welfare state
The Oxford Companion to British History
|
2002
|
|
© The Oxford Companion to British History 2002, originally published by Oxford University Press 2002. (Hide copyright information)
Copyright
welfare state. There are many theories as to why the welfare state developed, from the radical view of its serving the needs of capitalism by maintaining political stability and providing healthy, educated workers, to the democratic perspective that it arose from the demands of the working class expressed through the ballot box. It has been called ‘an erratic and pragmatic response of government and people to the practical individual and community problems of an industrialised society’.
In the
laissez-faire, capitalist, self-help ideology of the 19th cent. fears of dependency and disincentives for the poor resulted in harsh measures based on the workhouse. At the turn of the century
Booth's (London) and
Rowntree's (York) studies, revealing the facts of poverty and showing its origins in social and economic conditions, helped to raise awareness of the problem and set the stage for reform.
Measures taken by
Asquith's Liberal government, with
Lloyd George as chancellor, represent the foundations of the British welfare state. Non-contributory old-age pensions (1908), paid for by higher taxes (‘the People's Budget’, 1909), and the
National Insurance Act—
Health and
unemployment (1911) were the most important reforms. In the inter-war years the problem of unemployment dominated social policy; the insurance scheme could not cope and in 1931 the dole was cut and a family means test implemented, a return to relief based on Victorian deterrent values.
The Second World War threw people together, and in the relative social cohesion of the war years they determined that ‘never again’ should there be a return to the misery of the 1930s. The
Beveridge Report (
Report on Social Insurance and Allied Services, Cmd. 6404) gave shape to these ideas. Beveridge identified ‘five giant evils of Want, Disease, Squalor, Ignorance and Idleness’ and, to fight each evil, ‘five giants on the road to reconstruction’: social security, a national health service, housing provision, state education, and a commitment to full employment. In July 1945 a Labour government, fully committed to wholesale reform, was elected in a landslide general election victory. Led by Clement
Attlee, it lasted until 1951 and founded the modern British welfare state.
Poverty was to be conquered by a commitment to full employment together with social insurance. The coalition government's 1944 Employment White Paper made explicit all-party acceptance of Keynesian demand management to combat unemployment. Social insurance provisions, based on Beveridge, were a move from selectivity to comprehensive coverage. Compulsory contributions to a National Insurance scheme provided for incomes during sickness, unemployment, widowhood, and retirement; there was also a means-tested safety net, national assistance (now income support), and family allowances (now child benefit). The
National Health Service Act (1946) provided for free health care for all regardless of means, and the birth of the NHS in 1948 was a triumph for Aneurin
Bevan, minister for health. Education reform had been initiated by R. A.
Butler, Conservative education minister in the coalition government, in his 1944 Education Act. The school-leaving age was to be raised to 15 and there was free secondary education for all. Finally, council housing was to solve the problem of homelessness and squatting which followed the end of the war.
Throughout the 1950s and 1960s there was cross-party consensus on the welfare state. In the 1970s the consensus was challenged from the right by neo-liberals who wanted to ‘roll back the state’. Their arguments, together with rising unemployment, reawakened concern over costs and a ‘dependency culture’. The election of a Conservative government under Margaret
Thatcher in 1979 led to debate on the future of the welfare state, but few measures to reduce its scope were taken until after the third Conservative election victory in 1988. The debate continues: broadly there are two interrelated issues: the universalist One Nation approach versus a means-tested safety-net system, and the sustainability of the costs of provision.
Margaret Wilkinson
Cite this article
Pick a style below, and copy the text for your bibliography.
|
The Art of Ercole de' Roberti.
Magazine article from: Renaissance Quarterly; 6/22/1995; ; 700+ words
; ...monograph on the fifteenth-century Ferrarese artist Ercole de' Roberti (d. 1496) bridges a very significant gap in the...important Quattrocento figure since Mario Salmi's Ercole de' Roberti (Milan, 1960). As an archetypical "artist monograph...
|
|
Riddles of the Renaissance / Getty shows give rare glimpse of obscure Italian court painters.(Review)
Newspaper article from: San Francisco Chronicle; 4/27/1999; ; 700+ words
; ...predecessor at the Ferrara court, Ercole de' Roberti (c. 1456-1496), the subject...opens at the Getty today. "Ercole de' Roberti: The Renaissance in Ferrara...heads, like those we see in Ercole de' Roberti -- suggest that they were...
|
|
Isabella's mother: aspects of the art patronage of Eleonora d'Aragona, duchess of Ferrara.(Critical essay)
Magazine article from: Aurora, The Journal of the History of Art; 1/1/2003; ; 700+ words
; ...she commissioned paintings from Andrea Mantegna and Ercole de' Roberti, two artists who also later worked for Isabella...women painted for her by the Ferrarese court painter Ercole de' Roberti. Along the way, and at the conclusion, some comments...
|
|
The new Pinacoteca di Brera.(art museum in Milan, Italy)
Magazine article from: Europe; 7/1/1999; ; 700+ words
; ...from the fifteenth to the eighteenth century and include paintings by Mantegna, Giovanni Bellini, Tintoretto, Ercole de Roberti, Piero della Francesca, Raphael, and Caravaggio. Although housed in what had been the empress's grand palace...
|
|
Riches in Ferrara: the artistic achievements of the d'Este court in the 15th century are being celebrated in a two-part exhibition that has Cosme Tura at its heart.(EXHIBITIONS)(Borso d'Este)
Magazine article from: Apollo; 1/1/2008; ; 700+ words
; ...Palazzo Schifanoia, with the extraordinary frescoes (Fig. 1) in the 'Salone dei Mesi' executed by Cossa, Ercole de' Roberti (born in Ferrara) and others. Borso is emphatically present: for the month of March, he is shown on horseback...
|
|
Step back in time to discover the Borgias' Italy; A little-known part of the eastern Italian coast charms Carole Howland with the history and beauty of its architecture, museums and rare wildlife.(Travel)
Newspaper article from: The Birmingham Post (England); 11/17/2001; 700+ words
; ...patronage, Ferraro became one of the wealthiest cities in Italy and illustrious local artists (Francesco del Cossa, Ercole de'Roberti, Cosme Tura) established the Ferrara School of painting. Be
|
|
Beset by problems
Magazine article from: The Spectator; 3/9/2002; ; 700+ words
; ...William Hogarth's `Garrick as Richard III'; Simone Martini's `Christ with his parents in the Temple'; and Ercole de' Roberti's 'Pieta'. Its icons of British painting and sculpture in the 19th and early 20th centuries include, `And...
|
|
THE MAGIC GREENWOOD OF DOSSO DOSSI.
Magazine article from: Contemporary Review; 9/1/1999; ; 700+ words
; ...Alfonso's uncle and, later, his father, the Dukes Borso and Ercole, had recruited the first school of painters who worked at the ornate Ferrarese court: Tura, Costa, Roberti, Cossa and Bianchi. After Alfonso had persuaded Giovanni Bellini...
|
|
Ercole de' Roberti
Book article from: The Columbia Encyclopedia, Sixth Edition
Ercole de' Roberti , 1456?-1496, Italian painter of the Ferrarese school. He probably...A large altarpiece in the Brera, Milan, is the most certain work by Ercole. Other paintings ascribed to him reveal a style ranging from a nervous...
|
|
Roberti, Ercole de'
Book article from: The Oxford Dictionary of Art
Roberti, Ercole de' ( b Ferrara, c. 1450; d Ferrara, May/June 1496). Italian painter, active mainly in Ferrara. He succeeded Tura as...
|
|
Cossa, Francesco del
Book article from: The Oxford Dictionary of Art
...active mainly in Ferrara, where with Cosimo Tura and Ercole de' Roberti he was the leading artist of the period. His style...Months in the Palazzo Schifanoia at Ferrara; Cossa, Roberti, and Tura are all thought to have contributed to the...
|
|
Francesco Cossa
Book article from: The Columbia Encyclopedia, Sixth Edition
...1435-1477?, Italian painter. He was a leading representative of the Ferrarese school and was regarded, with Ercole de'Roberti, as the founder of the Bolognese school. His principal works include The Glorification of March, April, and...
|
|
Cosimo Tura
Encyclopedia entry from: Encyclopedia of World Biography
...supplied some of the cartoons. The painters who executed the cycle were Francesco del Cossa, Baldassare d'Este, Ercole de'Roberti, and Antonio Cicognara. Among Tura's extant late work only the St. Anthony of Padua (1484) can be assigned...
|