W H Auden

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W. H. Auden

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

W. H. Auden (Wystan Hugh Auden) , 1907-73, Anglo-American poet, b. York, England, educated at Oxford. A versatile, vigorous, and technically skilled poet, Auden ranks among the major literary figures of the 20th cent. Often written in everyday language, his poetry ranges in subject matter from politics to modern psychology to Christianity. During the 1930s he was the leader of a left-wing literary group that included Christopher Isherwood and Stephen Spender . With Isherwood he wrote three verse plays, The Dog beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1938), and Journey to a War (1939), a record of their experiences in China. He lived in Germany during the early days of Nazism, and was a stretcher-bearer for the Republicans during the Spanish Civil War.

Auden's first volume of poetry appeared in 1930. Later volumes include Spain (1937), New Year Letter (1941), For the Time Being, a Christmas Oratorio (1945), The Age of Anxiety (1947; Pulitzer Prize), Nones (1951), The Shield of Achilles (1955), Homage to Clio (1960), About the House (1965), Epistle of a Godson and Other Poems (1972), and Thank You, Fog (1974). His other works include Letters from Iceland (with Louis MacNeice , 1937); the libretto, with his companion Chester Kallman, for Stravinsky 's opera The Rake's Progress (1953); A Certain World: A Commonplace Book (1970); and The Dyer's Hand and Other Essays (1968).

In 1939, Auden moved to the United States, he became a citizen in 1946, and beginning that year taught at a number of American colleges and universities. From 1956 to 1961 he was professor of poetry at Oxford. Subsequently he lived in a number of countries, including Italy and Austria, and in 1971 he returned to England. He was awarded the National Medal for Literature in 1967.

Bibliography: See his Collected Poetry (1945), Collected Shorter Poems, 1927-1957 (1967), and Collected Longer Poems (1969); E. Mendelson, ed., The Complete Works of W. H. Auden (Vol. 1, 1997; Vol. 2, 2002); biographies by C. Osborne (1979, repr. 1995), H. Carpenter (1981), E. Mendelson (2 vol., 1981, 1999), and R. Davenport-Hines (1996) and Auden in Love (1984) by D. Farnan; studies by S. Hynes (1977, repr. 1982) and E. Callan (1983).

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Auden, W. H.

A Dictionary of British History | 2004 | | © A Dictionary of British History 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Auden, W. H. (1907–73). Poet, whose name is often given to the literary generation of the 1930s when, it has been said, ‘the red flag was intertwined with the old school tie’. Marx, Freud, and Eliot all influenced Poems (1930). Yet he was as ready to write ‘in praise of limestone’, the Icelandic sagas, or simple human love. Intellectually restless, a brilliant chronicler of the times, in ‘Spain’ (1937) he wrote one of the definitive poems of a ‘low, dishonest decade’. On the eve of war he emigrated. He returned to Oxford in 1955 as professor of poetry.

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Auden, W.H.

World Encyclopedia | 2005 | © World Encyclopedia 2005, originally published by Oxford University Press 2005. (Hide copyright information) Copyright

Auden, W.H. ( Wystan Hugh) (1907–73) Anglo-American poet, b. England, one of the major poets of the 20th century. Auden's first volume of poetry, Poems (1930), established him as the leading voice in a group of left-wing writers, which included Stephen Spender, Louis MacNeice, Cecil Day-Lewis, and Christopher Isherwood. Auden and Isherwood collaborated on a series of plays, such as The Ascent of F6 (1936). Auden joined the Republican cause in the Spanish Civil War and wrote Spain (1937). In 1939 he emigrated to New York, becoming a US citizen in 1946. His volume The Age of Anxiety (1947) won a Pulitzer Prize. From 1956 to 1961, he was professor of poetry at Oxford University. Auden's poetry adopts many tones, often utilizing colloquial and everyday language. His later poetry is more serious and epistolary, reflecting his conversion to Anglicanism. Auden's Collected Poems was published in 1976.

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Magazine article from: The Modern Language Review; 4/1/2001; ; 700+ words ; W. H. Auden: Towards a Postmodern Poetics. By RAINER...from the premise that today the poetry of Auden 'rarely troubles serious academic debates' and that 'Auden's poems have [...] not been MLR...
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Magazine article from: Notes; 3/1/1995; ; 700+ words ; If W.H. Auden had not cowritten the libretto for Igor...Beginning with The Rake's Progress Auden wrote his librettos with Chester Kallman, whose chief profession was being Auden's companion, but who also published...
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Magazine article from: Commonweal; 12/17/1993; ; 700+ words ; ...is a fascinating study of W. H. Auden, not simply because Anthony...in The Hidden Law concern Auden's widely misunderstood...commentary on "In Memory of W. B. Yeats" and its famous...his own (and implicitly, Auden's) richer understanding...
Master of disguise Amid revived critical interest, a fine new study of W.H. Auden
Newspaper article from: The Boston Globe; 4/4/1993; ; 700+ words ; THE HIDDEN LAW The Poetry of W. H. Auden By Anthony Hecht. Harvard University Press. 484 pp...opening pages of this masterly study of the poetry of W. H. Auden, Anthony Hecht cites a comic though discordant wrangle...
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Magazine article from: The Economist (US); 2/9/1991; 700+ words ; ...serious of 20th-century poets, W.H. Auden was also the most frivolous. He...School in New York, Kaliman had left Auden for another man, and the poet...old girls. "The Table Talk of W.H. Auden", from which the above is a brief...
Mapping the mind and the body: on W.H. Auden's personifications.(Critical Essay)
Magazine article from: Style; 9/22/2002; ; 700+ words ; ...will of one by being two At every moment is denied." (W. H. Auden, "The Sea and The Mirror," Collected 413) 1. Introduction...of emotions, and the use of mind or body metaphors. W. H. Auden is one case in point since he was forever writing about...

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