Desire Under the Elms (1924), a drama by Eugene
O'Neill. [Greenwich Village Theatre, 208 perf.] Ephraim Cabot ( Walter
Huston), unsparing and miserly, works the New England farm he inherited from his second wife with the help of his three sons. The youngest, Eben ( Charles Ellis), blames his father for his mother's death, insisting he killed her with overwork. Eben's older half‐brothers, Simeon ( Allen Nagle) and Peter ( Perry Ivins), long for a better life in California. When the seventy‐five‐year‐old Ephraim appears with his third wife, an ambitious young widow, Abbie Putnam ( Mary Morris), the older boys sell their shares to Eben and head for the gold fields. Abbie seduces Eben, and when their child is born, Ephraim, believing the child his, makes the baby his heir. Eben denounces Abbie, but she has come to love him. To prove her love, she kills the baby. Eben calls the police, but recognizing that he, in turn, has come to love Abbie, claims he assisted in the killing. Ephraim prepares to tend the farm alone as the young couple are taken away. Stark
Young saw the work's similarity to
Beyond the Horizon but judged it “better written throughout; it has as much tragic gloom and irony, but a more mature conception and a more imaginative austerity.” When the play was moved uptown it was not particularly successful until the police attempted to close it. The notoriety helped the play achieve an acceptable run. An
ANTA revival in 1952 met with a modest run but a
Circle in the Square production in 1963, featuring George C.
Scott, Colleen
Dewhurst, and Rip
Torn, was very successful.