Wyatt, Sir Thomas (1503–42), held various diplomatic posts in the service of
Henry VIII in France, Italy, Spain, and the Netherlands. His first visit to Italy in 1527 probably stimulated him to translate and imitate the poems of Petrach. In the same year he made a version of a
Plutarch essay, based on Budé's French translation,
The Quyete of Mynde, which he dedicated to the queen (Catherine of Aragon) whom the king was in the process of divorcing. He was certainly closely acquainted with Henry VIII's next bride, Anne Boleyn, before her marriage and, according to three 16th-cent. accounts, confessed to the king that she had been his mistress and was not fit to be a royal consort. Possibly this frankness explains why Wyatt was not executed, along with Anne's other lovers, in 1536, suffering only a period of imprisonment in the Tower. He subsequently became a sheriff of Kent, and in 1537–9 was ambassador to Charles V's court in Spain. He celebrated his departure from Spain in the epigram ‘Tagus, fare well’. In 1540 the tide of Wyatt's fortunes turned, with the execution of his friend and patron Thomas
Cromwell, which is probably referred to in the sonnet (based on Petrarch) ‘The piller pearisht is whereto I Lent’. Wyatt himself was arrested, on charges of treason, in July 1541; though released two months later he never fully regained favour.
Wyatt's poetry is beset by problems in three main areas; authorship, biographical relevance, and artistic aims. Though the canon of Wyatt's poems is generally taken to include all the poems in the Egerton manuscript, even this cannot be proved with certainty. The authenticated poems and translations include sonnets, rondeaux, epigrams, satires, lute songs, and a version (based on Aretino) of the seven Penitential Psalms.
Tottel in his
Songes and Sonettes (1557) adapted many of Wyatt's poems to conventional iambic stress, including ‘They fle from me that sometyme did me seke’. Critical estimates of Wyatt's poetry in the 20th cent. have varied widely C. S.
Lewis called him ‘the father of the Drab Age’, but others have viewed him as a complex and original writer whose love poems anticipate those of
Donne.