Reese, Della 1931–
Della Reese 1931–
Singer, actress, minister
At a Glance…
Launched Performing Career
Broke into Television
Made Small Screen History
Suffered Near-Fatal Illness
Racked Up Singing and Acting Credits
Selected discography
Selected writings
Sources
As both an accomplished actress and singer of gospel, pop, and blues, Della Reese admits that her first love is singing. She is well known for her clear, powerful voice, distinctive diction, and emotional delivery. Yet television and movie performances have rounded out her varied career in the entertainment business and showcased her talents both as a comedic and dramatic actress. The youngest in a family of six children born to Richard, a factory worker, and Nellie, a cook, she grew up in Detroit, Michigan, where the Baptist church and gospel music were strong early influences. At the age of six, Deloreese Patricia Early began singing in the church’s junior choir.
For the next seven years, Deloreese continued to sing in her church’s gospel choir. By the time she was 13, she had developed such vocal power and talent that she attracted the attention of gospel legend Mahalia Jackson. Known as the “Queen of Gospel Music,” Jackson recruited Deloreese for her Mahalia Jackson Troupe gospel singers. “This opportunity to sing with the world’s foremost gospel singer was a thrilling experience,” Reese noted in a 1992 press release. “I will never forget the wonderful association which lasted for five consecutive summers, and the lasting things I learned from her … how to communicate with people through song,” he continued. Reese toured with the gospel group from 1945 through 1949.
Reese enrolled in Wayne University in 1949 with the intention of majoring in psychology. She also continued to develop her singing career. She formed a women’s gospel group called the Meditation Singers during her first year at Wayne. By late 1949, Reese’s mother had died and her father had become ill. She dropped out of college to help support her family, working at various times as a receptionist and switchboard operator, a barber, a taxicab driver, and a truck driver.
During this time Reese continued to sing with the Meditation Singers. She also had the occasional opportunity to perform with the Clara Ward Singers, the Roberta Martin Singers, and Beatrice Brown’s Inspirational Singers. Reese did not consider singing as a career, however. In a December 1957 interview with Don Nelsen for the New York Sunday News, she said, “I was interested in singing, but I thought of it as something to do when you didn’t have anything else to do.”
Born Deloreese Patricia Early, July 6, 1931, in De troit, Ml; daughter of Richard (a factory worker) and Nellie (a domestic) Early; married Vermont Adolphus Bon Taliaferro (a factory worker; divorced); married Leroy Basil Gray (an accountant; divorced); married Mercer Ellington, 1961 (annulled 1961); married Franklin Thomas Lett, Jr. (a concert and tv producer and businessman), 1978; children: Deloreese Daniels (“Dumpsey”; adopted 1961 ), Dr, James Barger (adopted 1965); stepchildren: Franklin Lett III, Dominique Lett Education: Attended Wayne State University, 1949–50.
Career: Sang with the Mahalia Jackson Troupe, summers, 1945–49; formed the Meditation Singers, a gospel group, 1949; worked as a receptionist, a taxi driver, and a barber; sang with Clara Ward Singers, the Roberta Martin Singers, Beatrice Brown’s Inspirational Singers, and the Erskine Hawkins Orchestra; signed with Jubilee Records, 1954; signed with RCA, 1959; performed in nightclubs across the U.S.; made over 300 television guest appearances on popular talk and entertainment shows; guest host of The Tonight Show; host of her own variety show, Della, 1969–70; guest star in numerous television shows, including The Mod Squad, Chico and the Man, Designing Women, LA, Law, and Picket Fences; costar of television situation comedy The Royal Family, CBS, 1991–92; Touched by an Angel, 1994-; actress in films, including Lets Rock, The Distinguished Gentleman, and Harlem Nights; toured in revue Some of My Best Friends Are the Blues, beginning 1992. Ordained minister, Universal Foundation for Better Living.
Awards: Named Most Promising Girl Singer of 1957; Emmy nomination for best supporting actress, 1977; Grammy nomination for best female soloist-gospel, 1987; approved for star on Hollywood Walk of Fame; numerous gold records.
Addresses: Agent—Lett Entertainment, 1910 Bel Air Rd., Los Angeles, CA 90077.
Since gospel singers made very little money, Reese thought a career in business would be the best way for her to earn a living. Nevertheless, she toyed with the idea of making music her profession. She knew that earning a living as a singer would mean performing popular music in nightclubs; this caused her some distress, since the extravagance and excesses she associated with club life clashed with her religious beliefs. However, when the Reverend E. A. Rundless of Detroit’s New Liberty Baptist Church encouraged her to pursue a singing career, she put her reservations aside. A short time after Reese became a hostess-singer at a local bowling alley/nightclub, she won a contest in which newspaper readers voted for their favorite local singer. The prize was a week-long engagement at Detroit’s famous Flame Showbar.
At the time, Reese was married to Detroit factory worker Vermont Adolphus Bon Taliaferro. Because she could not fit her name on the nightclub marquee, she decided to shorten it to Pat Ferro. By the time her engagement at the Flame Showbar ended eighteen weeks later, she had changed her name again. Dividing her first name into Della Reese, she created her professional name, one that would become synonymous with blues, jazz, and gospel music excellence.
It was during her engagement at the Flame Showbar that Reese attracted the attention of New York agent Lee Magid, who agreed to represent her. In 1953 Reese moved to New York to sing with the Erskine Hawkins Orchestra. In the nine months she was with the orchestra, she further developed her vocal talents and style of delivery, alternating between blues, jump tunes, and Latin music.
In 1954 Reese signed a contract with Jubilee Records. Her first releases included I’ve Got My Love to Keep Me Warm, Time After Time, and In The Still of the Night, which sold 500,000 copies. Reese’s first big hit, And That Reminds Me, sold over a million copies in 1957. She was soon voted “The Most Promising Girl Singer” of the year by Billboard, Cashbox, and Variety magazines, along with the Disc Jockeys of America and the Jukebox Operators Association.
With her successful recording career in full swing, Reese was in demand for national television appearances. She entertained viewers of the Perry Como, Jackie Gleason, Joey Bishop, and Ed Sullivan shows during the late 1950s and early 1960s. Appearances on the Mike Douglas, Merv Griffin, Pat Boone, and Hollywood Palace shows followed, as did radio performances. She toured the nightclub circuit and even landed a singing role in the 1958 Columbia film Let’s Rock. In 1959 Della Reese recorded her biggest hit, “Don’t You Know?,” for RCA Victor. This success of this single, which was adapted from Italian composer Giacomo Puccini’s opera La Bohème, led to nine years of performing in Las Vegas and more than three decades of recording successes for a variety of labels, including ABC-Paramount and AVCO-Embassy.
Reese became the first woman to stand in for Johnny Carson when she guest hosted The Tonight Show. In 1969 she made history again, becoming the first black woman to host her own television program, a variety show titled Delia, which was nationally syndicated by RKO in 1969 and 1970. When Reese’s television contract was not renewed, she resumed her career as a nightclub performer. She has entertained in many of the country’s top clubs, including such famous night spots as the Coconut Grove in Hollywood, the Fontainebleau Hotel in Miami Beach, Los Angeles’s Greek Theatre, and the Apollo Theatre and Copacabana, both in New York. She has also toured internationally, performing at venues in Europe, Japan, and South America.
On October 3, 1980, Reese was taping a segment for The Tonight Show when something went terribly wrong. “I hit a horrendous note—the flattest I’ve ever sung…. My left knee buckled and I fell to the floor,” she related in People magazine. An aneurysm, or weakened spot on an artery, had burst within her brain. On the brink of death for several days, Reese faced the reality that she might never make a full recovery. But her faith in God, the love and support of her family, and the talents of a Canadian neurosurgeon pulled her through.
Reese’s strong religious convictions—evident in the inclusion of black spirituals in virtually all of her nightclub performances—prompted her to found the Understanding Principles for Better Living Church in 1983. She also enrolled in The Johnnie Colemon Institute, a religious-training school, and became an ordained minister in 1987. A deeply religious person, Reese maintains that without faith, her success in the fields of music and acting would not have been possible.
Since her television acting debut in 1968 as a disco owner on The Mod Squad, Reese has continued appearing on the small screen, singing on many shows, including The Love Boat, The Great American Gospel Show, and the Grand Ol’ Opry. In 1976, Reese landed the role of Delia Rogers on the popular sitcom, Chico and the Man. In 1986, she was a regular in the role of Aunt Rachel on the short-lived series, Charlie & Co. Her acting talent is also evident in the widely varied guest-starring roles she has landed over the years on such series as San ford and Son, Police Story, The “A” Team, MacGyver, Night Court, Crazy Like a Fox, Young Riders, Designing Women, L.A. Law, and Picket Fences. During the 1991–92 television season, she costarred in the CBS-TV hit The Royal Family. Although the death in 1991 of Redd Foxx, Reese’s television-husband in the series, cast doubt on the fate of the show, the plot was reworked and the situation comedy continued for the rest of the season.
Reese returned to the big screen in the role of Vera in the movie Harlem Nights in 1989, a film which featured a memorable fight scene with Eddie Murphy. She also appeared with Eddie Murphy in his 1992 film The Distinguished Gentleman. Reese credits her success as an actress to her experience as a live singer and nightclub performer. “If you can make people believe your songs of blues and sadness, when you don’t feel that way… well, that takes acting ability I always knew I had,” she was quoted as saying in a press release.
In addition to acting, Reese continues to pursue her first love, singing. She has often performed in concert halls, nightclubs, and at music festivals. In 1992 she starred in a nightclub show created by her husband, Franklin Lett. Some of My Best Friends Are the Blues opened at the Cinegrill in Hollywood to rave reviews. Wrote Don Heckman in the Los Angeles Times, “Reese genuinely appeared to be enjoying every minute. Reaching out, pulling her audience into the music, asking them to share both the pleasure and the passion of her experience, she was an irresistible spokeswoman for the joys and tears of the blues.”
In 1994, Reese accepted the role of the wise angel Tess in the CBS television series, Touched By an Angel. The show opened to dismal reviews and was in danger of being cancelled. However, Reese’s faith convinced her that the show would ultimately become a success. Her faith in Touched By an Angel was not misplaced. The show caught on with viewers in 1996 and has become a smash hit, finishing each week in the top ten of the Nielsen ratings. Reese’s work in Touched By an Angel has led to Golden Globe, Screen Actors Guild, and Emmy Award nominations. She has won NAACP Image Awards for Outstanding Lead Actress in a Drama Series for Touched By an Angel both in 1996 and 1998.
In 1997, Reese wrote her autobiography Angels Along the Way: My Life with Help from Above. In the book, she details her belief that angels have guided and strengthened her throughout her life and led to her successful career as an actress and singer. Writing the book offered Reese an unexpected opportunity to heal the wounds of the past. “It was very fulfilling,” she related in Jet, “It wasn’t difficult to write. I did have reactions of anger and of crying.” Reese also remarked in Jet that she hopes the story of her life journey will be an inspiration to others, “I want to show people that if He would do this for me, He will do the same thing for you.”
I’ve Got My Love to Keep Me Warm, Jubilee, c. 1955.
Time After Time, Jubilee, c. 1955.
In the Still of the Night, Jubilee, c. 1956.
One More Time, ABC-Paramount, 1956.
And That Reminds Me, Jubilee, 1957.
A Date with Della-at Mr. Kelly’s, Jubilee, 1958.
Della by Starlight, RCA Victor, 1960.
Della, Della, Cha Cha Cha, RCA Victor, 1960.
I Like It Like Dat, ABC-Paramount, c. 1960.
Special Delivery, Della Reese, RCA Victor, 1961.
Della on Stage, RCA Victor, 1962.
The Classic Delia, RCA Victor, 1962.
Waltz with Me, Delia, RCA Victor, 1963.
Three Great Girls, RCA Victor, 1963.
Della Reese at Basin Street East, RCA Victor, 1964.
C’mon and Hear, ABC-Paramount, 1965, reissued, Pickwick, 1978.
Moody, Della Reese, RCA Victor, 1965.
On Strings of Blue, ABC-Paramount, 1967.
The Best of Della Reese, RCA Victor, 1972.
Let Me in Your Life, Lee Magid, 1972.
Della Reese, ABC-Paramount, 1976.
One of a Kind, Jazz a la Carte, 1978.
Hush, Somebody’s Callin’My Name, CUT, 1979.
Sure Like Lovin’ You, Della Reese (Applause), 1983.
Della Reese and Brilliance, AIR Co., 1987.
Black Is Beautiful, AVCO-Embassy.
What Do You Know About Love?, Jubilee.
Amen, Jubilee.
The Story of the Blues, Jubilee.
Angels Along the Way: My Life With Help From Above, Putnam, 1997.
Periodicals
Black Elegance, July 1992.
Jet, December 9, 1991; November 24, 1997.
Los Angeles Times, July 16, 1992.
McCalls, October 1997, pp. 50–54.
Melody Maker, August 29, 1987.
New York Sunday News, December 29, 1957.
People, May 19, 1980, pp. 137–39; February 24, 1997, pp. 113–14.
Variety, November 18, 1981; May 7, 1986.
Village Voice, March 16, 1982.
Other
Additional information for this profile was obtained from a Lett Entertainment press release, 1992, and an interview featured on Entertainment Tonight, ABC-TV, April 29, 1993.
—J. M. Lesinski, D. Oblender, and Sandy J. Stiefer
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Magazine article from: Journal of Physical Oceanography; 10/1/2000; ; 700+ words
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Newspaper article from: Cape Times (South Africa); 8/25/2006; 700+ words
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Namibia: Benguela Commission Given Multi-Million Boost.
News Wire article from: TendersInfo; 9/12/2008; 615 words
; Byline: Mamta03 The Benguela Current Commission (BCC) on Friday...will strengthen the capacity of the Benguela Current Commission through a training...approach to fisheries management. The Benguela Current Commission was established...
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Book article from: The Columbia Encyclopedia, Sixth Edition
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Benguela Current
Book article from: A Dictionary of Ecology
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Benguela current
Book article from: A Dictionary of Earth Sciences
Benguela current Oceanic water current that flows northward along the west coast of southern Africa between latitude 15° S and 35°S. It is distinguished by an area of cold upwelling water, and is a relatively weak current, flowing at less than 0.25 m/s.
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Ovimbundu
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Lobito
Book article from: The Columbia Encyclopedia, Sixth Edition
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