Sherwood, Robert Emmet (1896–1955), American dramatist, who scored a success with his first play
The Road to Rome (1927; London, 1928), a satirical treatment of Hannibal's march across the Alps which deflated military glory. It was followed by
The Love Nest (also 1927), based on a short story by Ring Lardner, and
The Queen's Husband (1928; London, 1931), which drew an amusing portrait of a henpecked king.
Waterloo Bridge and
This is New York (both 1930) were failures, but with his next play,
Reunion in Vienna (1931; London, 1934), brilliantly interpreted by the Lunts, Sherwood again achieved success. With
The Petrified Forest (1935; London, 1942), about an idealist's virtual suicide, he began to take cognizance of the rapidly deteriorating world situation, and although there was a light-hearted interval with
Tovarich (London, 1935; NY, 1936), based on a play by Jacques Deval, in the
Pulitzer Prize-winner
Idiot's Delight (1936; London, 1938) his ironic pessimism grew darker; in it he foretold a Second World War (he had fought in the first one), and the intellectual bankruptcy of Western civilization.
Abe Lincoln in Illinois (1938) showed Lincoln as a man of peace who entered the political arena reluctantly, and paralleled contemporary political struggles with those of his day.
There Shall be no Night (1940; London, 1943), written in response to the invasion of Finland, showed a pacifist scientist choosing war as preferable to slavery. After a few years of political activity, during which he wrote no new plays, Sherwood returned to the theatre with
The Rugged Path (1945). His last play,
Small War on Murray Hill, a mildly romantic comedy about the American Revolution, was produced posthumously in 1957.