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polyphony

The Columbia Encyclopedia, Sixth Edition | Date: 2008

polyphony , music whose texture is formed by the interweaving of several melodic lines. The lines are independent but sound together harmonically. Contrasting terms are homophony, wherein one part dominates while the others form a basically chordal accompaniment, and monophony, wherein there is but a single melodic line (e.g., plainsong ). Polyphony grew out of the practice of organum, in which a plainsong melody is paralleled by another melody at the interval of a fourth or a fifth. This practice, first described in the Musica enchiriadis (late 9th cent.), developed into freer forms of countermelody, culminating in the great age of polyphony in the 15th and 16th cent. In the music of this period, harmonies seem to be generated by the melodic lines sung simultaneously. The gradual ascendancy of harmonic relationships over melodic considerations and the resultant development of major and minor tonalities led in the baroque era to a polyphony controlled by harmony. The fugues and chorale settings of J. S. Bach are the epitome of this type. Homophonic texture is more characteristic of the music of the classical and romantic eras, but in the 20th cent. there has been renewed interest in polyphonic aspects of musical texture and structure. See counterpoint .

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The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press

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polyphony
World Encyclopedia polyphony Vocal or instrumental part music in which the compositional interest centres on the ‘horizontal’ aspect of each moving ... Read more
choir
Britannica Concise Encyclopedia ... sang only plainsong ( Gregorian chant ). The relative complexity of early polyphony required solo voices rather than choral performance, but by the 15th century polyphony was being performed chorally. The growth of the secular choir (or chorus ... Read more
treble
The Columbia Encyclopedia, Sixth Edition ... the voice of a boy or a girl. The term appeared in 15th-century English polyphony, probably as an anglicization of the Latin triplum, the name given in medieval polyphony to the part that was often the highest (see motet ). The treble clef, however ... Read more
tenor
The Columbia Encyclopedia, Sixth Edition highest natural male voice . In medieval polyphony, tenor was the name given to the voice that had the cantus firmus, a preexisting melody, often a fragment of plainsong, to which ... Read more
baroque
The Columbia Encyclopedia, Sixth Edition ... Its beginnings were in the late 16th-century revolt against polyphony that gave rise to the accompanied recitative and to opera ... in ensemble music throughout the baroque era. Renaissance polyphony persisted, however, being called the stile antico and considered ... Read more

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