And, arguably, the project is influenced by a feminist impulse—-MacLaine appears to be indicating that she takes sole responsibility for her actions and identity.

There is recent evidence that suggests MacLaine's screen image is undergoing a modification. Two recent works, Guarding Tess and West Side Waltz, feature a MacLaine that is stately but without sacrificing her humor and prickly nature. The image she projects evokes the latter day Katharine Hepburn for whom, incidentally, West Side Waltz was a star vehicle on Broadway.

Like Terms of Endearment, the MacLaine films that have followed are "women's films." In these films, the actress invariably plays an imperfect person. MacLaine does not offer idealized images of women but, instead, she attempts to show that women are complex and very human beings. And, like her filmic creations, MacLaine herself, is a survivor.

—Richard Lippe

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MacLaine, Shirley (Shirley MacLean Beatty)(1934-)

MacLaine, Shirley (Shirley MacLean Beatty)(1934-)

World-famous actress, dancer, movie star, and writer, whose books on her search for spiritual fulfillment have created widespread popular interest in psychic phenomena, channeling of spirit guides, and New Age teachings. She was born on April 24, 1934, in Richmond, Virginia, and attended high school in Washington, D.C. She began taking dancing lessons before she was three years old; by the time she was 16 she was a chorus girl in New York in a City Center revival of Oklahoma! Four years later, she was dancing in the chorus of Pajama Game and acting as understudy to Carol Haney, the show's leading dancer. When Haney injured her ankle soon after the show's opening, MacLaine replaced her in the lead. After enthusiastic reviews, the Hollywood producer Hal B. Wallis signed her for a long-term film contract.

Her first motion picture role was in The Trouble with Harry, directed by Alfred Hitchcock. Later, her performance in Irma la douce earned her a Golden Globe Award and the third of four Academy Award nominations. Honors for her acting have continued into the 1990s.

Apart from her acting, MacLaine has gained a considerable reputation as an outspoken political and humanitarian activist, notably for civil rights, women's rights, and environmental protection. During the Vietnam War, she supported George McGovern's 1972 presidential campaign. She was the first woman ever to speak at the National Democratic Club, where she addressed the dangers of overpopulation. MacLaine's extensive travels have included such remote parts of the world as East Africa, where she lived among the Masai tribe, and the Himalayan kingdom of Bhutan, where she was detained by border guards during a political crisis. When traveling in India, she became sympathetic to the plight of the "gutter babies" and helped to establish an orphanage for them in Calcutta. Her best-selling autobiography Don't Fall Off the Mountain (1970), which detailed her experiences in Africa, India, the Far East, and Hollywood, was translated into eight languages.

In 1973 MacLaine led a delegation of 12 American women, including filmmaker Claudia Weill, on a six-week tour of the People's Republic of China. With Weill acting as her co-director, MacLaine produced and wrote the narration for the film The Other Half of the Sky: A China Memoir, a documentary of the trip broadcast by Public Broadcasting Service (1975). Her second autobiographical book, You Can Get There from Here (1975), discussed her China trip and her involvement with George McGovern's presidential campaign. In 1976, after a 20-year hiatus as an entertainer, she returned to the theatrical stage in A Gypsy in My Soul, which attracted rave reviews. By 1983 she had appeared in some 35 movies.

Her third autobiographical book, Out on a Limb (1983), described a spiritual odyssey that developed from her world travels. It is a heady exploration of New Age beliefs, including meditation, psychic healing, channeling of spirit guides, reincarnation, UFOs, extraterrestrials, and out-of-the-body travel. If at times the book appears naive, it is redeemed by its transparent honesty and sincerity and a deep desire for a spiritual framework to life. The book became the basis for a five-hour prime-time ABC-TV mini-series. Her inner search continued in her book Dancing in the Light (1985), in which she stated:

"I like to think of Dancing in the Light as a celebration of all my 'selves.' It was a fulfilling and satisfying exploration of the promises I made to myself in Out on a Limb. In it I look with pleasure, humor and some contentment upon my experiences as a daughter, a mother, a lover, a friend, a seeker of spiritual destiny and a voice calling for peace in the world."

The book cites several channels from whom she received guidance, but her kindest words are reserved for J. Z. Knight, who channels an entity named "Ramtha" and has since attracted a large following.

In the late 1980s MacLaine emerged as a New Age teacher and leader of Higher Life Seminars. Profits from the seminars have funded several New Age centers. MacLaine has continued to write New Age books.

Sources:

MacLaine, Shirley. Dancing in the Light. New York: Bantam Books, 1985.

. Don't Fall Off the Mountain. New York: W. W. Norton, 1970.

. It's All in the Playing. New York: Bantam Books,1987.

. Out on a Limb. New York: Bantam Books, 1983.

. You Can Get There from Here. New York: W. W. Norton, 1975.

Melton, J. Gordon, Jerome Clark, and Aidan Kelly. New Age Encyclopedia. Detroit: Gale Research, 1990.

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"MacLaine, Shirley (Shirley MacLean Beatty)(1934-)." Encyclopedia of Occultism and Parapsychology. . Encyclopedia.com. 20 Aug. 2017 <http://www.encyclopedia.com>.

"MacLaine, Shirley (Shirley MacLean Beatty)(1934-)." Encyclopedia of Occultism and Parapsychology. . Encyclopedia.com. (August 20, 2017). http://www.encyclopedia.com/science/encyclopedias-almanacs-transcripts-and-maps/maclaine-shirley-shirley-maclean-beatty1934

"MacLaine, Shirley (Shirley MacLean Beatty)(1934-)." Encyclopedia of Occultism and Parapsychology. . Retrieved August 20, 2017 from Encyclopedia.com: http://www.encyclopedia.com/science/encyclopedias-almanacs-transcripts-and-maps/maclaine-shirley-shirley-maclean-beatty1934