naturalism (literature)

naturalism in literature, an approach that proceeds from an analysis of reality in terms of natural forces, e.g., heredity, environment, physical drives. The chief literary theorist on naturalism was Émile Zola , who said in his essay Le Roman expérimental (1880) that the novelist should be like the scientist, examining dispassionately various phenomena in life and drawing indisputable conclusions. The naturalists tended to concern themselves with the harsh, often sordid, aspects of life. Notable naturalists include the Goncourt brothers, J. K. Huysmans , Maupassant , the English authors George Moore and George Gissing , and the American writers Theodore Dreiser , Frank Norris , Stephen Crane , James T. Farrell , and James Jones . In the drama, naturalism developed in the late 19th cent. By stressing photographic detail in scene design, costume, and acting technique, it attempted to abolish the artificial theatricality prominent in 19th-century theater. The movement was most closely associated with the Théâtre Libre (founded 1887) of André Antoine , with the Freie Bühne (founded 1889) of Otto Brahm , and with the Moscow Art Theatre (founded 1898) under the direction of Stanislavsky . Notable naturalistic dramatists include Becque , Brieux, Hauptmann , and Gorky .

Bibliography: See studies by J. Howard (1985) and W. B. Michaels (1988).

naturalism Late 19th-century literary movement that began in France and was led by Émile Zola. An extension of realism, it emphasized the importance of documentation. Writers sought to represent unselective reality with all its emotional and social ramifications. A major exponent of naturalistic drama was August Strindberg. The movement declined by the beginning of the 20th century, but influenced the development of the modern US novel and socialist realism.